PSEB SS Music Tabla study materials
PSEB SS Music Tabla study resources

PSEB SS Music Tabla: Notation Writing and Reading of Tabla Compositions

PSEB SS Music Tabla · Work through your exam, one topic at a time.

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Notation Writing and Reading of Tabla Compositions

Overview

This domain tests whether you can write and read tabla compositions in the prescribed notation. Marks are lost through misalignment, missing symbols and incorrect vibhag lines.

Notation rules

  • Write matra numbers above the bols.
  • Separate vibhags with vertical lines.
  • Mark sam with X, tali with numbered 2, 3, 4, and khali with 0.
  • Keep one bol per matra unless a split bol is explicitly intended.
  • For kayda and palta, write each variation as a separate line with the same matra grid.
  • State the tala name, laya and whether the composition is theka, kayda, tukda, etc.

Worked example

Teental theka in notation: Matra: 1 2 3 4 | 5 6 7 8 | 9 10 11 12 | 13 14 15 16 Bols: dha dhin dhin dha | dha dhin dhin dha | dha tin tin ta | ta dhin dhin dha Marks: X 2 0 3 Reading: matra 1 is sam and tali; matra 5 is tali; matra 9 is khali; matra 13 is tali. The vertical lines show four vibhags of four matras. If a candidate writes "0" over matra 1, the notation contradicts the tala.

Traps

Do not omit the khali mark; do not use "X" for every tali. Keep bols aligned under their matra numbers-shifted text changes the composition. Do not confuse matra numbers with bol syllables. In Rupak, sam is marked X but is khali, so the symbol and the clap/wave status must be explained correctly.