AP Intermediate Sanskrit (BIEAP) study materials
AP Intermediate Sanskrit (BIEAP) study resources

AP Intermediate Sanskrit (BIEAP) key terms

AP Intermediate Sanskrit (BIEAP) · Get comfortable with the vocabulary.

gadyam

Sanskrit prose. In the AP syllabus it names the prescribed prose passages studied for comprehension and explanation, as opposed to verse passages.

Related: padyam, vyākhyā
padyam

Sanskrit verse. Refers to the prescribed stanzas studied for word-by-word meaning, overall sense, and poetic appreciation in the poetry section.

Related: gadyam, alaṅkāra
vyākhyā

Explanation or commentary. In exams it means writing a short prose explanation of a prescribed passage, unpacking its words, grammar, and sense.

Related: anvaya, bhāva
anvaya

The natural word order of a sentence, rearranged from the verse order so that the grammatical relationship between words becomes clear before translation.

Related: vyākhyā, kartari
sandhi

The phonological joining of two adjacent sounds into one, with changes at the boundary, as when final and initial vowels combine or a consonant is altered.

Related: samāsa, guṇa
samāsa

A compound: two or more words combined into a single inflected unit, classified by the relation between members, such as tatpuruṣa, dvandva, or bahuvrīhi.

Related: sandhi, bahuvrīhi
tatpuruṣa

A compound in which the first member determines or qualifies the second, and the whole is named for the final member, as in rājaputra, 'king's son'.

Related: samāsa, bahuvrīhi
bahuvrīhi

A compound that names something by an attribute it possesses rather than by the compound's own members, as in dīrghabāhu, 'one whose arms are long'.

Related: samāsa, tatpuruṣa
dvandva

A copulative compound joining members of equal rank, the whole denoting the group, as in rāmalakṣmaṇau, 'Rama and Lakshmana'.

Related: samāsa, tatpuruṣa
vibhakti

A case ending of a noun or pronoun. Sanskrit has eight cases, from nominative through vocative, each carrying distinct syntactic roles.

Related: subanta, kāraka
subanta

A nominal word ending in a case suffix, that is, a declined noun, pronoun, or adjective, as opposed to a verbal form.

Related: vibhakti, tiṅanta
tiṅanta

A finite verb form carrying a personal ending that marks person, number, and voice, such as karoti or gacchanti.

Related: subanta, lakāra
lakāra

One of the ten tense-and-mood systems of Sanskrit conjugation, conventionally labelled with the letter l, such as laṭ for present and liṅ for optative.

Related: tiṅanta, dhātu
dhātu

A verbal root, the basic meaning-bearing element from which verb forms and many nouns are derived, listed in traditional root lists such as bhū, kṛ, gam.

Related: tiṅanta, gaṇa
gaṇa

A conjugation class of verbal roots. Ten classes are recognised, distinguished by the suffix added before personal endings, such as bhvādi or divādi.

Related: dhātu, lakāra
kāraka

A participant role in an action, such as agent, object, or instrument, which determines which case ending a noun takes in a sentence.

Related: vibhakti, kartari
kartari

The agent construction, where the subject performs the action and the verb agrees with it, as opposed to passive or impersonal constructions.

Related: kāraka, karmaṇi
karmaṇi

The passive construction, where the object of the action becomes the grammatical subject and the verb takes a passive ending such as -ya or -ta.

Related: kartari, kāraka
guṇa

The strengthened vowel grade, where a becomes a, i and ī become e, and u and ū become o, common in sandhi and in derived forms.

Related: sandhi, vṛddhi
vṛddhi

The further strengthened vowel grade, where a becomes ā, i and ī become ai, and u and ū become au, frequent in secondary derivation.

Related: guṇa, sandhi
alaṅkāra

A figure of speech or poetic ornament, such as simile or metaphor, used to heighten the expressive power of a verse.

Related: upamā, rasa
upamā

Simile: a comparison in which one thing is likened to another through a word such as iva or yathā, the two sharing a stated common quality.

Related: alaṅkāra, rūpaka
rūpaka

Metaphor: a figure in which the subject is identified with the image without a comparative word, as when a king is simply called a lion.

Related: alaṅkāra, upamā
rasa

The aesthetic flavour or emotional relish a literary work evokes in a receptive audience, classified into nine principal kinds such as the heroic and the compassionate.

Related: alaṅkāra, bhāva
bhāva

An emotional state or feeling that, when developed in a poem, matures into an aesthetic flavour; also used for the plain overall sense of a passage.

Related: rasa, vyākhyā
nīti

Moral and political wisdom literature offering guidance on conduct, prudence, and right action, often in maxims and fables.

Related: subhāṣita, paṇḍita
subhāṣita

A well-spoken verse: a short polished stanza conveying a moral, practical, or ethical observation, collected in anthologies and widely quoted.

Related: nīti, alaṅkāra
paṇḍita

A learned person. In moral verses the term contrasts with the fool, marking one who weighs consequences and speaks at the right time.

Related: nīti, subhāṣita
anuvāda

Translation, rendering a Sanskrit passage into Telugu or English, or a Telugu or English sentence into Sanskrit while preserving meaning and grammar.

Related: anvaya, vyākhyā
patra

A letter. In composition tasks it means writing a short informal or formal letter in Sanskrit with proper address, salutation, body, and closing.

Related: nibandha, anuvāda
nibandha

An essay: a connected piece of Sanskrit prose on a set topic, organised into introduction, developed points, and conclusion.

Related: patra, anuvāda
kathā

A story or narrative, especially the frame-tale collections of fables and moral tales that form part of the prescribed prose and literature survey.

Related: paṇḍita, nīti
kāvya

Courtly poetry or belles-lettres, distinguished into genres such as epic and lyric, and judged by its ornaments, sentiment, and artistry.

Related: alaṅkāra, rasa
kavi

A poet. In literary history the term is applied to named authors whose works and periods the candidate must be able to place.

Related: kāvya, padyam
pariṣkāra

Refinement or polishing; in internal assessment it names the process of revising a project draft for accuracy of language, citation, and presentation.

Related: nibandha, patra