Pancyprian Graphic Arts study plan
Pancyprian Graphic Arts · Give each week a clear focus.
8 weeks · About 6 hours per week
Graphic Design Fundamentals and Visual Communication & Prepress, Image Capture and Colour Management
Define and give one worked example of each element and principle of design (balance, contrast, hierarchy, unity, rhythm, proportion) using your own sketches.
Explain the difference between RGB, CMYK and spot colour workflows and state at least two production situations where each is the correct choice.
Annotate a printed poster or brochure you own, identifying the grid, hierarchy and colour strategy used, in a one-page written analysis.
Calculate effective image resolution for three given print sizes and identify which fail a 300 ppi at final size target.
Your checkpoint
A four-page personal reference sheet (own words and own diagrams) covering design principles, colour models and resolution maths, plus three solved resolution calculations.
Prepress, Image Capture and Colour Management & Typography and Type Setting
Describe the full prepress chain from native layout file to imposed PDF, naming the checks performed at each stage.
Set up a document with correct bleed, trim, safe area and slug values and export a print-ready PDF/X-style file from software you use.
Classify typefaces (serif, sans serif, slab, script, display) and match five given print jobs to appropriate families with justification.
Explain key typographic measures (leading, tracking, kerning, measure, x-height) and adjust a paragraph so it meets a stated readability target.
List the standard preflight errors (missing fonts, low-resolution images, RGB objects, missing bleed) and describe how to detect and fix each.
Your checkpoint
One press-ready PDF you produced from a self-made two-page layout, plus a completed preflight checklist showing all items passed.
Typography and Type Setting & Printing Processes and Press Technology
Apply a typographic hierarchy to a single page using only size, weight and spacing, and defend each choice in writing.
Compare offset lithography, flexography, gravure and digital toner/inkjet on setup cost, run length, substrate range and typical quality.
Explain the main offset press systems (plate and blanket cylinders, dampening, inking, registration, sheet transfer) and label them on a hand-drawn diagram.
Describe how ink trapping, dot gain and registration error affect printed results and state how each is controlled on press.
Your checkpoint
A one-page hand-drawn and labelled diagram of an offset press with a 200-word explanation of each subsystem and its effect on print quality.
Printing Processes and Press Technology & Print Materials, Inks and Substrates
Match five given jobs (short-run label, long-run magazine, packaging carton, variable-data mailer, large-format banner) to the most suitable printing process with cost and quality reasoning.
Explain how ink type (oil-based, UV-curable, water-based, solvent) interacts with substrate absorbency, drying and adhesion.
Compare coated, uncoated, recycled and synthetic substrates on ink holdout, opacity, stiffness and finishing compatibility.
Describe paper grain direction and calculate the most economical sheet layout for a given finished size and run quantity.
Your checkpoint
A comparison table of at least six substrates with columns for ink holdout, typical use, finishing compatibility and one risk each, plus one solved sheet-layout calculation.
Print Finishing, Binding and Packaging & Health, Safety and Environmental Practice in the Print Workshop
Identify and describe the main finishing operations (cutting, folding, creasing, perforating, laminating, foiling, embossing, die-cutting) and state one design constraint each imposes.
Select and justify a binding method (saddle stitch, perfect, spiral, case) for four given page counts and life-expectancy requirements.
Draw a folding scheme and imposition for a given finished piece, showing creep allowance for saddle stitching.
List the principal workshop hazards (solvent vapour, ink mist, paper dust, noise, manual handling, machine nip points) and the control measure for each under a hierarchy-of-controls approach.
Explain correct handling, storage and disposal routes for inks, solvents, wipes and waste paper in a print workshop.
Your checkpoint
A two-page finishing and safety brief: one page of folding/binding diagrams with creep calculation, one page mapping six workshop hazards to controls and disposal routes.
Digital Media, Web and Interactive Production & Prepress, Image Capture and Colour Management
Explain how colour management differs between print (CMYK, ICC profiles, soft proofing) and screen (sRGB, display calibration, gamut limits).
Prepare and export web-ready assets (correct dimensions, compression, colour profile, alt text) from a print-origin design.
Describe file formats and their trade-offs (JPEG, PNG, WebP, SVG, PDF) and choose one for five stated delivery scenarios.
Explain how an interactive or web deliverable changes design decisions around typography, contrast and resolution compared with print.
Complete a colour-management exercise: assign, convert and soft-proof an image and record the visible differences.
Your checkpoint
A short written comparison (one page) of the same design prepared for print and for screen, with exported files and a log of the colour conversions performed.
Production Planning, Costing and Quality Control & Graphic Design Fundamentals and Visual Communication
Build a cost estimate for a specified job covering substrate, plates or setup, press time, finishing, waste and margin.
Produce a production schedule for a multi-stage job, identifying the critical path and two realistic delay risks.
Define quality control checkpoints across prepress, press and finishing, and state the measurement or visual check used at each.
Explain how proof types (soft proof, contract proof, press proof) differ in authority and when each is appropriate.
Identify the client-facing communication points in a job and draft the questions you would ask at each.
Your checkpoint
A one-page job costing and schedule for a self-chosen job, including cost breakdown, critical path and a QC checkpoint table.
Graphic Design Fundamentals and Visual Communication & Typography and Type Setting & Prepress, Image Capture and Colour Management & Printing Processes and Press Technology & Print Finishing, Binding and Packaging & Print Materials, Inks and Substrates & Digital Media, Web and Interactive Production & Health, Safety and Environmental Practice in the Print Workshop & Production Planning, Costing and Quality Control
Answer a full set of timed practice questions across all nine domains and score each domain separately to expose weak areas.
Re-teach your two weakest domains from your own notes without referring to source material, then correct the gaps.
Consolidate all weekly deliverables into a single indexed revision file with cross-references between domains.
Recite from memory the key figures and rules you must know (bleed, resolution targets, dot gain ranges, binding page-count limits, hierarchy-of-controls order).
Your checkpoint
A timed mock-exam score sheet by domain plus a corrected one-page 'weak spots' sheet listing the specific facts you will review in the final days.
Milestones
Week 2: You can take a layout from blank document to press-ready PDF, passing your own preflight checklist with zero unresolved errors, and explain every setting you used.
Week 4: Given an unfamiliar job description, you can name the printing process, substrate and colour approach and justify all three in under five minutes without notes.
Week 6: You can explain, in writing and without notes, why a file that looks correct on screen may print wrongly, naming at least four causes and their fixes.
Week 8: Your timed mock score is at least 70% overall with no single domain below 60%, and your weak-spots sheet names concrete facts rather than general topics.