Maharashtra HSC History and Development of Indian Music study materials
Maharashtra HSC History and Development of Indian Music study resources

Maharashtra HSC History and Development of Indian Music: Notation Systems and Manuscripts

Maharashtra HSC History and Development of Indian Music · Work through your exam, one topic at a time.

All guide sections

Notation Systems and Manuscripts

What the exam tests

This domain tests notation literacy and manuscript knowledge: Bhatkhande and Paluskar systems, symbols for komal/tivra and octave, tala markings, and major source texts.

Core concepts

  • Bhatkhande notation writes svaras in Devanagari. Komal svaras are marked with a line beneath; tivra with a line above; a dot above or below shows the octave. Vertical lines divide vibhags; sam is marked × or 1; khali is 0.
  • Paluskar notation also uses Devanagari but a different set of signs; do not mix the two in one answer.
  • A bandish is notated with asthai and antara; tala cycles are written under the text.
  • Manuscripts: Bharata's Natyashastra (c. 2nd century BCE–2nd century CE), Sarangadeva's Sangita Ratnakara (13th century), Matanga's Brihaddeshi, Ahobala's Sangita Parijata, and Persian court records such as Ain-i-Akbari.
  • These texts are primary sources for shruti, grama, raga classification, and court practice.

Worked example

Question: Notate "Sa Re(komal) Ga Ma" in Bhatkhande style and state which svara is altered. Reasoning: Write Sa, then Re with a line beneath (komal), then Ga, Ma. The altered svara is Re, lowered by a semitone from its shuddha position. If the phrase were "Ma(tivra)", Ma would take a line above. Sam and vibhag marks would depend on the tala.

Traps

  • Using a dot for komal; dots indicate octave, not komal.
  • Mixing Paluskar and Bhatkhande symbols.
  • Citing Ain-i-Akbari as a Sanskrit treatise.
  • Assuming notation fixes a raga completely; oral practice still governs.