LC Classical Studies study plan
LC Classical Studies · Give each week a clear focus.
8 weeks · About 6 hours per week
Greek and Roman Art, Architecture and Archaeology & The Greek and Roman World: historical, social and political context
Build a one-page timeline linking Archaic, Classical, Hellenistic and Roman imperial phases to at least six named monuments so that every date you memorise has a political anchor.
Sketch from memory the ground plan of the Athenian Acropolis and label the Propylaia, Parthenon and Erechtheion, then correct your sketch against a handbook plan.
List ten diagnostic features of Greek vs Roman temple design (column order, podium, frontal emphasis, materials) and test yourself on them twice this week.
Write 150 words on how Athenian democracy and the Delian League funded the Periclean building programme, citing two specific buildings as evidence.
Your checkpoint
A dated, hand-drawn timeline-and-plan sheet covering 12 monuments with a 150-word commentary on political context.
Greek and Roman Art, Architecture and Archaeology & Source Analysis and Interpretation (written, visual and material evidence)
Identify from description alone the six canonical sculpture works (Kritios Boy, Riace bronzes, Doryphoros, Aphrodite of Knidos, Laocoon, Augustus of Prima Porta) and state period, medium and one stylistic marker for each.
Practise the four-step visual analysis routine (identify, describe, contextualise, evaluate) on three unseen images in under 12 minutes each.
Compare Greek black-figure and red-figure pottery techniques and explain what each reveals about production and patronage.
Define 15 archaeological terms (stratigraphy, assemblage, provenance, context, typology, etc.) and use five of them in a written description of a single excavation.
Your checkpoint
Three timed visual-analysis paragraphs (200 words each) on unseen works, each scoring against a self-made checklist of identification, description, context and significance.
Greek and Roman Literature and Drama & Greek and Roman Mythology and Religion
Map the plot of the Iliad and Odyssey onto a single page, marking the books where divine intervention changes the human action.
Summarise the structure and staging conventions of Attic tragedy and Old Comedy, naming the parodos, episodes, stasima and exodos.
Read one complete tragedy (e.g. Medea or Antigone) and write a 250-word analysis of how the playwright uses a single divine or moral conflict.
List the twelve Olympians with their Greek and Roman names, principal attributes and one myth each, then self-test from memory.
Your checkpoint
A one-page Homeric plot map plus a 250-word passage-based analysis of one tragedy.
The Greek and Roman World: historical, social and political context & Greek and Roman Mythology and Religion
Trace the Roman constitution from monarchy to Republic to Principate, noting the powers of consul, tribune, senate and princeps.
Explain the civic function of Roman religion (pontifices, augury, festival calendar, imperial cult) with two concrete examples.
Compare Greek and Roman attitudes to myth as recorded by Hesiod and Ovid, using one passage from each.
Answer 20 short-answer recall questions on dates, offices and deities under timed conditions.
Your checkpoint
A 300-word comparative essay on Greek versus Roman use of myth in civic life, plus a scored 20-question self-test.
Greek and Roman Literature and Drama & Greek and Roman Philosophy and Ideas
Summarise the core positions of the Presocratics, Socrates, Plato and Aristotle in a comparison table of method, subject and goal.
Explain three Socratic arguments from a Platonic dialogue and identify the elenchus at work in each.
Compare Stoic and Epicurean ethics on the good life, and link each to a Roman author (Seneca, Epictetus, Lucretius).
Write a 300-word commentary on a short philosophical passage, distinguishing the argument from the literary presentation.
Your checkpoint
A philosophy comparison table covering six thinkers plus a 300-word passage commentary.
Reception and Legacy of the Classical World & Source Analysis and Interpretation (written, visual and material evidence)
Trace three receptions of classical material (e.g. Renaissance sculpture, neoclassical architecture, modern film or graphic novel) and state what each adapts and what it changes.
Analyse how a modern political or artistic movement has invoked Greece or Rome, and evaluate the uses and abuses of that claim.
Practise source criticism on three short translated texts, assessing bias, genre, audience and reliability.
Draft a 10-point checklist for evaluating material evidence, then apply it to a museum object you can describe from memory.
Your checkpoint
A 400-word reception case study on one modern work or movement, with a source-criticism appendix on two primary texts.
The Greek and Roman World: historical, social and political context & Greek and Roman Art, Architecture and Archaeology & Greek and Roman Literature and Drama
Consolidate the three heaviest domains by re-reading your notes and producing a single condensed revision sheet per domain.
Answer a full mixed-topic practice set under exam timing and log every error by domain and error type.
Re-teach two weak topics aloud in five minutes each, without notes, to expose gaps.
Revisit your week 1 timeline and correct any dates or attributions you now know were wrong.
Your checkpoint
Three one-page revision sheets plus an error log categorising at least 15 mistakes by domain and cause.
Source Analysis and Interpretation (written, visual and material evidence) & Reception and Legacy of the Classical World & Greek and Roman Mythology and Religion & Greek and Roman Philosophy and Ideas
Run two full mock papers under strict timing and mark them against the domain weightings.
Target your lowest-scoring domain with a focused 90-minute drill and re-test it.
Rehearse a 5-minute spoken response to an unseen visual source, covering identification, context and significance.
Write a final one-page exam-day strategy covering time allocation per domain and a fallback approach for unfamiliar sources.
Your checkpoint
Two completed and self-marked mock papers with a one-page exam-day strategy sheet.
Milestones
Week 2: You can identify and contextualise an unseen classical artwork in under 12 minutes using the four-step routine.
Week 4: You score at least 16/20 on the timed short-answer test and can explain the Roman constitution without notes.
Week 6: You can name three distinct receptions of classical material and critique each in 100 words.
Week 8: Both mock papers are complete within time and your error log shows improvement in the two heaviest domains.