Canary PAU Music & Dance study materials
Canary PAU Music & Dance study resources

Canary PAU Music & Dance study plan

Canary PAU Music & Dance · Give each week a clear focus.

8 weeks · About 6 hours per week

Week 1

Music theory and analysis (lenguaje musical, harmony, form) & Aural skills and dictation (audición, entonación, ritmo)

  • Diagnose current level by completing one timed mock section of domain 1 and one melodic dictation, scoring both against an answer key.

  • Build a one-page reference sheet of intervals, triad and seventh-chord qualities, and cadence types, writing each definition from memory before checking.

  • Sight-sing eight short diatonic melodies in treble and bass clef, naming the scale degree of each note before singing it.

  • Transcribe four two-bar rhythmic patterns in simple and compound meter by ear, clapping them back accurately.

  • Identify all major and minor key signatures up to seven accidentals within 60 seconds using a self-made flashcard drill.

Your checkpoint

A scored diagnostic sheet plus a completed one-page harmony and interval reference sheet, with a log of errors to revisit.

Week 2

Music theory and analysis (lenguaje musical, harmony, form) & Aural skills and dictation (audición, entonación, ritmo)

  • Harmonize eight given melodies in four parts using primary triads, checking each for parallel fifths and octaves.

  • Analyze the phrase structure of four short pieces, labeling motives, phrases, periods, and cadences.

  • Sing the bass line of four chorale-style excerpts while tapping the upper voice rhythm.

  • Write out eight melodic dictations of four bars each from recordings, then compare with the notation.

  • Identify non-chord tones (passing, neighbor, suspension, appoggiatura) in two prepared scores, marking each occurrence.

Your checkpoint

A portfolio of eight four-part harmonizations with a written analysis paragraph for each, plus eight corrected dictations.

Week 3

Music theory and analysis (lenguaje musical, harmony, form) & Music history and repertoire (Western tradition and Canarian context)

  • Map the main formal archetypes (binary, ternary, rondo, sonata, theme and variations) onto six works from different periods, annotating the score with section boundaries.

  • Compare modal and tonal harmony by analyzing two Renaissance and two Baroque excerpts, listing cadence types and harmonic rhythm.

  • Build a timeline of Western music periods with three representative genres and two composers per period, written from memory.

  • Practice harmonic dictation of eight progressions of four chords each, identifying roots and qualities by ear.

  • Explain in writing how a given sonata-form movement handles exposition, development, and recapitulation, citing measure numbers.

Your checkpoint

A form-and-period timeline chart plus one annotated sonata-form analysis with measure-number citations.

Week 4

Music history and repertoire (Western tradition and Canarian context) & Dance theory, history and notation

  • Summarize the development of Western dance forms (suite dances, waltz, ballet) with one musical example per form.

  • Describe the historical context of Canarian musical life, including the role of the timple and folk genres such as the isa and folía, in a structured outline.

  • Define core dance vocabulary (alignment, plié, tendu, port de bras) and apply each term correctly in a written glossary.

  • Compare two systems of dance notation at a conceptual level, explaining what each records and its practical limits.

  • Analyze how meter and tempo markings shape a dance's character, using three notated examples.

Your checkpoint

A comparative glossary and outline document covering dance forms, notation basics, and Canarian repertoire context.

Week 5

Music history and repertoire (Western tradition and Canarian context) & Dance theory, history and notation

  • Write a 600-word essay comparing two works from different periods, linking style features to their historical context.

  • Trace the transmission of a folk melody into art music, documenting sources and variants.

  • Annotate a dance score excerpt, marking counts, phrasing, and accents to show how music and movement align.

  • Create a listening list of ten works with a one-sentence stylistic identifier for each, memorized by ear.

  • Evaluate two historical recordings of the same work, noting differences in tempo, articulation, and instrumentation.

Your checkpoint

A 600-word comparative essay plus an annotated dance score excerpt with counts and phrasing marked.

Week 6

Music theory and analysis (lenguaje musical, harmony, form) & Performance and practical musicianship (instrumental/vocal or dance)

  • Perform two prepared pieces or studies from memory, recording each and marking three specific technical or interpretive fixes.

  • Apply harmonic analysis to your own repertoire, labeling the key, cadences, and modulations in both pieces.

  • Practice scales and arpeggios in all major keys at a steady tempo, logging daily metronome markings.

  • Sight-read one new short piece daily at half tempo, noting errors and repeating until clean.

  • Record a mock performance and self-assess intonation, rhythm, and phrasing against a written rubric.

Your checkpoint

Two recorded performances with a written self-assessment rubric and a scale-tempo progress log.

Week 7

Aural skills and dictation (audición, entonación, ritmo) & Performance and practical musicianship (instrumental/vocal or dance)

  • Complete ten melodic dictations in mixed clefs and keys, scoring at least eight correctly.

  • Sing at sight twelve melodies with leaps up to a sixth, maintaining steady pulse with a metronome.

  • Perform a rhythm exercise in changing meters, clapping and counting aloud without breaking the pulse.

  • Integrate aural skills into performance by tuning intervals against a drone and recording the result.

  • Identify chords by ear (major, minor, diminished, dominant seventh) in a set of twenty examples.

Your checkpoint

A scored dictation and sight-singing log showing at least 80% accuracy across ten melodic and twenty chord identifications.

Week 8

Music theory and analysis (lenguaje musical, harmony, form) & Music history and repertoire (Western tradition and Canarian context) & Aural skills and dictation (audición, entonación, ritmo) & Dance theory, history and notation & Performance and practical musicianship (instrumental/vocal or dance)

  • Take two full-length timed mock exams covering all five domains and score each section.

  • Review every missed item, writing the underlying rule or fact and one practice action for each.

  • Perform your prepared repertoire once under exam conditions, recording and reviewing it.

  • Recite the period timeline, dance glossary, and harmony reference sheet from memory.

  • Finalize a one-page exam-day strategy covering time allocation per domain and order of answering.

Your checkpoint

Two completed mock exams with an error-analysis sheet and a final one-page exam-day strategy.

Milestones

Week 2: Score at least 70% on a self-made harmony and dictation quiz, with no unresolved parallel-fifth errors in your harmonizations.

Week 4: Complete the form-and-period timeline and the dance glossary from memory with at least 85% accuracy, and submit the annotated sonata analysis.

Week 6: Perform both prepared pieces from memory with no more than three flagged technical errors, and label key and cadences correctly in both scores.

Week 8: Achieve at least 75% overall across two full mock exams, with no single domain below 60%.