AP Intermediate Sanskrit (BIEAP) key terms
AP Intermediate Sanskrit (BIEAP) · Get comfortable with the vocabulary.
- gadyam
- Related: padyam, vyākhyā
Sanskrit prose. In the AP syllabus it names the prescribed prose passages studied for comprehension and explanation, as opposed to verse passages.
- padyam
- Related: gadyam, alaṅkāra
Sanskrit verse. Refers to the prescribed stanzas studied for word-by-word meaning, overall sense, and poetic appreciation in the poetry section.
- vyākhyā
- Related: anvaya, bhāva
Explanation or commentary. In exams it means writing a short prose explanation of a prescribed passage, unpacking its words, grammar, and sense.
- anvaya
- Related: vyākhyā, kartari
The natural word order of a sentence, rearranged from the verse order so that the grammatical relationship between words becomes clear before translation.
- sandhi
- Related: samāsa, guṇa
The phonological joining of two adjacent sounds into one, with changes at the boundary, as when final and initial vowels combine or a consonant is altered.
- samāsa
- Related: sandhi, bahuvrīhi
A compound: two or more words combined into a single inflected unit, classified by the relation between members, such as tatpuruṣa, dvandva, or bahuvrīhi.
- tatpuruṣa
- Related: samāsa, bahuvrīhi
A compound in which the first member determines or qualifies the second, and the whole is named for the final member, as in rājaputra, 'king's son'.
- bahuvrīhi
- Related: samāsa, tatpuruṣa
A compound that names something by an attribute it possesses rather than by the compound's own members, as in dīrghabāhu, 'one whose arms are long'.
- dvandva
- Related: samāsa, tatpuruṣa
A copulative compound joining members of equal rank, the whole denoting the group, as in rāmalakṣmaṇau, 'Rama and Lakshmana'.
- vibhakti
- Related: subanta, kāraka
A case ending of a noun or pronoun. Sanskrit has eight cases, from nominative through vocative, each carrying distinct syntactic roles.
- subanta
- Related: vibhakti, tiṅanta
A nominal word ending in a case suffix, that is, a declined noun, pronoun, or adjective, as opposed to a verbal form.
- tiṅanta
- Related: subanta, lakāra
A finite verb form carrying a personal ending that marks person, number, and voice, such as karoti or gacchanti.
- lakāra
- Related: tiṅanta, dhātu
One of the ten tense-and-mood systems of Sanskrit conjugation, conventionally labelled with the letter l, such as laṭ for present and liṅ for optative.
- dhātu
- Related: tiṅanta, gaṇa
A verbal root, the basic meaning-bearing element from which verb forms and many nouns are derived, listed in traditional root lists such as bhū, kṛ, gam.
- gaṇa
- Related: dhātu, lakāra
A conjugation class of verbal roots. Ten classes are recognised, distinguished by the suffix added before personal endings, such as bhvādi or divādi.
- kāraka
- Related: vibhakti, kartari
A participant role in an action, such as agent, object, or instrument, which determines which case ending a noun takes in a sentence.
- kartari
- Related: kāraka, karmaṇi
The agent construction, where the subject performs the action and the verb agrees with it, as opposed to passive or impersonal constructions.
- karmaṇi
- Related: kartari, kāraka
The passive construction, where the object of the action becomes the grammatical subject and the verb takes a passive ending such as -ya or -ta.
- guṇa
- Related: sandhi, vṛddhi
The strengthened vowel grade, where a becomes a, i and ī become e, and u and ū become o, common in sandhi and in derived forms.
- vṛddhi
- Related: guṇa, sandhi
The further strengthened vowel grade, where a becomes ā, i and ī become ai, and u and ū become au, frequent in secondary derivation.
- alaṅkāra
- Related: upamā, rasa
A figure of speech or poetic ornament, such as simile or metaphor, used to heighten the expressive power of a verse.
- upamā
- Related: alaṅkāra, rūpaka
Simile: a comparison in which one thing is likened to another through a word such as iva or yathā, the two sharing a stated common quality.
- rūpaka
- Related: alaṅkāra, upamā
Metaphor: a figure in which the subject is identified with the image without a comparative word, as when a king is simply called a lion.
- rasa
- Related: alaṅkāra, bhāva
The aesthetic flavour or emotional relish a literary work evokes in a receptive audience, classified into nine principal kinds such as the heroic and the compassionate.
- bhāva
- Related: rasa, vyākhyā
An emotional state or feeling that, when developed in a poem, matures into an aesthetic flavour; also used for the plain overall sense of a passage.
- nīti
- Related: subhāṣita, paṇḍita
Moral and political wisdom literature offering guidance on conduct, prudence, and right action, often in maxims and fables.
- subhāṣita
- Related: nīti, alaṅkāra
A well-spoken verse: a short polished stanza conveying a moral, practical, or ethical observation, collected in anthologies and widely quoted.
- paṇḍita
- Related: nīti, subhāṣita
A learned person. In moral verses the term contrasts with the fool, marking one who weighs consequences and speaks at the right time.
- anuvāda
- Related: anvaya, vyākhyā
Translation, rendering a Sanskrit passage into Telugu or English, or a Telugu or English sentence into Sanskrit while preserving meaning and grammar.
- patra
- Related: nibandha, anuvāda
A letter. In composition tasks it means writing a short informal or formal letter in Sanskrit with proper address, salutation, body, and closing.
- nibandha
- Related: patra, anuvāda
An essay: a connected piece of Sanskrit prose on a set topic, organised into introduction, developed points, and conclusion.
- kathā
- Related: paṇḍita, nīti
A story or narrative, especially the frame-tale collections of fables and moral tales that form part of the prescribed prose and literature survey.
- kāvya
- Related: alaṅkāra, rasa
Courtly poetry or belles-lettres, distinguished into genres such as epic and lyric, and judged by its ornaments, sentiment, and artistry.
- kavi
- Related: kāvya, padyam
A poet. In literary history the term is applied to named authors whose works and periods the candidate must be able to place.
- pariṣkāra
- Related: nibandha, patra
Refinement or polishing; in internal assessment it names the process of revising a project draft for accuracy of language, citation, and presentation.