WACE ATAR Drama study materials
WACE ATAR Drama study resources

WACE ATAR Drama study plan

WACE ATAR Drama · Give each week a clear focus.

8 weeks · About 6 hours per week

Week 1

Drama performance and production (practical performance work) & Design and technical theatre roles (set, costume, lighting, sound)

  • Map the practical performance assessment requirements into a written checklist of criteria you must demonstrate on stage

  • Select and block two monologue extracts of contrasting style, marking beats, objectives and physical score in the script

  • Identify the technical elements (lighting states, sound cues, set requirements) each extract would need and note them in a production log

  • Rehearse each extract aloud three times per session and record timing and vocal clarity notes

Your checkpoint

A performance preparation portfolio containing the assessment checklist, two annotated scripts with beat and objective breakdowns, and a cue requirements list for each extract

Week 2

Drama performance and production (practical performance work)

  • Rehearse both monologues to off-book standard with consistent vocal projection and articulation

  • Apply at least three distinct rehearsal techniques (given circumstances, emotional recall substitution, actioning) and log which shifted your performance

  • Film one full run of each extract and annotate the footage against your assessment checklist

  • Refine physical staging so movement supports intention rather than illustrating text

Your checkpoint

Two filmed off-book performances with a self-evaluation sheet scoring each against the assessment criteria and listing three specific adjustments

Week 3

Drama performance and production (practical performance work) & Play text study: interpretation, context and staging

  • Analyse the full play text from which one extract is drawn, documenting context, structure and character function

  • Interpret the playwright's stage directions and identify where directorial choices are open versus prescribed

  • Rehearse the extract applying two alternative interpretations of the character's status and record the difference

  • Draft a short directorial concept statement justifying your staging choices with textual evidence

Your checkpoint

A 400-word directorial concept statement for one extract, citing at least four specific moments from the play text as justification

Week 4

Play text study: interpretation, context and staging & Dramatic analysis and evaluation of live theatre

  • Compare two published approaches to staging the chosen play text and articulate how context shapes interpretation

  • Watch one live or recorded production and write structured production notes covering acting, design and direction

  • Evaluate how the production's design choices communicated period, mood and theme

  • Rehearse the extract incorporating one insight drawn from the production you analysed

Your checkpoint

A structured live theatre evaluation of 500 words covering direction, performance, design and audience impact, with a clear evaluative judgement

Week 5

Dramatic analysis and evaluation of live theatre & Drama theory, styles, conventions and practitioners

  • Analyse a second live production using the same evaluation framework to build comparative fluency

  • Identify the stylistic conventions and practitioner influences visible in that production and name them precisely

  • Write timed practice evaluation paragraphs under exam conditions to build speed and structure

  • Cross-check your evaluation vocabulary against a glossary of drama terminology you compile yourself

Your checkpoint

Two timed 25-minute evaluation responses written under exam conditions, plus a personal glossary of at least 30 drama terms with working definitions

Week 6

Original/devised drama and collaborative creation & Drama theory, styles, conventions and practitioners

  • Generate and workshop three devising stimuli, then select one with the strongest dramatic potential

  • Facilitate a structured devising process using improvisation, image work and narrative sequencing to build a 5-minute piece

  • Apply one practitioner's techniques deliberately within the devised work and document the influence

  • Draft and refine a written rationale explaining your devising choices and collaborative process

Your checkpoint

A complete 5-minute devised performance piece with a 350-word rationale documenting stimulus, process, practitioner influence and collaborative decisions

Week 7

Original/devised drama and collaborative creation & Design and technical theatre roles (set, costume, lighting, sound)

  • Integrate set, costume, lighting and sound choices into the devised piece and justify each against the dramatic intention

  • Produce a simple lighting and sound cue sheet that a technician could operate without further explanation

  • Run a full technical rehearsal and resolve at least three staging or cue problems identified during it

  • Rehearse the devised piece to performance standard with consistent energy and timing

Your checkpoint

A production pack for the devised piece containing a cue sheet, a design rationale for each technical element, and a technical rehearsal report listing resolved issues

Week 8

Drama performance and production (practical performance work) & Dramatic analysis and evaluation of live theatre & Play text study: interpretation, context and staging & Original/devised drama and collaborative creation & Drama theory, styles, conventions and practitioners & Design and technical theatre roles (set, costume, lighting, sound)

  • Perform both monologues and the devised piece in a single mock assessment session and record all three

  • Complete a full timed mock exam covering text interpretation and live theatre evaluation

  • Review all written work against assessment criteria and correct the three weakest areas

  • Consolidate revision notes into a single condensed reference sheet for each domain

Your checkpoint

A completed mock assessment package: three filmed performances, one full timed mock exam script, and a one-page condensed reference sheet per domain

Milestones

Week 2: Both monologues are performed off-book and filmed, with a self-evaluation scored against every assessment criterion

Week 4: One full live theatre evaluation of 500 words is complete and one directorial concept statement is drafted with textual evidence

Week 6: The 5-minute devised piece runs end to end with a written rationale, and two timed evaluation responses are completed under exam conditions

Week 8: Three performances are filmed, a full timed mock exam is written, and six domain reference sheets are finished