SACE Stage 2 Music Explorations study materials
SACE Stage 2 Music Explorations study resources

SACE Stage 2 Music Explorations cheat sheet

SACE Stage 2 Music Explorations · Keep the key ideas within reach.

Quick reference

School Assessment: Music Explorations

  • School assessment contributes 70% of the final subject grade; the remaining 30% comes from the external assessment.

  • School assessment comprises three assessment types: Skills Development, Creative Works, and Music in Context, each weighted at specific percentages of the school-assessed portion.

  • Skills Development (30% of school assessment) is assessed through a folio or journal documenting technical exercises, repertoire development, and reflective commentary on progress.

  • Creative Works (40% of school assessment) requires students to create original works or arrangements, with evidence of the creative process and a final presented product.

  • Music in Context (30% of school assessment) involves investigation and discussion of music within cultural, social, or historical contexts, presented in written or multimodal form.

  • Performance standards are described in the subject outline using performance standards (A-E) with specific descriptors for understanding, skills, and application.

  • Each assessment type is graded against performance standards; the A-E grades are converted to numerical scores for final aggregation.

  • Moderation ensures comparability across schools: school-assessed evidence is externally moderated, and results may be adjusted to align with statewide standards.

  • Evidence must be retained for moderation, including recordings, scores, written commentary, and process documentation.

Quick reference

External Assessment: Music Explorations

  • The external assessment is worth 30% of the final subject grade and takes the form of an externally assessed investigation or portfolio, not a written exam.

  • External assessment requires students to undertake an in-depth exploration of a music-related topic, question, or creative project, negotiated with the teacher.

  • The external assessment typically includes a final product (performance, composition, or presentation) plus a written or multimodal reflective statement.

  • Students must submit an investigation proposal or learning agreement outlining the focus, methodology, and intended outcomes before commencing.

  • The external assessment is assessed by external assessors against the performance standards, not by the school teacher.

  • Evidence submitted includes the creative or performance product, process documentation, and a reflective commentary explaining decisions and learning.

  • The external component must demonstrate depth of understanding, application of musical skills, and critical reflection on the exploration process.

  • Word, time, and length limits are specified in the subject outline and must be observed; exceeding limits may result in penalties.

  • Plagiarism and authenticity declarations are required; all sources, collaborations, and external contributions must be acknowledged.