TASC Visual Art Level 3 study materials
TASC Visual Art Level 3 study resources

TASC Visual Art Level 3: Elements and Principles of Art

TASC Visual Art Level 3 · Work through your exam, one topic at a time.

All guide sections

Elements and Principles of Art

The building blocks and the rules of arrangement

The elements of art are the raw ingredients: line, shape, form, space, value, colour and texture. The principles are how those ingredients are organised: balance, contrast, emphasis, movement, pattern, rhythm, proportion, scale and unity. A reliable habit is to name the element first, then the principle it serves. A question asking "which element creates the illusion of depth?" wants space (overlapping, placement, size change, linear perspective), not "perspective", which is a technique.

Traps candidates fall into

  • Confusing shape (flat, two-dimensional, enclosed) with form (three-dimensional, or having the illusion of volume).
  • Treating value as colour. Value is lightness or darkness; a grey-scale painting can be rich in value and have no hue at all.
  • Mixing up pattern (a repeated motif) with rhythm (repetition that creates a sense of beat or flow).
  • Calling asymmetrical balance "unbalanced". Asymmetry can be perfectly balanced through size, colour weight or placement.
  • Confusing proportion (relationship of parts to each other) with scale (relationship of the whole to a standard or to the viewer).

Rule of thumb

When a question describes an artwork, translate each descriptive phrase into an element or principle before choosing an answer. If the stem says "the bright red figure draws the eye against muted greys", that is emphasis achieved through colour and value contrast. If it says "the eye travels along the curve of the road into the distance", that is movement supported by line and space.

Worked example

A still life shows three apples of different sizes placed off-centre, with a large pale jug on the opposite side. Which principle is most clearly at work? Answer: asymmetrical balance, because visual weight on one side is offset by contrasting size and value on the other.