First 50 of 200 questions. Each one lists the choices, the correct answer, and an explanation. The checker at the top of this page saves progress in this browser when it is available.
Continue in the practice tool above to load more questions, 50 at a time.
Question 1Music Inquiry (Units 3 and 4)
In the context of Music Inquiry, what does the term 'timbre' describe about a sound?
- Its duration measured in beats
- Its loudness relative to other sounds
- Its tone colour or quality that distinguishes one instrument from another Correct answer.
- Its perceived highness or lowness on a scale
Explanation
Timbre is the tone colour or quality of a sound, the attribute that lets a listener tell a violin from a flute even when both play the same pitch at the same volume. It arises from the harmonic spectrum and attack characteristics of the sound. Pitch, dynamics and duration are separate parameters.
Question 2Music Inquiry (Units 3 and 4)
A composer writes a melody that moves from C up to G within the same key. Which interval has the melody outlined?
- A major sixth
- An octave
- A minor third
- A perfect fifth Correct answer.
Explanation
From C up to G spans five diatonic steps (C-D-E-F-G), which is a fifth, and the semitone count of seven makes it perfect. A major sixth would require A, and an octave would require the next C.
Question 3Music Inquiry (Units 3 and 4)
Which texture describes a single melodic line performed by one voice with no accompaniment?
- Monophony Correct answer.
- Polyphony
- Homophony
- Heterophony
Explanation
Monophony is a texture of one unaccompanied melodic line. Homophony involves melody with chordal accompaniment, polyphony combines independent simultaneous lines, and heterophony presents variant versions of one line at once.
Question 4Music Inquiry (Units 3 and 4)
A piece is notated with a key signature of three sharps and centres on A. Which key is most likely indicated?
- C-sharp minor
- A major
- E major
- F-sharp minor Correct answer.
Explanation
Three sharps (F-sharp, C-sharp, G-sharp) belongs to A major and its relative minor, F-sharp minor. Since the music centres on A, the tonic is A but the mode is minor, giving F-sharp minor as the relative minor key.
Question 5Music Inquiry (Units 3 and 4)
Which cadence moves from chord V to chord I with both chords in root position and the soprano finishing on the tonic?
- A plagal cadence
- An imperfect authentic cadence
- An interrupted cadence
- A perfect authentic cadence Correct answer.
Explanation
A perfect authentic cadence is V-I with both chords in root position and the highest voice ending on the tonic. An imperfect authentic cadence has either an inversion or a soprano not on the tonic. Plagal is IV-I and interrupted is V-vi.
Question 6Music Inquiry (Units 3 and 4)
A drummer plays a repeating pattern of four beats with accents on beats one and three. Which term best describes this pattern?
- A metre of four with primary accents Correct answer.
- A polyrhythm
- A syncopated rhythm
- A cross-rhythm
Explanation
A regular four-beat pattern accented on beats one and three reflects a quadruple metre with primary accents on the strong beats. Syncopation would displace accents onto weak beats, while polyrhythm and cross-rhythm involve conflicting simultaneous patterns.
Question 7Music Inquiry (Units 3 and 4)
Which form is built on a recurring refrain alternating with contrasting episodes?
- Ritornello form
- Strophic form
- Sonata form
- Rondo form Correct answer.
Explanation
Rondo form alternates a recurring refrain (A) with contrasting episodes (B, C) as in ABACA. Ritornello form alternates a tutti refrain with solo passages in Baroque concertos, sonata form develops two themes, and strophic form repeats a stanza structure.
Question 8Music Inquiry (Units 3 and 4)
Which instrument family is characterised by strings bowed with a horsehair bow and includes the viola?
- The brass family
- The percussion family
- The woodwind family
- The string family Correct answer.
Explanation
The string family includes bowed instruments such as violin, viola, cello and double bass, all played with a bow or plucked. Brass and woodwind use air columns, and percussion is struck or shaken.
Question 9Music Inquiry (Units 3 and 4)
A performer plays a melody and then immediately repeats it at a higher pitch level. Which term describes this technique?
- Inversion
- Retrograde
- Augmentation
- Sequence Correct answer.
Explanation
A sequence restates a melodic figure at a different pitch level, either higher or lower. Inversion flips the contour, retrograde reverses the order of notes, and augmentation lengthens rhythmic values.
Question 10Music Inquiry (Units 3 and 4)
A piece shifts from a major key to its relative minor. Which relationship describes the new key?
- It is a semitone above the original tonic
- It shares the same key signature but changes tonic Correct answer.
