NB G7 PIF Reading study materials
NB G7 PIF Reading study resources

NB G7 PIF Reading cheat sheet

NB G7 PIF Reading · Keep the key ideas within reach.

Quick reference

Reading Comprehension of Literary Texts

  • Plot follows exposition, rising action, climax, falling action, and resolution; the climax is the turning point of highest tension, not the final event.

  • Conflict types: person vs. person, person vs. self, person vs. nature, person vs. society; identify which force the protagonist struggles against.

  • Characterization is direct when the narrator states a trait and indirect when readers infer it from speech, actions, thoughts, or others' reactions.

  • Theme is a universal message about life stated as a full sentence; it differs from a topic, which is a single word such as 'loyalty'.

  • Setting includes time, place, and social conditions; a shift in setting often signals a change in mood or a new stage of the plot.

  • Point of view: first person uses I/we; third-person limited stays inside one character's mind; third-person omniscient knows all characters' thoughts.

  • Foreshadowing plants hints about later events; suspense creates uncertainty about outcomes; both depend on details the reader must connect.

  • Figurative language: simile uses like/as, metaphor states one thing is another, personification gives human traits to nonhuman things.

  • Mood is the feeling the text creates in the reader; tone is the narrator's or author's attitude toward the subject.

Quick reference

Reading Comprehension of Informational Texts

  • Central idea is the main point of the whole text; a supporting detail explains, illustrates, or proves that point rather than restating it.

  • An objective summary states main ideas and key details in neutral language, omitting personal opinion and minor examples.

  • Text evidence must be quoted or paraphrased accurately and then explained; a quotation alone does not count as reasoning.

  • Author's purpose is usually to inform, explain, persuade, or entertain; the purpose shapes which details are included and which are left out.

  • An inference is a conclusion drawn from text evidence plus background knowledge; it is never stated directly in the passage.

  • In an argument, the claim is the position taken, reasons justify it, and evidence supports the reasons; anecdotes are weaker evidence than data.

  • Comparing two informational texts on one topic: check whether they agree on facts, differ in emphasis, or rely on different kinds of evidence.

  • Graphic and text features such as headings, captions, timelines, and diagrams add information that the body text may not repeat.

Quick reference

Vocabulary and Word Analysis in Context

  • Context clues include definition, example, synonym, antonym, and inference clues; locate the clue words in surrounding sentences before choosing a meaning.

  • A prefix attaches to the start of a base word and changes meaning: un-/non- (not), re- (again), pre- (before), mis- (wrongly), sub- (under).

  • A suffix attaches to the end and often changes part of speech: -tion (noun), -able (adjective), -ly (adverb), -ize (verb).

  • Common Greek and Latin roots: bio (life), graph (write), tele (far), port (carry), aud (hear), spect (look), dict (say), struct (build).

  • Denotation is a word's dictionary meaning; connotation is its emotional shading, so 'skinny' and 'slender' differ in tone though not in basic sense.

  • Words with multiple meanings require checking which sense fits the sentence's grammar and topic, not just the most familiar sense.

  • A figure of speech such as an idiom cannot be decoded literally; its meaning must be inferred from the whole sentence.

  • Reference aids: a glossary sits inside a book and defines its terms; a thesaurus supplies synonyms and antonyms rather than definitions.

Quick reference

Text Structure, Features, and Author's Craft

  • Common structures: chronological, cause-effect, compare-contrast, problem-solution, and description; signal words such as 'because', 'however', and 'first' reveal which is used.

  • Chronological order can be scrambled by flashbacks or flash-forwards; track time-shift words like 'years earlier' to reconstruct sequence.

  • Compare-contrast texts use clue words such as 'both', 'unlike', 'similarly', and 'in contrast' to mark similarities and differences.

  • Cause-effect chains may have multiple causes for one effect; distinguish the immediate cause from underlying or contributing causes.

  • Transitions signal relationships between ideas; removing a transition can reverse or blur the logic of a sentence.

  • Sentence variety, repetition, and short or long sentences are deliberate craft choices that control pace and emphasis.

  • Headings, bold print, bulleted lists, and sidebars guide the reader's attention and signal importance or hierarchy of information.

  • An author's argument is strengthened by relevant, sufficient, and credible evidence and weakened by overgeneralization or unsupported claims.

Quick reference

Integration of Knowledge and Ideas Across Texts

  • When comparing texts, identify the shared topic first, then compare each author's main point, evidence, and treatment of the subject.

  • Multimedia versions of a text, such as film or audio, may emphasize different details; evaluate what each medium adds or omits.

  • Corroboration means checking whether two sources agree on a fact; disagreement signals a need to weigh the quality of each source.

  • A primary source is a firsthand account from the period; a secondary source interprets or summarizes primary material.

  • Evaluate source credibility by author expertise, publication purpose, date, and whether claims are supported by cited evidence.

  • Synthesize rather than summarize: combine ideas from several texts into a new, coherent point that no single text states alone.

  • Conflicting evidence does not automatically invalidate a claim; weigh which source is more specific, recent, or methodologically sound.

  • Tracing an idea across texts means following how one concept is introduced, developed, or contradicted from one passage to the next.