BSEB Matric Dance study materials
BSEB Matric Dance study resources

BSEB Matric Dance study plan

BSEB Matric Dance · Give each week a clear focus.

8 weeks · About 7 hours per week

Week 1

Fundamentals and Definitions of Dance & Indian Classical Dance Forms

  • Define dance and distinguish nritta, nritya and natya with one example of each

  • List all eight Indian classical dance forms with their state of origin and signature item

  • Explain the nine rasas and match each to a familiar performance image or description

  • Differentiate classical from folk dance on at least four criteria (codification, repertoire, patronage, transmission)

  • Name the core treatises (Natyashastra, Abhinaya Darpana) and state what each contributes

Your checkpoint

A one-page comparison table of the eight classical forms (state, costume, dominant rasa, main accompanying instrument, one signature item), self-quizzed until you score 9/10 or better.

Week 2

Indian Classical Dance Forms

  • Sequence the Bharatanatyam margam (alarippu to tillana) and state the function of each item

  • Outline the Kathak repertoire (thaat, amad, tukra, gat, tarana) and explain how it differs in emphasis from Bharatanatyam

  • Describe the distinguishing features of Kathakali, Kuchipudi, Odissi, Mohiniyattam, Manipuri and Sattriya in two sentences each

  • Match at least ten well-known exponents and gharanas/guru lineages to the correct form

Your checkpoint

A 40-question self-made test on classical forms, scored at 85% or above, with a written error log naming every item you missed and why.

Week 3

Folk and Regional Dances of Bihar

  • Name at least ten folk dances of Bihar and locate each to its region or district

  • Explain the occasion and performance context of Jat-Jatin, Bidesia, Jhijhian, Karma, Domkach and Painki

  • Identify the instruments, costume and participant roles used in each of those six forms

  • Describe the masked and non-masked traditions of the Chhau family and state Bihar's connection to them

  • Contrast one Bihar folk form with one classical form on rhythm, costume and training

Your checkpoint

An annotated table or hand-drawn map covering ten Bihar folk dances with region, occasion, costume, instruments and one line on social meaning.

Week 4

Tala, Laya and Rhythmic Accompaniment

  • Define matra, vibhag, sam, tali, khali and avartan and use them correctly in spoken sentences

  • Recite teental, dadra, kaharba, jhaptal and rupak with correct hand counts and clap/wave positions

  • Distinguish vilambit, madhya and drut laya and compute the matra count when laya is doubled or halved

  • Identify tabla, pakhavaj, mridangam, dholak, manjira and ghungroo by role and the forms they accompany

Your checkpoint

A recorded or live demonstration of three talas with correct tali-khali placement, plus a ten-item rhythm quiz you write and answer without notes.

Week 5

Dance Terminology, Mudra and Notation

  • List the 28 asamyukta hastas and 23 samyukta hastas from memory in order

  • Demonstrate pataka, tripataka, ardhapataka, kartarimukha, mayura, ardhachandra, musti and sikhara with correct finger positions

  • Apply at least six mudras to a line of song text and justify each choice

  • Write an eight-beat dance phrase in matra notation and read it back accurately

Your checkpoint

A 15-card mudra deck (name, hand position, meaning, one usage) plus a written eight-beat notation sheet that a classmate could perform from.

Week 6

Music, Costume and Stage Presentation

  • Explain aharya abhinaya and describe costume and makeup for three classical forms and two Bihar folk forms

  • Describe how raga, sahitya and laya work together in a dance accompaniment

  • Plan stage layout, entry-exit paths, lighting cues and sound balance for a solo item

  • Compare live orchestra versus recorded music for a school-level performance, listing two advantages of each

Your checkpoint

A complete six-minute stage presentation plan: costume list, prop list, lighting cues with timings, sound plot and a labelled stage diagram.

Week 7

Health, Safety and Conditioning for Dancers & Cultural History and Appreciation of Dance

  • Design a warm-up and cool-down routine targeting ankles, knees, hips and lower back

  • Explain at least five common dance injuries, their causes and prevention measures

  • Describe safe practice around floor surface, hydration, rest and gradual load increase

  • Build a timeline of dance history from the Natyashastra through the revival period to the present

  • Explain the role of patronage, temples and modern institutions in shaping dance in Bihar and India

Your checkpoint

A one-page injury-prevention protocol for a dance student plus a ten-entry dated history timeline, both checked against your class notes.

Week 8

Fundamentals and Definitions of Dance & Indian Classical Dance Forms & Folk and Regional Dances of Bihar & Tala, Laya and Rhythmic Accompaniment & Dance Terminology, Mudra and Notation & Music, Costume and Stage Presentation & Health, Safety and Conditioning for Dancers & Cultural History and Appreciation of Dance

  • Retake full-length mock tests until every domain scores above 80%

  • Review all error logs and rewrite the five most frequently missed facts in your own words

  • Rehearse a five-minute practical item combining mudras, tala counts and expression

  • Recite all key terminology (talas, mudras, forms, folk dances) in a single timed recall session

Your checkpoint

A full 60-question mock exam scored at 85% or above plus a five-minute practical demonstration with correct tala counts and at least six recognisable mudras.

Milestones

Week 2: Score 85%+ on the self-made 40-question classical forms test and be able to name all eight forms with state and signature item without notes.

Week 4: Score 80%+ on a mixed test covering domains 1-4, and perform three talas aloud with correct tali-khali counts.

Week 6: Score 80%+ on a mixed test covering domains 5-6, and submit a complete six-minute stage presentation plan.

Week 8: Score 85%+ on a full 60-question mock across all eight domains and complete the five-minute practical demonstration with correct tala and mudra use.