Maharashtra HSC Maharashtri Prakrut study materials
Maharashtra HSC Maharashtri Prakrut study resources

Maharashtra HSC Maharashtri Prakrut flashcards

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Maharashtri Prakrit
The standard literary Prakrit of the Maharashtra region, used across India as a poetic and dramatic medium; a Middle Indo-Aryan language and a major ancestor of Marathi.
Sattasai
An anthology of about 700 single-verse gāthās on love and rural life, attributed to Hāla; the earliest major Maharashtri literary text.
Hāla
Traditional compiler and patron of the Sattasai; the verses are attributed to many poets, so Hāla is not necessarily their sole author.
Gāthā metre
The characteristic Maharashtri lyric metre, with four pādas of 12, 18, 12, and 15 mātrās; the Sanskrit counterpart is the āryā.
Upamā
A simile in which the upameya is explicitly compared to the upamāna using markers such as iva, va, jahā, or tulya.
Rūpaka
A metaphor in which the upameya is identified with the upamāna without any comparative marker, unlike upamā.
Utprekṣā
A fanciful supposition or imaginative identification, often signalled by words such as jāṇa, maṇṇe, or va.
Anuprāsa
Alliteration: the repetition of the same consonant sound in close proximity, a common sound figure in Prakrit verse.
Yamaka
Repetition of identical syllables or word-forms with different meanings, a sound figure distinct from simple alliteration.
Śṛṅgāra rasa
The rasa of love, dominant in Maharashtri lyric; it divides into saṃyoga (union) and viyoga (separation).
Nine rasas
Śṛṅgāra, hāsya, karuṇa, raudra, vīra, bhayānaka, bībhatsa, adbhuta, and śānta; the standard set in Sanskrit and Prakrit poetics.
Mukṭaka
A single-stanza verse complete in itself, the characteristic form of the Sattasai, often ending with a punch (vakrokti).
Vararuci
Author of the Prākṛtaprakāśa, the standard grammar of Maharashtri Prakrit used as a reference for its grammatical rules.
Hemacandra
Jain grammarian and author whose grammar and Prakrit narratives are central to the later, Jain phase of Maharashtri literature.
Kālidāsa and Prakrit
Sanskrit playwright whose dramas use Maharashtri Prakrit in dialogue, typically assigned to women and lower-status characters.
Middle Indo-Aryan
The language stage between Old Indo-Aryan and New Indo-Aryan, comprising the Prakrits and Apabhraṃśa; Maharashtri belongs here.
Prakrit in Sanskrit drama
Sanskrit playwrights assign Prakrit, usually Maharashtri, to women and lower-status characters, while Sanskrit is used by elite male speakers.
Nominative singular -o
Masculine a-stem nominative singular ending in -o, as in putto; the accusative singular ends in -aṃ.
Genitive singular -ssa
Masculine a-stem genitive singular ending in -ssa or -ha; the dative is largely merged with the genitive in Maharashtri.
Locative singular -e/-mmi
Locative singular endings -e or -mmi in Maharashtri; the locative also forms absolute constructions with participles.
Present 3rd singular -di
Maharashtri present third-person singular ending -di, contrasting with Sanskrit -ti; plural is -nti.
Imperative 2nd singular -hi
Imperative second-person singular ending -hi or -su; the optative ends in -ejjā.
Future in -himi
Future tense formed with -himi, -hisi, -hidi for first, second, and third singular persons respectively.
Consonant assimilation
Prakrit assimilates clusters: Skt. putra > putta, dharma > dhamma, sarva > savva; intervocalic single consonants are often elided.
Anvaya
The prose reordering of a verse's words into natural syntactic order; the standard first step in analysing a prescribed verse.
Padaccheda
The division of a verse into its individual words, performed after anvaya and before giving meaning, rasa, and alaṃkāra.
Kathā prose
Narrative prose passages in the syllabus, analysed for kathā-rasa, characterisation, and the author's Prakrit idiom versus Sanskrit loans.
Phalaśruti
The concluding line of a didactic passage that states the moral or benefit; a frequent short-answer target in prose questions.
Absolutive in -ia
A participial form such as kāūṇa meaning 'having done', marking a prior action and translated as a subordinate clause.
Genitive absolute
A construction with a genitive participle and noun, translated as a subordinate clause introduced by 'when' or 'since'.
Verb-final order
Prakrit clauses place the verb last; English translation normally reorders to subject-verb-object.
Idiom translation
Fixed Prakrit phrases such as kayaṃ jīvasi must be rendered as whole units, not word-for-word, to be grammatical in English.