Maharashtra HSC Design & Colour study plan
Maharashtra HSC Design & Colour · Give each week a clear focus.
8 weeks · About 7 hours per week
Elements and Principles of Design & Colour Theory and Colour Systems
Define and illustrate each element of design (point, line, shape, form, space, texture, value, colour) with a hand-drawn example in a sketchbook
Identify and label the principles of design (balance, rhythm, proportion, emphasis, unity, contrast, movement) in ten magazine layouts, annotating how each principle operates
Construct a 12-part colour wheel in poster or gouache, correctly ordering primary, secondary and tertiary hues
Distinguish additive, subtractive and partitive colour mixing and write a one-paragraph summary of each with an example
Your checkpoint
A photographed sketchbook spread containing a completed 12-part colour wheel, an annotated element sample sheet and a labelled principles analysis of five layouts
Colour Theory and Colour Systems & Colour Mixing, Pigments and Media
Compare hue, value and chroma using Munsell terminology and adjust one swatch along each dimension to show the effect
Produce a value scale of nine steps in greyscale plus a tint and shade ladder for two hues
Mix and label complementary, analogous, split-complementary and triadic schemes from a single starting hue
Explain warm/cool and simultaneous contrast effects by placing identical mid-grey chips on contrasting grounds and photographing the result
Your checkpoint
A colour study sheet with a nine-step value scale, two tint/shade ladders, four labelled harmony schemes and a photographed simultaneous-contrast demonstration
Drawing, Composition and Visual Representation & Elements and Principles of Design
Draw still-life objects from direct observation using construction lines, measuring proportion by sighting
Apply one- and two-point perspective to draw a simple room corner or box stack with a consistent horizon line
Compose three thumbnail studies of the same subject varying focal point and negative space
Render light and shadow on a geometric form using a single consistent light source
Your checkpoint
A portfolio set of three still-life drawings (one tonal, one linear, one coloured) plus a page of perspective construction studies
Colour Mixing, Pigments and Media & Practical / Portfolio Work and Presentation
Test opacity, staining and lightfastness behaviour of at least four media (poster colour, watercolour, acrylic, dry pastel) on one sheet
Build a swatch library recording pigment name, mixing ratio and drying shift for twelve mixed colours
Assemble and label a flat-lay presentation of the term's best work with a written rationale for each selection
Write a short process note describing how you corrected one mixing or rendering error
Your checkpoint
A media comparison sheet and a curated, captioned portfolio folder of eight works with a 150-word process note
Surface Design, Pattern and Ornamentation & Applied Design and Craft Practice
Identify and draw eight traditional Indian motifs (paisley, lotus, mango, fish, peacock, geometric jaali, floral vine, kalash) from reference and label their source region
Construct a repeating pattern using reflection, rotation and half-drop arrangements on grid paper
Apply a motif to a small craft surface such as fabric, paper or clay and document the process in stages
Analyse how a chosen motif has been adapted in a modern product or textile sample
Your checkpoint
A pattern board showing three repeat constructions plus one finished small craft object with photographic process record
History of Art, Design and Indian Tradition & Elements and Principles of Design
Build a dated timeline of key Indian art periods from Indus Valley through Mughal miniature to Bengal School and post-independence modernism
Describe formal qualities (line, colour, composition, subject) of three specified works in a written comparative note
Outline the contributions of at least four Indian artists or designers with one signature work each
Link one historical style to a contemporary design choice in your own work and justify the connection
Your checkpoint
A one-page illustrated timeline plus a 300-word comparative analysis of three works from different periods
Practical / Portfolio Work and Presentation & Drawing, Composition and Visual Representation
Redesign two earlier weak pieces using feedback and document the before-and-after changes
Produce a fully resolved composition combining drawing, colour scheme and pattern learned in earlier weeks
Lay out a portfolio sequence with consistent margins, labelling and a contents page
Rehearse a two-minute spoken walkthrough of the portfolio, covering intent, process and evaluation
Your checkpoint
A complete, sequenced portfolio of ten to twelve works with a contents page and a recorded two-minute walkthrough
Practical / Portfolio Work and Presentation & Colour Theory and Colour Systems & History of Art, Design and Indian Tradition
Answer timed practice questions across all eight domains and mark them against the syllabus weightings
Revise colour terminology and historical facts using a self-made flashcard set of at least forty cards
Finalise the portfolio with corrected labels, clean edges and a printed statement
Complete one full mock paper under exam conditions and list the three weakest areas with a fix for each
Your checkpoint
A submitted final portfolio plus a scored mock paper with a written one-page revision audit
Milestones
Week 2: Can produce a correct 12-part colour wheel and a nine-step value scale from memory, and name four harmony schemes with a mixed example of each
Week 4: Portfolio holds at least eight finished works; media comparison sheet and swatch library complete; can explain one mixing correction in writing
Week 6: Can sketch three traditional motifs unaided, build a half-drop repeat, and place six Indian art periods correctly on a timeline with one signature work each
Week 8: Final portfolio of ten to twelve labelled works submitted; mock paper attempted within time; revision audit identifies three concrete weak areas with fixes