- It shares the same tonic but changes mode
- It is a perfect fifth above the original tonic
Explanation
Relative keys share the same key signature but have different tonics, for example C major and A minor. Parallel keys share the tonic but change mode, and a key a fifth above is the dominant.
Question 11Music Inquiry (Units 3 and 4)
Which dynamic marking tells a performer to play very softly?
- pianissimo Correct answer.
- mezzo-forte
- sforzando
- fortissimo
Explanation
Pianissimo (pp) means very soft. Fortissimo (ff) means very loud, mezzo-forte (mf) means moderately loud, and sforzando (sfz) indicates a sudden strong accent.
Question 12Music Inquiry (Units 3 and 4)
A jazz ensemble features a soloist improvising over a repeating chord progression while the rhythm section compiles accompaniment. Which texture best describes the overall sound?
- Polyphonic with equal independent lines
- Homophonic with an improvised melody Correct answer.
- Heterophonic
- Monophonic
Explanation
The soloist carries a melody while the rhythm section supplies chordal accompaniment, producing a homophonic texture with an improvised melody. Monophony would have no accompaniment, polyphony would give equal independent lines, and heterophony would present variants of one melody.
Question 13Music Inquiry (Units 3 and 4)
Which scale pattern consists of semitone, tone, tone, semitone, tone, tone, tone?
- The whole-tone scale
- The major scale
- The natural minor scale Correct answer.
- The chromatic scale
Explanation
The natural minor scale follows the interval pattern semitone, tone, tone, semitone, tone, tone, tone. The major scale is tone, tone, semitone, tone, tone, tone, semitone. Whole-tone and chromatic scales use different patterns entirely.
Question 14Music Inquiry (Units 3 and 4)
A composer writes a chord built on the second degree of a major scale using only notes from that scale. Which chord quality results?
- A major triad
- An augmented triad
- A diminished triad
- A minor triad Correct answer.
Explanation
In a major key, the diatonic triad built on the second degree is minor, for example D minor in C major. It uses the second, fourth and sixth degrees, which form a minor third and a perfect fifth above the root.
Question 15Music Inquiry (Units 3 and 4)
Which term describes a short recurring musical idea associated with a character or idea in a dramatic work?
- A leitmotif Correct answer.
- An ostinato
- A cadenza
- A libretto
Explanation
A leitmotif is a recurring musical idea linked to a character, object or idea, famously used in opera and film. A cadenza is a virtuosic solo passage, a libretto is the text of an opera, and an ostinato is a repeated rhythmic or melodic pattern.
Question 16Music Inquiry (Units 3 and 4)
A recording uses a technique where a performer plays along with a pre-recorded version of their own part. Which term describes this?
- Multitracking
- Overdubbing Correct answer.
- Looping
- Sampling
Explanation
Overdubbing records a new part while listening to an existing recording, often layering the same performer. Multitracking records separate tracks for later mixing, sampling reuses existing audio, and looping repeats a recorded segment.
Question 17Music Inquiry (Units 3 and 4)
A melody uses notes that do not belong to the prevailing key and creates tension before resolving. Which term best describes these notes?
- Drone notes
- Chromatic notes Correct answer.
- Passing notes
- Pedal notes
Explanation
Chromatic notes lie outside the prevailing diatonic scale and create colour and tension that typically resolves. Passing notes fill gaps between chord tones using diatonic or chromatic steps, while pedal and drone notes are sustained tones.
Question 18Music Inquiry (Units 3 and 4)
Which of the following best describes the role of the basso continuo in Baroque music?
- A four-part choral texture
- A solo melodic line with no accompaniment
- A chordal accompaniment played from a figured bass Correct answer.
- A percussion section that keeps the beat
Explanation
The basso continuo is a chordal accompaniment, usually played by a keyboard and a bass instrument, realised from a figured bass line. It supports the melody rather than being a solo line, percussion section or choral texture.
Question 19Music Inquiry (Units 3 and 4)
A piece in common time contains a rhythmic figure written as a dotted quaver followed by a semiquaver. How many semiquavers of duration does this figure occupy?
- Three Correct answer.
- Two
- Four
- Six
Explanation
A dotted quaver lasts three semiquavers (a quaver equals two semiquavers, and the dot adds one), and adding the semiquaver makes four semiquavers in total. The figure therefore lasts one crotchet beat.
Question 20Music Inquiry (Units 3 and 4)
Which term describes a gradual increase in volume over a passage?
