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Labelling a Harappan Seal: Description, Identification and Religious Claim

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Labelling a Harappan Seal: Description, Identification and Religious Claim

A Class XII group in a Hisar school is preparing a fifteen-panel exhibition on Mohenjodaro for the board's project file. Their three chosen objects are a photograph of the bronze 'Dancing Girl', a steatite seal showing a seated figure surrounded by animals, and a set of chert weights. The group's draft label for the seal reads: 'Seal of the Proto-Shiva, Pashupati, the main deity of the Harappans.' Their teacher points out that this label makes three separate claims - the identity of the object, the identification of the figure, and a conclusion about Harappan religion - while the panel has room for only forty words. The group also wants to caption the bronze a 'dancer' because 'that is what the textbook says', and to date both objects to '2500 BCE' exactly. The rubric allots marks for use of evidence, acknowledgement of uncertainty, and correct terminology.

1. Rewrite the forty-word seal label so that it separates observation from inference, and justify each element you keep.

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Keep three things: what is visible, what is inferred, and how confident we are. A workable label (38 words):

'Steatite seal from Mohenjodaro, c. 2600–1900 BCE. A seated, cross-legged figure wears a horned headdress and is flanked by animals. Often identified as a proto-Shiva; the script is undeciphered, so the identification is uncertain.'

Reasoning to show the examiner:

  • The object (steatite seal, find-spot, date range) is secure - it is documented archaeological material.
  • The figure is described, not named. Nothing on the seal says 'Pashupati'; the name comes from later Sanskrit tradition and from Marshall's 1931 suggestion, so it must be flagged as an identification.
  • The religious conclusion ('main deity of the Harappans') cannot be drawn from one seal. Harappan script is undeciphered, so no Harappan text names any deity.
  • 'Proto-Shiva' also assumes a straight line from Harappan religion to later Hinduism, which is a hypothesis, not a fact. Every element deleted should be deleted for a stated reason: the panel is short, so dropping 'main deity' buys exactly the words needed for the date range and the disclaimer.

2. A classmate argues that the 'Dancing Girl' caption is safe because it comes from the textbook. Evaluate this reasoning and supply a defensible caption.

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The argument confuses a caption with evidence. Textbook captions are themselves interpretations inherited from early excavators - Marshall called the bronze a 'dancing girl' in 1931 largely on the basis of its pose - and captions are written for brevity, not certainty. Three tests:

  1. What is actually visible? A bronze figure, right hand on hip, left arm heavily ornamented, weight on one leg. That supports 'standing figure in a relaxed posture'; it does not establish dance, and certainly not a profession or a ritual role.
  2. Would any Harappan source confirm it? No text can, so the caption must be descriptive or hedged.
  3. What does the rubric reward? Acknowledgement of uncertainty.

Defensible caption: 'Bronze female figurine, Mohenjodaro; its posture has led to the popular name "Dancing Girl", though its function is unknown.'

General principle for the project file: authority - a textbook, a famous archaeologist - transfers attention, not proof. Name who proposed the label and when; that historiographical note itself earns marks.

3. The group wants to fix both objects at '2500 BCE'. Explain how such objects are actually dated and what the label should say instead.

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How the date is produced:

  • Stratigraphy: an object is dated by the layer it came from, not by its own appearance; seals and bronzes are normally found with other material in a sealed deposit.
  • Radiocarbon (C-14) on associated organic remains - charcoal, grain, bone - gives a date with a laboratory error (± years) that must be calibrated. It dates the organic sample, not the object directly.
  • Thermoluminescence for fired material, and seriation of styles, weights and pottery where no organic sample survives.
  • Mohenjodaro's mature urban phase is conventionally bracketed c. 2600–1900 BCE, and individual objects are placed inside comparable ranges.

So the label should read 'c. 2600–1900 BCE', or 'Mature Harappan, c. 2500 BCE (range)'. A single year implies a precision the method cannot deliver and would lose marks for that reason. If the group wants a tighter date, they must quote the published calibrated range for the trench the object came from - never an average of several dates, and never a guess rounded to a memorable number.