CSET: Theatre (223/224) flashcards
CSET: Theatre (223/224) · Build recall with a focused review session.
32 cards. Read the term and the definition here. The deck at the top of this page is optional.
- Aristotle's six elements
- Plot, character, thought, diction, song, and spectacle, ranked with plot first because tragedy imitates action rather than persons.
- Freytag's pyramid
- A five-part model of dramatic structure: exposition, rising action, climax, falling action, and denouement, derived from five-act drama.
- Well-made play
- A tightly plotted 19th-century form built on cause-effect logic, a hidden secret, and a climactic obligatory scene, associated with Scribe and Sardou.
- Verfremdungseffekt
- Brecht's alienation effect, using placards, song, and direct address to block empathy and push the audience toward critical judgment.
- Theatre of Cruelty
- Artaud's vision of theatre as sensory assault through spectacle, sound, and gesture, aiming to shock audiences past rational dialogue.
- Commedia dell'arte
- Italian improvisational comedy using fixed stock characters, a scenario outline, and lazzi comic bits, flourishing in the 16th century.
- Objective and tactic
- An objective is what a character wants in a scene; a tactic is the playable verb used to pursue it against an obstacle.
- Blocking
- The planned stage movement and positioning of actors, recorded in the prompt book to serve composition, focus, and storytelling.
- Cheating out
- Angling the body toward the audience so the face stays visible, an essential staging adjustment on proscenium and thrust stages.
- Table work
- Early rehearsal focused on reading and analyzing the script to establish objectives, beats, and units of action before staging.
- Beats
- Units of action within a scene, marked by a change in objective or tactic, used to score a script for rehearsal.
- Given circumstances
- The time, place, relationships, and prior events surrounding a scene, anchoring improvisation and Stanislavskian scene study.
- Ground plan
- A scaled overhead drawing of the set showing walls, platforms, and furniture positions, handed to the scene shop for construction.
- Gobo
- A metal or glass template placed in an ellipsoidal reflector spotlight to project a pattern or texture onto the stage.
- Color temperature
- A measure in kelvin of light's warmth: tungsten runs roughly 2700-3200K, daylight roughly 5600K, affecting perceived color.
- Cyclorama
- A large backdrop at the rear of the stage, lit separately to create sky effects and color washes behind the acting area.
- Prop categories
- Hand props are carried, set props dress the stage, and personal props are worn or pocketed; a prop list is built from the script.
- Technical rehearsal
- A rehearsal integrating light, sound, and scene changes with actors, followed by dress rehearsals before opening night.
- Prompt book
- The authoritative production record containing the script with blocking, cue numbers, and contact sheets, maintained by the stage manager.
- Cue calling
- The stage manager gives a standby and then a go over headset, executing numbered light, sound, and fly cues in sequence.
- Performance rights
- Licenses granted per production to perform a script, with royalties paid as a percentage of gross or a flat fee.
- Contingency line
- A budget reserve, commonly around ten percent, set aside to cover unexpected production costs and overruns.
- Front of house
- Audience-facing operations including ticketing, ushering, and house management, coordinated with the stage manager on house opening.
- Process drama
- Classroom drama prioritizing participant inquiry over performance, using conventions such as teacher-in-role and mantle of the expert.
- Theatre in Education
- Touring interactive programs brought into schools with curriculum links, distinct from professional Theatre for Young Audiences.
- Forum theatre
- Boal's method in which spectators become spect-actors, stopping the scene to try alternative actions against oppression.
- Applied theatre
- Theatre practice directed at social goals such as health education, conflict resolution, and community dialogue rather than commercial production.
- Mantle of the expert
- A drama convention in which students take on expert roles to solve problems, building inquiry and ownership of learning.
- Creative drama
- Improvisation and story dramatization with children, associated with Winifred Ward, without a scripted production or audience.
- Dramaturg
- A production collaborator who researches context, advises on the script, and supports the director's interpretation of the play.
- Restoration theatre
- Post-1660 English theatre that introduced actresses on the public stage, movable scenery, and comedy of manners.
- Ellipsoidal reflector spotlight
- A lighting instrument giving a sharp, focusable beam, used with gobos and shutters to light specific stage areas.