Sachsen-Anhalt Abitur Visual Arts flashcards
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28 cards. Read the term and the definition here. The deck at the top of this page is optional.
- visual hierarchy
- Arrangement that directs attention among elements through scale, contrast, placement or other relationships rather than assigning everything equal prominence.
- hue
- A colour attribute used to distinguish families such as red, green or blue, separately from lightness and saturation.
- value
- Relative lightness or darkness of a visual element, which can create contrast independently of its hue or symbolic associations.
- saturation
- Degree of chromatic intensity or neutrality in a colour, distinct from its lightness and from the colour family itself.
- additive colour
- Mixing coloured light, commonly modeled with red, green and blue channels; distinguish it from ink or pigment absorption.
- subtractive colour
- Colour formation through selective absorption by materials; printing commonly uses cyan, magenta and yellow with an additional black channel.
- composition
- Organization of visual elements within a work, studied through relationships of balance, direction, emphasis, rhythm, scale and space.
- parallel projection
- Representation in which parallel object edges remain parallel in the drawing, with axis conventions determining angles and scale factors.
- conical perspective
- Representation based on projection from a viewpoint, in which relevant sets of parallel lines can converge toward vanishing points.
- iconography
- Identification of represented subjects and attributes using appropriate contextual evidence, rather than a universal dictionary of isolated symbols.
- provenance
- Documented history of an object’s origin, custody and movement; it is evidence to assess rather than a substitute for analysis.
- medium
- Material or technical means through which a work is made, distinguished from its support, subject and proposed interpretation.
- collage
- Construction that combines attached fragments into a new arrangement; the source materials and their changed relationships contribute to meaning.
- readymade
- An existing manufactured object selected or presented in an artistic context, raising questions about authorship, recognition, function and interpretation.
- mass culture
- Cultural production and circulation addressed to broad audiences through reproducible media, without implying uniform audience responses or identical values.
- appropriation
- Reuse or transformation of existing cultural material, whose meaning depends on the new context, attribution, purpose and relevant constraints.
- installation
- Work organized through objects, media or spatial relationships that shape the viewer’s experience of a particular arranged environment.
- performance
- Artistic practice involving actions in time, whose documentation and live realization can have different roles within the work.
- Conceptual art
- Practices giving a central role to an idea, proposition or procedure; material objects can still participate in their presentation.
- Pop Art
- Artistic practices engaging imagery and forms of popular or consumer culture, with attitudes that must be argued work by work.
- montage
- Organization of separate images or shots into relationships that can construct sequence, contrast or association rather than merely reproduce continuity.
- diegetic sound
- Sound belonging to the represented story world, which may originate on screen or outside the visible frame.
- nondiegetic sound
- Sound presented outside the represented story world, such as a musical score whose source is not part of the scene.
- framing
- Selection and organization of what an image includes and excludes; it shapes attention without making every depicted claim automatically true.
- anchorage
- Relationship in which accompanying text helps direct interpretation of an image, while its effect still depends on context and audience.
- reproduction
- A representation or copy of another work or image, which should be distinguished from the original object and accurately described.
- formal analysis
- Study of perceptible relationships such as line, colour, scale, light and space, linked to specific evidence rather than unexplained adjectives.
- institutional critique
- Artistic examination of the structures, values and conditions of institutions that present or authorize culture, requiring attention to the specific work.