CSET Spanish (145, 146, 147) study materials
CSET Spanish (145, 146, 147) study resources

CSET Spanish (145, 146, 147) cheat sheet

CSET Spanish (145, 146, 147) · Keep the key ideas within reach.

Quick reference

General Linguistics

  • Phoneme = smallest contrastive sound unit; allophone = contextually predictable variant of the same phoneme (Spanish [d] and [ð] are allophones of /d/).

  • Minimal-pair test establishes phonemic status: if swapping one sound yields a different word (pata/bata, casa/tasa), the two sounds are separate phonemes.

  • Consonants are described by place, manner, and voicing; vowels by height, backness, and rounding; IPA symbols are language-independent.

  • Free morphemes stand alone as words; bound morphemes must attach. Derivational affixes create new lexemes and may change category; inflectional affixes mark tense, person, number, gender without creating a new lexeme.

  • Constituency tests include substitution (pronoun replacement), movement (fronting, clefting), and coordination; strings that pass all three behave as single syntactic constituents.

  • Entailment is one-directional and is cancelled by negation; presupposition is backgrounded content that survives negation and questioning.

  • Gricean maxims: quantity, quality, relation, manner. Flouting a maxim deliberately produces a cancellable conversational implicature inferred by the hearer.

  • Comparative method reconstructs proto-forms from systematic cognate sets and regular sound correspondences; irregular correspondences point to borrowing or analogical change.

  • Typological contrast: isolating languages use free morphemes and word order, agglutinating languages string distinct affixes, fusional languages (Spanish) fuse several grammatical meanings into one ending.

Quick reference

Linguistics of Spanish

  • Spanish has five vowel phonemes /a, e, i, o, u/ with no contrastive length or nasality; most dialect variation is consonantal.

  • Default stress: words ending in a vowel, -n, or -s stress the penultimate syllable; words ending in any other consonant stress the final syllable; a written accent marks every exception.

  • Voiced stops /b, d, g/ are realized as approximants [β, ð, ɣ] between vowels and after liquids, but as stops after a pause or a nasal.

  • Spanish is a pro-drop language: verbal morphology encodes person and number, so overt subject pronouns signal emphasis, contrast, or disambiguation.

  • Ser encodes identity, origin, and inherent traits; estar encodes location, transient state, and result of change (está aburrido vs. es aburrido).

  • Subjunctive triggers: doubt, emotion, volition, impersonal expressions of opinion, non-assertive or indefinite antecedents, and conjunctions such as para que, antes de que, a menos que.

  • Distinción keeps /θ/ separate from /s/ (central-northern Spain); seseo merges both to [s] (most of Latin America, Canary Islands, Andalusia); ceceo merges both to [θ] in parts of Andalusia.

  • Yeísmo neutralizes /ʎ/ and /ʝ/ in most varieties; voseo replaces tú with vos and carries a distinct verbal paradigm in Rioplatense and Central American Spanish.

  • Syllable structure is onset + nucleus + coda; Spanish strongly favors CV syllables, and word-initial /s/ + consonant clusters are repaired with prothetic e- (escuela, estudiante).

Quick reference

Literary and Cultural Texts and Traditions

  • Cantar de mio Cid (c. 1200) belongs to the mester de juglaría; Berceo and the Libro de Alexandre exemplify the learned mester de clerecía with cuaderna vía verse.

  • La Celestina (1499) by Fernando de Rojas is a dialogue novel in prose with a tragic ending, marking the transition from medieval to Renaissance sensibility.

  • Lazarillo de Tormes (1554) founds the picaresque: first-person pseudo-autobiography, low-born rogue, successive masters, satirical social critique.

  • Baroque duality: culteranismo (Góngora) foregrounds Latinized syntax and sensory imagery; conceptismo (Quevedo) foregrounds wit, puns, and compressed concepts.

  • Romanticism: Bécquer's Rimas and Espronceda's poetry; Realism and Naturalism: Galdós's novelas contemporáneas, Clarín's La Regenta, Pardo Bazán's Los pazos de Ulloa.

  • Generation of '98 (Unamuno, Machado, Valle-Inclán, Baroja) responds to the loss of the last colonies with introspection on national identity; Modernism begins with Darío's Azul (1888).

  • Generation of '27 (Lorca, Alberti, Salinas, Guillén, Cernuda) fuses Gongorine metaphor with avant-garde form and folk traditions such as the romancero.

  • Latin American Boom (García Márquez, Vargas Llosa, Cortázar, Fuentes) employs magical realism and experimental structure; indigenismo appears in Icaza and Arguedas.

Quick reference

Cultural Analysis and Comparisons

  • Pre-Roman Iberia included Iberians, Celts, and Basques; Roman conquest from 218 BCE imposed Latin, law, and urbanism, producing the linguistic base of Spanish.

  • Al-Andalus (711–1492) transmitted Greek and Arabic science through translation schools such as Toledo's; thousands of Arabic loanwords entered Spanish (alcalde, aceite, azúcar).

  • 1492 marks the fall of Granada, the expulsion of the Jews, Nebrija's Gramática castellana, and Columbus's first voyage.

  • Catalan, Galician, and Basque are co-official in their autonomous communities; Basque is pre-Indo-European and unrelated to the Romance languages.

  • The 1978 Constitution established a parliamentary monarchy and the State of Autonomies, decentralizing government and recognizing regional languages and cultures.

  • Latin American independence (1810s–1820s) was led by Bolívar, San Martín, and Hidalgo; the new republics faced caudillismo, regional fragmentation, and foreign economic pressure.

  • Día de los Muertos (November 1–2) blends Catholic All Saints' and All Souls' observances with Indigenous practices, featuring ofrendas, calaveras, and cempasúchil.

  • Flamenco (Andalusia) joins cante, toque, and baile, with Romani, Moorish, and Andalusian roots; mariachi (Jalisco) and tango (Río de la Plata) are other recognized national symbols.

Quick reference

Language and Communication: Oral Expression, Listening Comprehension, and Written Expression

  • Written accent by class: agudas (last syllable) take an accent when ending in vowel, -n, or -s; llanas (penultimate) when ending in any other consonant; esdrújulas and sobresdrújulas always carry one.

  • A diphthong (tierra, fuerte) contrasts with a hiatus (día, país, baúl); a written accent typically marks the stressed weak vowel that breaks the diphthong.

  • Address forms: tú and vosotros (informal, Spain), usted and ustedes (formal), vos with its own verb paradigm in Argentina, Uruguay, Paraguay, and parts of Central America.

  • Falsos amigos: actual = current, realizar = to carry out, largo = long, embarazada = pregnant, asistir = to attend, éxito = success.

  • Verb spelling shifts preserve pronunciation: c → qu before e (busqué), g → gu before e (llegué), z → c before e (empecé), unstressed i → y between vowels (leyó).

  • Cohesive devices signal logical relations: sin embargo and no obstante (contrast), por lo tanto and en consecuencia (result), además (addition), a pesar de (concession).

  • Expository essay structure: introduction with an explicit thesis, body paragraphs each developing one argument with evidence, conclusion synthesizing without introducing new claims.

  • Listening comprehension: the main idea is usually stated early and restated at the close; markers such as es decir, por ejemplo, and en resumen announce paraphrase, illustration, and summary.

  • ACTFL modes: interpretive (listening and reading), interpersonal (negotiated two-way interaction), presentational (prepared speaking or writing for an audience).