Bremen Abitur English flashcards
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33 cards. Read the term and the definition here. The deck at the top of this page is optional.
- Anforderungsbereich I
- The reproduction level of tasks: recalling and summarizing information from the material without independent analysis. Operative verbs include nennen, beschreiben, zusammenfassen.
- Anforderungsbereich II
- The reorganization and transfer level: analysing, comparing, and explaining material using evidence. Operative verbs include analysieren, vergleichen, erläutern, erklären.
- Anforderungsbereich III
- The evaluation and creation level: forming reasoned judgments, discussing positions, and producing creative or evaluative texts. Operative verbs include bewerten, diskutieren, Stellung nehmen, gestalten.
- Operative verb: analyse
- A task instruction requiring a methodical, structured examination of a text or aspect, supported by specific evidence and quotations, and explaining how the feature creates meaning.
- Operative verb: evaluate
- A task instruction requiring a reasoned judgment on the basis of explicit criteria, weighing strengths and weaknesses and reaching a justified conclusion.
- Sprachmittlung
- Situational, addressee-oriented transfer of meaning between German and English. It is not literal translation; register, tone, and conventions must suit the target reader.
- Narrative perspective
- The viewpoint from which a story is told: first person (I), third person limited (one character's consciousness), or third person omniscient (narrator knows all characters' thoughts).
- Direct characterisation
- Revealing a character through explicit statements by the narrator or other characters about traits, appearance, or personality, rather than through action or dialogue.
- Indirect characterisation
- Revealing character through actions, speech, thoughts, appearance, and others' reactions, requiring the reader to infer traits rather than being told directly.
- Simile
- A comparison using like or as, e.g. 'her voice was like gravel'. It clarifies or intensifies an image and should be interpreted for its effect, not merely named.
- Metaphor
- A direct comparison in which one thing is described as another without like or as. It creates imagery and conveys associations that shape the reader's understanding.
- Personification
- Giving human qualities to non-human things, such as objects, nature, or abstract ideas. It can create atmosphere, empathy, or a sense of agency.
- Irony
- A gap between what is said and what is meant, or between expectation and outcome. It invites the reader to infer the intended meaning and can convey criticism or humour.
- Rhetorical question
- A question posed for effect rather than to obtain an answer. It engages the reader, signals a shift in argument, or implies an obvious answer.
- Anaphora
- Repetition of a word or phrase at the beginning of successive clauses or sentences. It creates rhythm, emphasis, and emotional force in speeches and persuasive texts.
- Alliteration
- Repetition of the same initial consonant sound in nearby words. It creates rhythm, memorability, and emphasis, and is common in headlines, slogans, and poetry.
- Thesis statement
- A single sentence stating the central claim of an essay or comment. It guides the structure and must be arguable and answered in the conclusion.
- Topic sentence
- The first sentence of a body paragraph, stating the paragraph's main point. It connects to the thesis and is followed by evidence and explanation.
- Ethos, pathos, logos
- The three classical rhetorical appeals: credibility of the speaker (ethos), emotional appeal to the audience (pathos), and logical argument and evidence (logos).
- Summary writing rules
- A summary presents the main ideas in the writer's own words, in the present tense, without personal opinion, quotations, or examples, and follows the original's structure.
- Register
- The level of formality in language, ranging from formal (academic, official) to informal (colloquial). Mediation and essays must match the register expected by the addressee.
- Mediation conventions
- When mediating, adopt the target text type's conventions: an email needs a salutation and sign-off, a letter a formal address, a report headings and a neutral tone.
- Free verse
- Poetry without a fixed metre or rhyme scheme. Analysis focuses on line breaks, rhythm, imagery, and sound patterns rather than on regular formal structure.
- Dramatic monologue
- A speech by a single character revealing thoughts and personality, often addressing an implied listener. It blends characterisation with dramatic tension.
- Stage directions
- Instructions in a play script describing setting, movement, and delivery. They shape interpretation of character and atmosphere and are evidence for analysis.
- Dystopian fiction
- A genre depicting an imagined oppressive society, often used to critique contemporary issues. Analysis examines control mechanisms, setting, and narrative voice.
- Unreliable narrator
- A narrator whose account is distorted by limited knowledge, bias, or deception. Readers must infer the gap between narration and implied truth.
- Framing device
- A narrative structure in which a story is told within another story. It shapes perspective, distance, and the reader's trust in the account.
- Hörverstehen strategy
- Before listening, read the tasks to predict content. During listening, note keywords and numbers; a second listening is used to confirm details and complete gaps.
- Leseverstehen strategy
- Skim for gist, then scan for specific information. Match each task item to a distinct passage section and eliminate options contradicted by the text.
- Quoting and citing
- Integrate quotations with a lead-in, cite line numbers, and explain relevance. Quotations should support an argument, not replace the candidate's own analysis.
- Conclusion in a comment
- The final paragraph restates the thesis in light of the argument, draws a clear position, and may point to wider implications without introducing new evidence.
- False friends example
- German-English traps such as 'aktuell' (current, not actual), 'eventuell' (possibly, not eventually), and 'bekommen' (to get, not to become). Accuracy affects the language mark.