Pancyprian TS Graphic Arts III Θ.Κ. study materials
Pancyprian TS Graphic Arts III Θ.Κ. study resources

Pancyprian TS Graphic Arts III Θ.Κ. study plan

Pancyprian TS Graphic Arts III Θ.Κ. · Give each week a clear focus.

8 weeks · About 6 hours per week

Week 1

Printing processes and principles (offset lithography, flexography, gravure, screen printing, digital)

  • Describe the physical principle of each of the five main printing processes (offset lithography, flexography, gravure, screen printing, digital) and explain how ink transfer differs between them

  • Explain the role of dampening solution and the ink-water balance in offset lithography, and state what happens to dot gain and scumming when the balance is wrong

  • Compare the five processes on achievable substrate range, typical run length, plate or screen cost, and image quality, and justify which process suits a given job brief

  • Sketch from memory the ink train of an offset press (plate, blanket, impression cylinders plus inking and dampening units) and label each part

Your checkpoint

A one-page comparison table covering all five processes across at least six criteria, plus a 200-word written justification of the best process for three short job briefs (a 50-copy short-run poster, a 200,000-copy magazine, a curved bottle label).

Week 2

Printing processes and principles (offset lithography, flexography, gravure, screen printing, digital) & Print production calculations and costing (sheet counts, waste allowance, format/imposition arithmetic)

  • Explain how flexographic and gravure cylinders or sleeves are prepared and how cell volume or anilox line count controls ink lay-down

  • Describe screen printing mesh count, stencil types, and squeegee angle, and predict how each variable changes ink deposit thickness

  • Distinguish the main digital printing technologies (inkjet and electrophotography) and state the substrate and run-length limits of each

  • Calculate sheet counts, gross sheets required, and waste allowance percentages for a given run length and spoilage rate

  • Convert between ream weight, grammage (g/m²), and sheet area to find the mass of a paper delivery

Your checkpoint

A worked calculation sheet with five solved problems on gross/net sheet counts and waste allowance, each showing the formula, the substitution, and the answer with units.

Week 3

Prepress and reproduction workflow (image capture, scanning, colour separation, RIP, CTP, imposition)

  • Trace the prepress workflow end to end from image capture through scanning, colour separation, RIP, CTP output, and imposition, naming the file or data state at each stage

  • Explain what a RIP does to a page description file and why trapping, overprint, and screening settings are applied at that stage

  • Describe how a CTP platesetter images a plate and list the checks made on a finished plate before it goes on press

  • Compute a basic imposition scheme for a 16-page signature on a given sheet size and state the fold and creep implications

Your checkpoint

A hand-drawn workflow diagram from original to plate with at least eight labelled stages, plus a correctly sketched 16-page imposition layout showing page numbers in position.

Week 4

Colour theory and colour management (additive/subtractive colour, CMYK, spot colours, ICC profiles, densitometry)

  • Explain additive and subtractive colour mixing and convert between RGB and CMYK values for simple colours, stating why the conversion is not lossless

  • Interpret a densitometer reading (solid ink density, dot gain, contrast) and state acceptable process targets for CMYK

  • Explain what an ICC profile describes and distinguish input, display, and output profiles in a colour-managed workflow

  • Describe when a spot colour is specified instead of a process build and how it is handled in the separation and on press

Your checkpoint

A colour management summary of 400 words covering ICC profile types, rendering intents, and densitometry targets, plus a table of measured versus target densities for a CMYK test strip with each deviation commented on.

Week 5

Typography and page layout (type classification, measurement systems, grid, composition rules)

  • Classify typefaces into the main historical groups (old style, transitional, modern, slab serif, sans serif, script, display) and identify the distinguishing features of each

  • Convert between point, pica, millimetre, and inch measurements for type size, leading, and line length

  • Apply composition rules on leading, measure, kerning, tracking, alignment, and widows and orphans to correct a badly set page

  • Construct a baseline grid and a column grid for a given page size and explain how the grid governs placement of text and images

Your checkpoint

A one-page corrected layout specimen in which at least ten deliberate typographic faults have been fixed, accompanied by a numbered list naming each fault and the rule applied.

Week 6

Materials: paper, ink and substrates (paper grades, grammage, ink types, drying, finishing stocks) & Post-press and finishing (cutting, folding, binding, laminating, die-cutting, quality control)

  • Classify paper grades (uncoated, coated gloss and matt, recycled, board) and match each to a suitable print job with reasons

  • Relate grammage, bulk, caliper, and opacity, and explain how paper absorbency affects ink setting and drying

  • Distinguish the main ink types (offset litho, UV, flexo water-based and solvent-based, screen) and their drying mechanisms

  • Sequence the post-press operations for a saddle-stitched booklet and a perfect-bound book, naming cutting, folding, collating, binding, trimming, and any laminating or die-cutting

  • State the quality control checks made at each finishing stage and the defects each check catches

Your checkpoint

A production route card for one saddle-stitched and one perfect-bound job, listing substrate, ink, every finishing operation in order, and the QC check and defect for each stage.

Week 7

Health, safety and environmental practice in the print workshop (hazardous substances, waste, machine guarding)

  • Identify the hazardous substances found in a print workshop (solvents, fountain solution additives, UV inks, plate developers, spray powders) and state the controls for each

  • Interpret the information on a safety data sheet and locate the hazard, handling, and disposal sections

  • Describe machine guarding requirements for cutters, folders, and presses and the safe procedure for clearing a jam or making-ready

  • Explain correct segregation, labelling, and disposal routes for waste ink, solvent, used plates, and paper trim

  • List the personal protective equipment required at each main machine and the reason for each item

Your checkpoint

A completed workshop risk assessment for three named machines, each with hazards, likelihood and severity ratings, existing controls, and one further action.

Week 8

Print production calculations and costing (sheet counts, waste allowance, format/imposition arithmetic) & Prepress and reproduction workflow (image capture, scanning, colour separation, RIP, CTP, imposition) & Colour theory and colour management (additive/subtractive colour, CMYK, spot colours, ICC profiles, densitometry)

  • Solve mixed production calculations combining imposition arithmetic, waste allowance, ink coverage estimation, and cost per thousand sheets

  • Build a simple job cost from paper, plates, ink, machine time, and finishing, then derive a selling price with a stated margin

  • Rehearse weak areas identified in earlier weeks by re-attempting missed calculation and colour questions under timed conditions

  • Summarise the whole workflow from brief to delivered job in a single annotated flow covering prepress, press, and post-press decision points

Your checkpoint

A full cost estimate for one realistic multi-page job (paper, plates, ink, press time, finishing, waste) totalling to a selling price, plus a timed 20-question self-test scored and reviewed.

Milestones

Week 2: Can name and correctly order all five printing processes by typical run length and explain ink transfer for each without notes, and can solve a gross/net sheet calculation with waste allowance in under five minutes.

Week 4: Can draw the full prepress workflow from capture to plate from memory, and can read a densitometer test strip and state whether each CMYK solid is within target.

Week 6: Can classify any given typeface into its historical group, convert a type measurement between point, pica, and millimetre correctly, and sequence the finishing operations for a saddle-stitched booklet without error.

Week 8: Scores at least 80% on the timed 20-question self-test and produces a complete job cost estimate with every cost line accounted for and a defensible selling price.