Basque PAU Performing Arts II - independent theatre foundations study materials
Basque PAU Performing Arts II - independent theatre foundations study resources

Basque PAU Performing Arts II - independent theatre foundations study plan

Basque PAU Performing Arts II - independent theatre foundations · Give each week a clear focus.

8 weeks · About 5 hours per week

Week 1

Dramatic language, structure and genre

  • Review Dramatic language, structure and genre using the mapped guide and reference terms.

  • Attempt relevant questions before reading answers and explain the distinction or calculation.

Your checkpoint

A checked study log for Dramatic language, structure and genre, with supporting reasoning and unresolved questions.

Week 2

Theatre history from antiquity through modern transformations

  • Review Theatre history from antiquity through modern transformations using the mapped guide and reference terms.

  • Attempt relevant questions before reading answers and explain the distinction or calculation.

Your checkpoint

A checked study log for Theatre history from antiquity through modern transformations, with supporting reasoning and unresolved questions.

Week 3

Dramaturgy, adaptation and the page-to-stage relationship

  • Review Dramaturgy, adaptation and the page-to-stage relationship using the mapped guide and reference terms.

  • Attempt relevant questions before reading answers and explain the distinction or calculation.

Your checkpoint

A checked study log for Dramaturgy, adaptation and the page-to-stage relationship, with supporting reasoning and unresolved questions.

Week 4

Acting, direction, rehearsal and ensemble choices

  • Review Acting, direction, rehearsal and ensemble choices using the mapped guide and reference terms.

  • Attempt relevant questions before reading answers and explain the distinction or calculation.

Your checkpoint

A checked study log for Acting, direction, rehearsal and ensemble choices, with supporting reasoning and unresolved questions.

Week 5

Space, scenography, costume, lighting and sound

  • Review Space, scenography, costume, lighting and sound using the mapped guide and reference terms.

  • Attempt relevant questions before reading answers and explain the distinction or calculation.

Your checkpoint

A checked study log for Space, scenography, costume, lighting and sound, with supporting reasoning and unresolved questions.

Week 6

Music, dance, movement and embodied performance

  • Review Music, dance, movement and embodied performance using the mapped guide and reference terms.

  • Attempt relevant questions before reading answers and explain the distinction or calculation.

Your checkpoint

A checked study log for Music, dance, movement and embodied performance, with supporting reasoning and unresolved questions.

Week 7

Dramatic language, structure and genre & Theatre history from antiquity through modern transformations & Dramaturgy, adaptation and the page-to-stage relationship & Acting, direction, rehearsal and ensemble choices & Space, scenography, costume, lighting and sound & Music, dance, movement and embodied performance & Contemporary performance, documentary work and media & Evidence-based literary and performance criticism

  • Apply the cases before reading model responses.

  • Retest recurring errors with a mixed set and compare preparation with the actual syllabus.

Your checkpoint

A checked study log for Dramatic language, structure and genre, Theatre history from antiquity through modern transformations, Dramaturgy, adaptation and the page-to-stage relationship, Acting, direction, rehearsal and ensemble choices, Space, scenography, costume, lighting and sound, Music, dance, movement and embodied performance, Contemporary performance, documentary work and media, Evidence-based literary and performance criticism, with supporting reasoning and unresolved questions.

Week 8

Dramatic language, structure and genre & Theatre history from antiquity through modern transformations & Dramaturgy, adaptation and the page-to-stage relationship & Acting, direction, rehearsal and ensemble choices & Space, scenography, costume, lighting and sound & Music, dance, movement and embodied performance & Contemporary performance, documentary work and media & Evidence-based literary and performance criticism

  • Apply the cases before reading model responses.

  • Retest recurring errors with a mixed set and compare preparation with the actual syllabus.

Your checkpoint

A checked study log for Dramatic language, structure and genre, Theatre history from antiquity through modern transformations, Dramaturgy, adaptation and the page-to-stage relationship, Acting, direction, rehearsal and ensemble choices, Space, scenography, costume, lighting and sound, Music, dance, movement and embodied performance, Contemporary performance, documentary work and media, Evidence-based literary and performance criticism, with supporting reasoning and unresolved questions.

Milestones

Week 2: Explain the principal concepts using evidence rather than memorized option positions.

Week 5: Apply subject concepts to cases and identify assumptions and limits.

Week 8: Review mixed performance and the exact current qualification requirements.