- Decrescendo
- Rubato
- Accelerando
- Crescendo Correct answer.
Explanation
A crescendo is a gradual increase in loudness. Decrescendo is a gradual decrease, accelerando is a gradual increase in speed, and rubato is flexible timing.
Question 21Music Inquiry (Units 3 and 4)
A work alternates a recurring orchestral refrain with contrasting solo passages. Which Baroque form does this describe?
- Ritornello form Correct answer.
- Fugue
- Ternary form
- Theme and variations
Explanation
Ritornello form alternates a recurring orchestral tutti refrain with contrasting solo episodes, common in Baroque concertos. A fugue is imitative polyphony, theme and variations alters a theme repeatedly, and ternary form is a three-part structure.
Question 22Music Inquiry (Units 3 and 4)
A composer harmonises a melody using chords I, IV and V in a major key. Which harmonic function does chord V most strongly provide?
- Mediant function
- Tonic function
- Subdominant function
- Dominant function Correct answer.
Explanation
Chord V is the dominant, built on the fifth degree, and it creates tension that resolves to the tonic. Chord I is tonic, chord IV is subdominant, and chord III is mediant.
Question 23Music Inquiry (Units 3 and 4)
A melody is transposed from C major up a whole tone. Which key does the melody move to?
- B major
- D major Correct answer.
- E-flat major
- F major
Explanation
Transposing up a whole tone (two semitones) from C major produces D major. E-flat is a minor third above, B is a major seventh above, and F is a perfect fourth above.
Question 24Music Inquiry (Units 3 and 4)
In an analysis, a passage moves through several keys before returning to the tonic. Which term describes this movement?
- Modulation Correct answer.
- Articulation
- Improvisation
- Ornamentation
Explanation
Modulation is the process of changing from one key to another within a piece. Ornamentation decorates a melody, improvisation is spontaneous performance, and articulation concerns how notes are attacked and released.
Question 25Music Inquiry (Units 3 and 4)
A performer delays the expected resolution of a dissonant chord, creating an expressive suspension before resolving. Which element of music is primarily being manipulated?
- Timbre
- Texture
- Harmony Correct answer.
- Dynamics
Explanation
A suspension is a harmonic device in which a dissonant note is held over a new chord before resolving by step. It manipulates harmony and voice leading rather than tone colour, volume or the number of parts.
Question 26Music Inquiry (Units 3 and 4)
Which term describes the structure of a piece built from a single unbroken melodic line without accompaniment?
- Monophonic texture Correct answer.
- Heterophonic texture
- Polyphonic texture
- Homophonic texture
Explanation
Texture describes how musical lines combine. A single unaccompanied melodic line is monophonic, since only one strand of sound is heard at a time with no supporting harmony or independent countermelody.
Question 27Music Inquiry (Units 3 and 4)
A piece is written with a time signature of 6/8. Which grouping of beats does this signature normally indicate?
- Four beats per bar, each a crotchet
- Three crotchet beats per bar
- Six separate strong beats per bar
- Two dotted-crotchet beats per bar Correct answer.
Explanation
A 6/8 signature is compound duple: six quavers are grouped into two beats, each worth a dotted crotchet. Performers feel two main pulses per bar rather than six equal accents.
Question 28Music Inquiry (Units 3 and 4)
Which interval is formed between the tonic and the fifth degree of a major scale?
- Perfect fourth
- Major third
- Perfect fifth Correct answer.
- Minor sixth
Explanation
In any major scale the distance from the first degree to the fifth degree spans seven semitones, which is a perfect fifth. This interval stays perfect regardless of which major key is used.
Question 29Music Inquiry (Units 3 and 4)
Which term describes a chord built from the first, third and fifth degrees of a major scale?
- Subdominant triad
- Dominant seventh
- Tonic triad Correct answer.
- Supertonic triad
Explanation
A triad built on the first scale degree is the tonic triad, and in a major key it is a major triad. It provides the home harmony to which a tonal piece usually returns.
Question 30Music Inquiry (Units 3 and 4)
A composer writes a passage marked accelerando. What should the performer do?
- Return immediately to the opening tempo
- Gradually speed up the tempo Correct answer.
- Hold the tempo strictly steady
- Gradually slow the tempo
Explanation
Accelerando is an Italian tempo marking meaning gradually becoming faster. It indicates a progressive change of speed rather than a fixed tempo or an immediate shift.
Question 31Music Inquiry (Units 3 and 4)
Which term describes the technique of playing a chord with its notes sounded one after another rather than together?
