BSEH Secondary Drawing study materials
BSEH Secondary Drawing study resources

BSEH Secondary Drawing flashcards

BSEH Secondary Drawing · Build recall with a focused review session.

32 cards. Read the term and the definition here. The deck at the top of this page is optional.

Contour line
A line that defines the outer edge or shape of a form; cross-contour lines wrap around the form to describe its volume and surface changes.
Vanishing point
In linear perspective, the point on the horizon where parallel lines appear to converge; one-point, two-point, and three-point perspective use one, two, or three vanishing points.
Rule of thirds
A composition guideline that divides the picture plane into a 3×3 grid; placing key elements at intersections or along lines creates balance and interest.
Foreshortening
A technique to depict an object or figure receding in space by shortening its length along the line of sight, making nearer parts appear larger.
Gesture drawing
A quick, loose sketch that captures the action, weight, and overall flow of a subject in 30–60 seconds, used as a foundation for more detailed work.
Negative space
The area around and between objects; drawing negative shapes helps correct proportions and outlines by focusing on the spaces rather than the object itself.
Construction lines
Light preliminary lines that establish basic geometric volumes (box, cylinder, sphere) and axes before refining contours and details.
Sight-size drawing
A method where the drawing surface is placed parallel to the subject plane at the same distance from the artist, reducing perspective distortion and aiding proportional accuracy.
Core shadow
The darkest band on a form where the surface turns away from the light source; it lies between the halftone and reflected light, not at the outline.
Cross-hatching
A shading technique using intersecting sets of parallel lines; denser or darker lines create deeper values and suggest form and texture.
Cast shadow
The shadow thrown by an object onto a surface; its shape depends on the light direction and the object's form, and its edges are sharper near the object.
Value scale
A stepped scale from white to black (often 5–7 steps) used to plan and control contrast and tonal relationships in a drawing.
Head unit proportion
A system using the head length as a unit; an average adult figure is about 7.5–8 heads tall, with the pubic bone at the midpoint.
Contrapposto
A pose in which weight rests on one leg, causing the hip to rise on that side and the shoulders to tilt opposite, creating a natural S-curve in the figure.
Action line
An imaginary line through the figure's spine and limbs that conveys the main gesture and movement; it is the first mark in gesture drawing.
Facial proportions
The eyes sit halfway down the head; the nose base is halfway between eyes and chin; the ear spans from brow to nose base.
Complementary colours
Colours opposite each other on the colour wheel, such as red and green; mixing them neutralizes the hue toward brown or grey.
Analogous harmony
A colour scheme using hues adjacent on the colour wheel, such as blue, blue-green, and green, creating a cohesive and harmonious effect.
Tint, shade, tone
A tint adds white to a colour; a shade adds black; a tone adds grey or a complement, reducing saturation and value.
Simultaneous contrast
The phenomenon where a colour appears different depending on its surrounding colours; a grey looks darker on white and lighter on black.
Madhubani painting
A folk art from Bihar, India, characterized by double outlines, geometric patterns, and natural dyes, often depicting mythological and nature themes.
Warli art
A tribal art from Maharashtra, India, using white rice paste on mud walls to create geometric figures and scenes of daily life and nature.
Mughal miniature
A refined Indian painting style from the Mughal courts, known for fine brushwork, flat perspective, gold detailing, and subjects like court scenes and portraits.
Pattachitra
A traditional cloth-based scroll painting from Odisha, India, featuring mythological narratives, bold outlines, and natural colours.
Elements of design
The basic visual components: line, shape, form, space, value, colour, and texture, used to build any artwork.
Principles of design
Guidelines for arranging elements: balance, contrast, emphasis, movement, pattern, rhythm, unity, and variety.
Kerning
The adjustment of space between individual letters in lettering or typography to achieve even visual spacing and readability.
Ornament
Decorative detail added to a design, often using repeating floral, geometric, or calligraphic motifs to create rhythm and visual interest.
Graphite grades
A scale from hard (H, light) to soft (B, dark); 2B is common for sketching, while 6B produces deep shadows and is softer.
Kneaded eraser
A pliable eraser that lifts graphite without damaging paper; it can be shaped to a point for precise erasing and lightening.
Fixative
A spray or liquid applied to charcoal, pastel, or graphite drawings to prevent smudging; use in a ventilated area away from flames.
Paper weight
Measured in gsm (grams per square metre); 90–140 gsm suits sketching, while 200+ gsm is needed for wet media to prevent buckling.