BGCSE Literature in English study materials
BGCSE Literature in English study resources

BGCSE Literature in English flashcards

BGCSE Literature in English · Build recall with a focused review session.

32 cards. Read the term and the definition here. The deck at the top of this page is optional.

Free indirect discourse
A narrative technique blending third-person narration with a character's inner voice, without quotation marks or reporting clauses, letting the reader hear thoughts while the narrator's perspective remains present.
Inciting incident
The event early in a narrative that disrupts the initial situation and sets the central conflict in motion, giving the plot its forward momentum.
Round character
A complex, fully developed character with varied traits and internal contradictions, capable of surprising the reader and often changing across the narrative.
Dramatic irony
A situation where the audience or reader possesses knowledge that a character lacks, so the character's words or actions carry meaning they cannot perceive.
Motif
A recurring image, phrase, object or idea that appears throughout a text and reinforces its themes by accumulating significance with each repetition.
Epiphany
A moment of sudden insight or revelation in which a character grasps a truth about themselves or their situation, often crystallising the story's theme.
Iambic pentameter
A metrical line of five feet, each foot an iamb of one unstressed followed by one stressed syllable, producing ten syllables and a rising rhythm.
Enjambment
The continuation of a sentence beyond the end of a line or couplet without punctuation, creating momentum and drawing attention to the opening word of the next line.
Volta
The turn or shift in argument, tone or feeling in a poem, especially a sonnet, typically occurring between the octave and sestet or before the final couplet.
Assonance
The repetition of similar vowel sounds within nearby words, often in stressed syllables, creating internal resonance and contributing to a poem's musical texture.
Caesura
A deliberate pause or break within a line of verse, marked by punctuation or syntax, which can slow rhythm or isolate a word for emphasis.
Synecdoche
A figure of speech in which a part stands for the whole, or the whole for a part, such as referring to workers as hands.
Petrarchan sonnet
A fourteen-line poem in two parts: an octave rhyming abbaabba presenting a problem, and a sestet rhyming cdecde or similar resolving or complicating it.
Speaker
The constructed voice that utters a poem, distinct from the poet, whose attitudes and situation the reader infers from diction, tone and address.
Hamartia
In tragedy, the protagonist's error, misjudgement or flaw of character that contributes to their downfall, often combined with circumstance rather than pure guilt.
Soliloquy
A speech delivered by a character alone on stage, revealing private thoughts and motives to the audience rather than to other characters present in the fiction.
Aside
A brief remark spoken by a character that the audience hears but other characters on stage do not, creating intimacy or dramatic irony.
Foil
A character whose qualities contrast with those of another, usually the protagonist, so that the protagonist's distinctive traits become clearer by comparison.
Catharsis
The emotional purgation or release experienced by an audience at the close of a tragedy, produced by pity and fear aroused through the protagonist's suffering.
Peripeteia
The reversal of fortune in a tragedy, a sudden change in circumstances that turns the protagonist's prospects from good to disastrous.
Anagnorisis
The moment of recognition or discovery in tragedy when a character moves from ignorance to knowledge, often about their own identity or actions.
Stage directions
Authorial instructions in a play script concerning setting, movement, gesture, lighting or tone, which guide staging and can carry symbolic or thematic significance.
Connotation
The associations and emotional overtones a word carries beyond its dictionary meaning, shaped by usage and culture, which influence a text's tone.
Inference
A conclusion drawn from textual clues rather than stated directly, requiring the reader to connect evidence to meaning through reasoning.
Thesis statement
A concise, arguable claim that states the central interpretation of a text and previews the line of reasoning the essay will develop.
Embedded quotation
A short quotation woven into the grammar of the writer's own sentence, allowing analysis to flow without breaking syntax or padding the essay.
Close analysis
Sustained examination of a short passage's language, structure and technique, explaining how specific choices produce meaning and effect for the reader.
Topic sentence
The opening sentence of a body paragraph that states its controlling claim and connects it to the essay's overall thesis and argument.
Comparative essay
An essay that examines two or more texts together, organising paragraphs around shared points of comparison rather than treating each text separately.
Bildungsroman
A novel of formation tracing a protagonist's psychological and moral growth from youth to maturity, often through crisis and a resulting change in values.
Context of production
The historical, social and biographical circumstances in which a text was written, which shape its assumptions, vocabulary and available conventions.
Subversion of genre
A deliberate departure from the conventions a text appears to invoke, producing surprise or critique by refusing the expected resolution or character type.