Canary PAU Music & Dance study plan
Canary PAU Music & Dance · Give each week a clear focus.
8 weeks · About 6 hours per week
Music theory and analysis (lenguaje musical, harmony, form) & Aural skills and dictation (audición, entonación, ritmo)
Diagnose current level by completing one timed mock section of domain 1 and one melodic dictation, scoring both against an answer key.
Build a one-page reference sheet of intervals, triad and seventh-chord qualities, and cadence types, writing each definition from memory before checking.
Sight-sing eight short diatonic melodies in treble and bass clef, naming the scale degree of each note before singing it.
Transcribe four two-bar rhythmic patterns in simple and compound meter by ear, clapping them back accurately.
Identify all major and minor key signatures up to seven accidentals within 60 seconds using a self-made flashcard drill.
Your checkpoint
A scored diagnostic sheet plus a completed one-page harmony and interval reference sheet, with a log of errors to revisit.
Music theory and analysis (lenguaje musical, harmony, form) & Aural skills and dictation (audición, entonación, ritmo)
Harmonize eight given melodies in four parts using primary triads, checking each for parallel fifths and octaves.
Analyze the phrase structure of four short pieces, labeling motives, phrases, periods, and cadences.
Sing the bass line of four chorale-style excerpts while tapping the upper voice rhythm.
Write out eight melodic dictations of four bars each from recordings, then compare with the notation.
Identify non-chord tones (passing, neighbor, suspension, appoggiatura) in two prepared scores, marking each occurrence.
Your checkpoint
A portfolio of eight four-part harmonizations with a written analysis paragraph for each, plus eight corrected dictations.
Music theory and analysis (lenguaje musical, harmony, form) & Music history and repertoire (Western tradition and Canarian context)
Map the main formal archetypes (binary, ternary, rondo, sonata, theme and variations) onto six works from different periods, annotating the score with section boundaries.
Compare modal and tonal harmony by analyzing two Renaissance and two Baroque excerpts, listing cadence types and harmonic rhythm.
Build a timeline of Western music periods with three representative genres and two composers per period, written from memory.
Practice harmonic dictation of eight progressions of four chords each, identifying roots and qualities by ear.
Explain in writing how a given sonata-form movement handles exposition, development, and recapitulation, citing measure numbers.
Your checkpoint
A form-and-period timeline chart plus one annotated sonata-form analysis with measure-number citations.
Music history and repertoire (Western tradition and Canarian context) & Dance theory, history and notation
Summarize the development of Western dance forms (suite dances, waltz, ballet) with one musical example per form.
Describe the historical context of Canarian musical life, including the role of the timple and folk genres such as the isa and folía, in a structured outline.
Define core dance vocabulary (alignment, plié, tendu, port de bras) and apply each term correctly in a written glossary.
Compare two systems of dance notation at a conceptual level, explaining what each records and its practical limits.
Analyze how meter and tempo markings shape a dance's character, using three notated examples.
Your checkpoint
A comparative glossary and outline document covering dance forms, notation basics, and Canarian repertoire context.
Music history and repertoire (Western tradition and Canarian context) & Dance theory, history and notation
Write a 600-word essay comparing two works from different periods, linking style features to their historical context.
Trace the transmission of a folk melody into art music, documenting sources and variants.
Annotate a dance score excerpt, marking counts, phrasing, and accents to show how music and movement align.
Create a listening list of ten works with a one-sentence stylistic identifier for each, memorized by ear.
Evaluate two historical recordings of the same work, noting differences in tempo, articulation, and instrumentation.
Your checkpoint
A 600-word comparative essay plus an annotated dance score excerpt with counts and phrasing marked.
Music theory and analysis (lenguaje musical, harmony, form) & Performance and practical musicianship (instrumental/vocal or dance)
Perform two prepared pieces or studies from memory, recording each and marking three specific technical or interpretive fixes.
Apply harmonic analysis to your own repertoire, labeling the key, cadences, and modulations in both pieces.
Practice scales and arpeggios in all major keys at a steady tempo, logging daily metronome markings.
Sight-read one new short piece daily at half tempo, noting errors and repeating until clean.
Record a mock performance and self-assess intonation, rhythm, and phrasing against a written rubric.
Your checkpoint
Two recorded performances with a written self-assessment rubric and a scale-tempo progress log.
Aural skills and dictation (audición, entonación, ritmo) & Performance and practical musicianship (instrumental/vocal or dance)
Complete ten melodic dictations in mixed clefs and keys, scoring at least eight correctly.
Sing at sight twelve melodies with leaps up to a sixth, maintaining steady pulse with a metronome.
Perform a rhythm exercise in changing meters, clapping and counting aloud without breaking the pulse.
Integrate aural skills into performance by tuning intervals against a drone and recording the result.
Identify chords by ear (major, minor, diminished, dominant seventh) in a set of twenty examples.
Your checkpoint
A scored dictation and sight-singing log showing at least 80% accuracy across ten melodic and twenty chord identifications.
Music theory and analysis (lenguaje musical, harmony, form) & Music history and repertoire (Western tradition and Canarian context) & Aural skills and dictation (audición, entonación, ritmo) & Dance theory, history and notation & Performance and practical musicianship (instrumental/vocal or dance)
Take two full-length timed mock exams covering all five domains and score each section.
Review every missed item, writing the underlying rule or fact and one practice action for each.
Perform your prepared repertoire once under exam conditions, recording and reviewing it.
Recite the period timeline, dance glossary, and harmony reference sheet from memory.
Finalize a one-page exam-day strategy covering time allocation per domain and order of answering.
Your checkpoint
Two completed mock exams with an error-analysis sheet and a final one-page exam-day strategy.
Milestones
Week 2: Score at least 70% on a self-made harmony and dictation quiz, with no unresolved parallel-fifth errors in your harmonizations.
Week 4: Complete the form-and-period timeline and the dance glossary from memory with at least 85% accuracy, and submit the annotated sonata analysis.
Week 6: Perform both prepared pieces from memory with no more than three flagged technical errors, and label key and cadences correctly in both scores.
Week 8: Achieve at least 75% overall across two full mock exams, with no single domain below 60%.