NCEA L1 Te Ao Haka study materials
NCEA L1 Te Ao Haka study resources

NCEA L1 Te Ao Haka: Te Ao Haka: Key Features, Performance, and Tikanga

NCEA L1 Te Ao Haka · Work through your exam, one topic at a time.

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Te Ao Haka: Key Features, Performance, and Tikanga

Te Ao Haka is the NCEA Level 1 subject in Māori performing arts. The domain tests how well you understand performance as a whole: the genre, the roles, the elements, and the tikanga that surrounds it. Questions ask you to describe, explain, and apply-not just recall names. The exam uses items you may not have seen and asks you to respond with evidence. Each answer should name the feature, explain its effect, and link it to the genre or tikanga.

Core rules and concepts

  • Genres: haka (taparahi, peruperu, haka wahine), waiata (tira, ā-ringa, pātere, ori), poi, mau rākau, whakawātea. Each genre has expected features: who performs it, whether weapons are used, the style of movement, and the purpose.
  • Roles: kaitito (composer), kaihaka (performer), kaitātaki (leader; tāne or wahine), and the group. A kaitātaki cues the group and carries the reo.
  • Elements: te tinana (body), te reo (language), te wairua (spirit), te whatumanawa (emotion), te hiranga (excellence). Strong answers connect these elements to specific moments in an item.
  • Tikanga: pōwhiri, whakawātea, karanga, wero. Know the order and purpose of each, and why a group might use whakawātea before a performance.

Worked example

A group performs a haka with no weapons, led by one man, with strong foot stamps and a final pukana. Identify the genre and explain two features.

Reasoning: no weapons plus a men's haka points to haka taparahi, not peruperu (which uses weapons). Strong foot stamps show whakaari and emphasise the kupu. The pukana is a facial expression that carries te whatumanawa. The answer earns marks by linking each feature to its purpose, not by naming it alone.

Traps that cost marks

  • Confusing peruperu with taparahi.
  • Naming a feature without explaining its effect.
  • Ignoring tikanga or context.
  • Using English terms when the Māori term is expected.
  • Describing a performance without evidence from the item.