- Tremolo
- Arpeggiated Correct answer.
- Staccato
- Legato
Explanation
An arpeggiated chord has its notes performed in succession, usually from the lowest upward. The term derives from arpeggio, meaning the notes are spread out like a harp chord.
Question 32Music Inquiry (Units 3 and 4)
A melody is accompanied by sustained chords that change once per bar beneath it. Which texture does this create?
- Homophonic Correct answer.
- Monophonic
- Canonic
- Imitative polyphonic
Explanation
A melody supported by chordal accompaniment produces homophonic texture, because the harmony moves in block chords beneath a single dominant melodic line. It is the most common texture in popular song.
Question 33Music Inquiry (Units 3 and 4)
Which term describes a group of notes performed before the first strong beat of a phrase?
- Ostinato
- Coda
- Anacrusis Correct answer.
- Cadenza
Explanation
An anacrusis, or upbeat, consists of notes that begin a phrase before its first main accent. It is often incomplete in bar length and leads the listener into the downbeat.
Question 34Music Inquiry (Units 3 and 4)
A piece in 4/4 contains a syncopated figure where the accent falls on the second quaver of beat two. Which effect does this accent create?
- A displacement of the expected metric accent Correct answer.
- A stronger sense of the downbeat
- A doubling of the tempo
- A change of key centre
Explanation
Syncopation places emphasis on a weak or off-beat position, so the listener's expectation of the strong beat is displaced. The underlying metre stays the same even though the accent pattern shifts.
Question 35Music Inquiry (Units 3 and 4)
A chord progression moves from chord I to chord vi in a major key. Which harmonic effect does this produce?
- A strong perfect cadence
- A deceptive shift to the relative minor Correct answer.
- An augmented sixth resolution
- A modulation to the dominant
Explanation
Chord vi in a major key is the relative minor tonic, so moving from I to vi shifts the tonal colour towards that related key. The progression is often called a deceptive or interrupted motion because it avoids the expected dominant resolution.
Question 36Music Inquiry (Units 3 and 4)
A composer sets a poem so that each syllable of text receives one note, with the melody moving mostly by step. Which term describes this word setting?
- Syllabic Correct answer.
- Melismatic
- Strophic
- Through-composed
Explanation
Syllabic setting gives one note per syllable of text, producing a clear and declamatory texture. Stepwise motion in this style keeps the words intelligible to the listener.
Question 37Music Inquiry (Units 3 and 4)
A passage in C major introduces F sharps and C sharps that resolve upward, and cadences confirm G major. Which process has occurred?
- Modulation to the dominant Correct answer.
- Transposition of the theme
- Modal mixture
- Enharmonic change
Explanation
Sharps introduced as leading notes to G, together with a cadence confirming G major, show a move to the dominant key. The raised fourth degree of C major becomes the leading note of the new key.
Question 38Music Inquiry (Units 3 and 4)
Which term describes a form in which the same music is repeated for each stanza of a poem?
- Ritornello
- Sonata
- Strophic Correct answer.
- Fugue
Explanation
Strophic form sets each stanza of text to the same recurring music, so the melody stays constant while the words change. It is common in folk song and in many art songs.
Question 39Music Inquiry (Units 3 and 4)
A melody in A minor is harmonised using chords E major, A minor and D minor. Which function does the E major chord serve?
- Tonic
- Mediant
- Submediant
- Dominant Correct answer.
Explanation
In A minor the fifth degree is E, so an E major chord acts as the dominant and uses a raised leading note, G sharp, to strengthen its pull to the tonic. This raised seventh is standard in harmonic minor practice.
Question 40Music Inquiry (Units 3 and 4)
Which characteristic most clearly distinguishes a compound interval from a simple interval?
- It is written with a double sharp
- It is always dissonant
- It spans more than an octave Correct answer.
- It occurs only in minor keys
Explanation
A compound interval is a simple interval plus one or more octaves, so it spans more than an octave, such as a major tenth. Reducing it by an octave gives the simple interval on which it is based.
Question 41Music Inquiry (Units 3 and 4)
A performer adds a short ornamental figure consisting of the principal note, the note above it and the principal note again, played rapidly. Which ornament is this?
- Turn
- Appoggiatura
- Trill Correct answer.
- Mordent
Explanation
A rapid alternation between a principal note and the note above it is a trill, which ornaments a single pitch with repeated upper-neighbour motion. It differs from ornaments that touch the note below or encircle the main note.
