La Rioja PAU Fundamentos Artísticos study materials
La Rioja PAU Fundamentos Artísticos study resources

La Rioja PAU Fundamentos Artísticos flashcards

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28 cards. Read the term and the definition here. The deck at the top of this page is optional.

visual hierarchy
Arrangement that directs attention among elements through scale, contrast, placement or other relationships rather than assigning everything equal prominence.
hue
A colour attribute used to distinguish families such as red, green or blue, separately from lightness and saturation.
value
Relative lightness or darkness of a visual element, which can create contrast independently of its hue or symbolic associations.
saturation
Degree of chromatic intensity or neutrality in a colour, distinct from its lightness and from the colour family itself.
additive colour
Mixing coloured light, commonly modeled with red, green and blue channels; distinguish it from ink or pigment absorption.
subtractive colour
Colour formation through selective absorption by materials; printing commonly uses cyan, magenta and yellow with an additional black channel.
composition
Organization of visual elements within a work, studied through relationships of balance, direction, emphasis, rhythm, scale and space.
parallel projection
Representation in which parallel object edges remain parallel in the drawing, with axis conventions determining angles and scale factors.
conical perspective
Representation based on projection from a viewpoint, in which relevant sets of parallel lines can converge toward vanishing points.
iconography
Identification of represented subjects and attributes using appropriate contextual evidence, rather than a universal dictionary of isolated symbols.
provenance
Documented history of an object’s origin, custody and movement; it is evidence to assess rather than a substitute for analysis.
medium
Material or technical means through which a work is made, distinguished from its support, subject and proposed interpretation.
collage
Construction that combines attached fragments into a new arrangement; the source materials and their changed relationships contribute to meaning.
readymade
An existing manufactured object selected or presented in an artistic context, raising questions about authorship, recognition, function and interpretation.
mass culture
Cultural production and circulation addressed to broad audiences through reproducible media, without implying uniform audience responses or identical values.
appropriation
Reuse or transformation of existing cultural material, whose meaning depends on the new context, attribution, purpose and relevant constraints.
installation
Work organized through objects, media or spatial relationships that shape the viewer’s experience of a particular arranged environment.
performance
Artistic practice involving actions in time, whose documentation and live realization can have different roles within the work.
Conceptual art
Practices giving a central role to an idea, proposition or procedure; material objects can still participate in their presentation.
Pop Art
Artistic practices engaging imagery and forms of popular or consumer culture, with attitudes that must be argued work by work.
montage
Organization of separate images or shots into relationships that can construct sequence, contrast or association rather than merely reproduce continuity.
diegetic sound
Sound belonging to the represented story world, which may originate on screen or outside the visible frame.
nondiegetic sound
Sound presented outside the represented story world, such as a musical score whose source is not part of the scene.
framing
Selection and organization of what an image includes and excludes; it shapes attention without making every depicted claim automatically true.
anchorage
Relationship in which accompanying text helps direct interpretation of an image, while its effect still depends on context and audience.
reproduction
A representation or copy of another work or image, which should be distinguished from the original object and accurately described.
formal analysis
Study of perceptible relationships such as line, colour, scale, light and space, linked to specific evidence rather than unexplained adjectives.
institutional critique
Artistic examination of the structures, values and conditions of institutions that present or authorize culture, requiring attention to the specific work.