Maharashtra HSC Design & Colour study materials
Maharashtra HSC Design & Colour study resources

Maharashtra HSC Design & Colour study plan

Maharashtra HSC Design & Colour · Give each week a clear focus.

8 weeks · About 7 hours per week

Week 1

Elements and Principles of Design & Colour Theory and Colour Systems

  • Define and illustrate each element of design (point, line, shape, form, space, texture, value, colour) with a hand-drawn example in a sketchbook

  • Identify and label the principles of design (balance, rhythm, proportion, emphasis, unity, contrast, movement) in ten magazine layouts, annotating how each principle operates

  • Construct a 12-part colour wheel in poster or gouache, correctly ordering primary, secondary and tertiary hues

  • Distinguish additive, subtractive and partitive colour mixing and write a one-paragraph summary of each with an example

Your checkpoint

A photographed sketchbook spread containing a completed 12-part colour wheel, an annotated element sample sheet and a labelled principles analysis of five layouts

Week 2

Colour Theory and Colour Systems & Colour Mixing, Pigments and Media

  • Compare hue, value and chroma using Munsell terminology and adjust one swatch along each dimension to show the effect

  • Produce a value scale of nine steps in greyscale plus a tint and shade ladder for two hues

  • Mix and label complementary, analogous, split-complementary and triadic schemes from a single starting hue

  • Explain warm/cool and simultaneous contrast effects by placing identical mid-grey chips on contrasting grounds and photographing the result

Your checkpoint

A colour study sheet with a nine-step value scale, two tint/shade ladders, four labelled harmony schemes and a photographed simultaneous-contrast demonstration

Week 3

Drawing, Composition and Visual Representation & Elements and Principles of Design

  • Draw still-life objects from direct observation using construction lines, measuring proportion by sighting

  • Apply one- and two-point perspective to draw a simple room corner or box stack with a consistent horizon line

  • Compose three thumbnail studies of the same subject varying focal point and negative space

  • Render light and shadow on a geometric form using a single consistent light source

Your checkpoint

A portfolio set of three still-life drawings (one tonal, one linear, one coloured) plus a page of perspective construction studies

Week 4

Colour Mixing, Pigments and Media & Practical / Portfolio Work and Presentation

  • Test opacity, staining and lightfastness behaviour of at least four media (poster colour, watercolour, acrylic, dry pastel) on one sheet

  • Build a swatch library recording pigment name, mixing ratio and drying shift for twelve mixed colours

  • Assemble and label a flat-lay presentation of the term's best work with a written rationale for each selection

  • Write a short process note describing how you corrected one mixing or rendering error

Your checkpoint

A media comparison sheet and a curated, captioned portfolio folder of eight works with a 150-word process note

Week 5

Surface Design, Pattern and Ornamentation & Applied Design and Craft Practice

  • Identify and draw eight traditional Indian motifs (paisley, lotus, mango, fish, peacock, geometric jaali, floral vine, kalash) from reference and label their source region

  • Construct a repeating pattern using reflection, rotation and half-drop arrangements on grid paper

  • Apply a motif to a small craft surface such as fabric, paper or clay and document the process in stages

  • Analyse how a chosen motif has been adapted in a modern product or textile sample

Your checkpoint

A pattern board showing three repeat constructions plus one finished small craft object with photographic process record

Week 6

History of Art, Design and Indian Tradition & Elements and Principles of Design

  • Build a dated timeline of key Indian art periods from Indus Valley through Mughal miniature to Bengal School and post-independence modernism

  • Describe formal qualities (line, colour, composition, subject) of three specified works in a written comparative note

  • Outline the contributions of at least four Indian artists or designers with one signature work each

  • Link one historical style to a contemporary design choice in your own work and justify the connection

Your checkpoint

A one-page illustrated timeline plus a 300-word comparative analysis of three works from different periods

Week 7

Practical / Portfolio Work and Presentation & Drawing, Composition and Visual Representation

  • Redesign two earlier weak pieces using feedback and document the before-and-after changes

  • Produce a fully resolved composition combining drawing, colour scheme and pattern learned in earlier weeks

  • Lay out a portfolio sequence with consistent margins, labelling and a contents page

  • Rehearse a two-minute spoken walkthrough of the portfolio, covering intent, process and evaluation

Your checkpoint

A complete, sequenced portfolio of ten to twelve works with a contents page and a recorded two-minute walkthrough

Week 8

Practical / Portfolio Work and Presentation & Colour Theory and Colour Systems & History of Art, Design and Indian Tradition

  • Answer timed practice questions across all eight domains and mark them against the syllabus weightings

  • Revise colour terminology and historical facts using a self-made flashcard set of at least forty cards

  • Finalise the portfolio with corrected labels, clean edges and a printed statement

  • Complete one full mock paper under exam conditions and list the three weakest areas with a fix for each

Your checkpoint

A submitted final portfolio plus a scored mock paper with a written one-page revision audit

Milestones

Week 2: Can produce a correct 12-part colour wheel and a nine-step value scale from memory, and name four harmony schemes with a mixed example of each

Week 4: Portfolio holds at least eight finished works; media comparison sheet and swatch library complete; can explain one mixing correction in writing

Week 6: Can sketch three traditional motifs unaided, build a half-drop repeat, and place six Indian art periods correctly on a timeline with one signature work each

Week 8: Final portfolio of ten to twelve labelled works submitted; mock paper attempted within time; revision audit identifies three concrete weak areas with fixes