Question 42Music Inquiry (Units 3 and 4)
An ensemble performs with the melody doubled at the octave by two instruments while a third instrument plays a contrasting countermelody. Which description fits the texture?
- Polyphonic with two independent lines
- Homophonic with a countermelody Correct answer.
- Unison texture throughout
- Purely monophonic
Explanation
The melody and its octave doubling form one main line supported by harmony, while the countermelody adds a second independent strand. The result is homophonic texture with a countermelody, sometimes called melody-dominated homophony.
Question 43Music Inquiry (Units 3 and 4)
A composer writes a passage in which a two-bar melodic idea is repeated a step higher, then a step higher again. Which technique is being used?
- Sequence Correct answer.
- Inversion
- Augmentation
- Retrograde
Explanation
A sequence restates a melodic or harmonic pattern at successively higher or lower pitch levels. Repeating the idea a step higher each time is a rising sequence, a common device for building tension.
Question 44Music Inquiry (Units 3 and 4)
Which describes the principal difference between a perfect cadence and an imperfect cadence?
- The perfect cadence uses only two chords, the imperfect uses three
- The perfect cadence ends on the dominant, the imperfect on the tonic
- The perfect cadence occurs only in minor keys
- The perfect cadence moves V to I, the imperfect moves to V Correct answer.
Explanation
A perfect cadence resolves from the dominant to the tonic, giving a sense of closure. An imperfect cadence approaches the dominant without resolving to the tonic, leaving the phrase open.
Question 45Music Inquiry (Units 3 and 4)
A four-bar phrase is followed by a second four-bar phrase that begins identically but ends with a perfect cadence instead of an imperfect one. Which term best describes the relationship between the phrases?
- Subject and answer
- Exposition and development
- Antecedent and consequent Correct answer.
- Verse and refrain
Explanation
The first phrase poses an open question, the antecedent, and the second answers it with a closed cadence, forming the consequent. Together they make a balanced period typical of classical phrasing.
Question 46Music Inquiry (Units 3 and 4)
A composer writes a melody using the pitch collection D, E, F, G, A, B flat, C, D and harmonises it with chords that avoid a raised leading note. Which scale is being used?
- D harmonic minor
- D natural minor Correct answer.
- D melodic minor ascending
- D major
Explanation
D natural minor contains B flat and no raised leading note, matching the given pitches exactly. Harmonic minor would raise the seventh to C sharp, and melodic minor ascending would raise both sixth and seventh.
Question 47Music Inquiry (Units 3 and 4)
A passage introduces a chord containing the notes B, D, F and A flat within a C major context. Which chord is this and how does it typically function?
- A half-diminished chord on D acting as supertonic
- A major seventh on C acting as tonic
- A dominant seventh on G resolving to C
- A diminished seventh chord resolving to the tonic Correct answer.
Explanation
B, D, F and A flat form a fully diminished seventh chord built on the leading note of C, which resolves strongly upward to the tonic. Its symmetrical structure also allows it to be reinterpreted as a pivot for modulation.
Question 48Music Inquiry (Units 3 and 4)
A composer sets a text by giving each voice in a choir an independent melodic line that enters one after another with the same material. Which term best describes this procedure?
- Monody
- Chordal homophony
- Homorhythmic declamation
- Imitative counterpoint Correct answer.
Explanation
Successive entries of the same melodic material in independent voices constitute imitative counterpoint. Each voice retains melodic independence while sharing material with the others, producing polyphonic texture.
Question 49Music Inquiry (Units 3 and 4)
A sonata-form movement begins its development with the second subject in a distant key, then passes through several tonal areas before the recapitulation. Which feature of the development is illustrated?
- Confirmation of the tonic key
- Introduction of a new metre
- Strict repetition of the exposition
- Tonal instability and fragmentation of themes Correct answer.
Explanation
The development section is characterised by tonal instability, thematic fragmentation and exploration of remote keys before the tonic returns. Beginning with a theme in a distant key is a typical destabilising device.
Question 50Music Inquiry (Units 3 and 4)
A recording of a string quartet uses close miking on each instrument with added reverberation applied afterwards. Which best describes the artistic consequence of this production choice?
- It creates an intimate, detailed sound with an artificial sense of space Correct answer.
- It removes all dynamic contrast from the performance
- It eliminates the need for balance between the instruments
- It guarantees the recording matches a live concert acoustic
Explanation
Close miking captures detail and presence, while added reverberation supplies a sense of space that the room did not provide. The result is a constructed acoustic that may differ markedly from a live performance.