Karnataka II PUC Hindustani Music (KSEAB) study materials
Karnataka II PUC Hindustani Music (KSEAB) study resources

Karnataka II PUC Hindustani Music (KSEAB): Tala and Its Notation System

Karnataka II PUC Hindustani Music (KSEAB) · Work through your exam, one topic at a time.

All guide sections

Tala and Its Notation System

What this domain tests

This domain tests tala vocabulary and your ability to read or write a talalipi line: matra, vibhag, tali, khali, sam, avartan, theka, bol, and laya. You should be able to mark a cycle correctly and explain what each symbol means.

Core rules

  • Matra is one beat-count; vibhag is a group of matras; avartan is one full cycle.
  • Sam is the first and resolving matra, marked ×. Tali marks a stressed vibhag; khali marks a relatively unstressed vibhag, often marked 0. Khali is not a silent beat.
  • Theka is the conventional bol pattern for a tala; bol are the syllables (Dha, Dhin, Na, Tin, Ta, etc.).
  • In Bhatkhande-style notation, a vertical bar separates vibhags; matra numbers sit above the line, and tali/khali numbers appear at vibhag starts.

Worked example

Teentala has 16 matras in four vibhags of 4. Its theka is: Dha Dhin Dhin Dha | Dha Dhin Dhin Dha | Dha Tin Tin Ta | Ta Dhin Dhin Dha. Sam is matra 1 (×, Dha); tali falls at 1, 5, and 13; khali falls at 9. Count 4 + 4 + 4 + 4 = 16. If a line places “Tin Tin Ta” at matras 9–11, the student has correctly identified the khali vibhag but must still mark matra 9 with 0, not with a tali number.

Traps

The common errors are treating khali as silence, putting sam only at the start of a written line without showing the cycle, and counting bols instead of matras. Also check that the vibhag bar comes after the fourth matra, not after the fourth bol.