BSEH SS English Special flashcards
BSEH SS English Special · Build recall with a focused review session.
32 cards. Read the term and the definition here. The deck at the top of this page is optional.
- Skimming versus scanning
- Skimming is fast reading for gist and overall structure. Scanning is targeted search for a specific detail such as a date or name. The question type determines which to use.
- Topic sentence
- The sentence stating a paragraph's controlling idea, most often placed first or last. Supporting sentences illustrate or prove it and cannot substitute for it in main-idea questions.
- Valid inference
- A conclusion forced by evidence in the passage. If an option is merely plausible in real life but not supported by the text, it is a distractor and must be rejected.
- Distractor types
- Wrong options that are too broad, too narrow, the opposite of the text, or true but not asked. Eliminating these narrows a reading item to the single correct answer.
- Formal letter order
- Sender's address, date, receiver's designation and address, salutation, subject line, body, subscription, and signature. Deviating from this sequence loses format marks in writing tasks.
- Paragraph unity and coherence
- Unity means one controlling idea per paragraph. Coherence means sentences are linked by pronouns, repeated key terms, and connectors so the reader can follow the reasoning without gaps.
- Cohesive device meanings
- 'However' signals contrast, 'therefore' signals conclusion, 'moreover' signals addition, and 'consequently' signals result. Using a connector with the wrong logical meaning is a common coherence error.
- Precis length rule
- A precis restates only the central idea in the writer's own words, usually at about one-third of the original length, omitting examples, repetition, and illustrative detail.
- Third conditional form
- If + past perfect, then would have + past participle, as in 'If she had studied, she would have passed.' It describes an unreal past situation and its imagined result.
- Reported question word order
- Reported questions use statement order and drop the auxiliary 'do'. 'Where do you live?' becomes 'He asked where I lived,' with tense shifted back one step.
- Relative pronoun choice
- Use 'who' for people, 'which' for things, and 'that' only in defining clauses. Non-defining clauses take commas and never use 'that' as the relative pronoun.
- Subject-verb agreement traps
- 'Each', 'every', 'either', and 'neither' take singular verbs. 'A number of' takes a plural verb, while 'the number of' takes a singular verb.
- Present perfect versus simple past
- Present perfect links a past action to the present and rejects definite finished time markers. Simple past is required with 'yesterday', 'in 2019', or 'last week'.
- Collocation decides vocabulary
- Synonyms differ in what words they combine with and in register. English says 'make a decision' but 'do homework', and 'commence' is more formal than 'start'.
- Plot versus theme
- Plot is the sequence of events; theme is the idea those events convey. A prose answer must state both and show explicitly how the events generate the idea.
- Narrative point of view
- First-person narration is limited to one character's knowledge and may be biased. Omniscient narration stands outside the story and can comment on any character's thoughts.
- Three kinds of irony
- Verbal irony says the opposite of what is meant; situational irony reverses expectation in events; dramatic irony gives the reader knowledge that a character lacks.
- Prose conflict types
- Person against person, self, society, or nature. Identifying the conflict type locates the engine of the plot and usually points directly at the work's theme.
- Iambic pentameter
- A line of five iambs, each an unstressed syllable followed by a stressed one, giving ten syllables. It is the standard measure of English blank verse and sonnets.
- Shakespearean sonnet structure
- Three quatrains followed by a closing couplet, rhyming abab cdcd efef gg. The couplet typically delivers the turn or final comment on the quatrains' argument.
- Enjambment and caesura
- Enjambment runs a sentence past the line ending without punctuation, speeding the reading. A caesura is a pause inside a line, slowing it and adding emphasis.
- Sound devices in poetry
- Alliteration repeats initial consonants, assonance repeats vowel sounds, consonance repeats closing consonants, and onomatopoeia imitates the sound it names.
- Figures of speech list
- Simile compares using like or as; metaphor states identity; personification gives human traits to non-human things; hyperbole exaggerates; oxymoron joins contradictory terms.
- Soliloquy, monologue, aside
- A soliloquy is spoken alone on stage and reveals inner thought. A monologue is a long speech with others present. An aside is a brief remark other characters do not hear.
- Tragic structure
- Exposition, rising action, climax, falling action, and catastrophe. The protagonist's hamartia, or tragic flaw, triggers the reversal of fortune that drives the ending.
- Dramatic irony on stage
- The audience knows something a character does not. It produces suspense and often sympathy, because the audience watches the character move toward a fate they foresee.
- Verse versus prose in drama
- Verse speech in drama often marks elevated status, formality, or heightened emotion, while prose tends to mark ordinary, comic, or socially lower characters.
- Character arc
- A character's change across a narrative, described as initial state, catalyst event, and final state. Each stage must be supported by a specific incident from the text.
- Title significance argument
- Connect the title first to a literal object or event in the work, then to the abstract idea it finally carries, showing how the literal meaning expands into theme.
- Comparison basis
- Before giving examples in a comparison item, state the basis: motive, response to crisis, or moral stance. Parallel examples under one stated basis make the comparison answerable.
- Function and exponent
- A language function is the communicative purpose, such as requesting or apologising. An exponent is the expression realising it, such as 'Could you...?' for requesting.
- Adjacency pairs
- Paired utterances such as greeting-greeting, question-answer, and invitation-acceptance or refusal. A missing second part is noticeable and signals trouble in the conversation.