Maharashtra SSC Indian Music Vocal & Instrumental Divyang study materials
Maharashtra SSC Indian Music Vocal & Instrumental Divyang study resources

Maharashtra SSC Indian Music Vocal & Instrumental Divyang: Notation Systems (Swaralipi and Staff Notation)

Maharashtra SSC Indian Music Vocal & Instrumental Divyang · Work through your exam, one topic at a time.

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Notation Systems (Swaralipi and Staff Notation)

Notation questions test whether you can read and write swaralipi accurately - aligning notes with matras, marking vibhags and sam, and using the correct sign for every alteration. Maharashtra textbooks follow Pandit V. N. Bhatkhande's system, with the Paluskar system taught for comparison.

Bhatkhande's signs

Sam is marked ×, khali 0, and the remaining talis with numbers 2, 3, 4. Vertical bars divide vibhags. Komal swars are underlined; tivra Ma carries a line above. A dot below the letter shifts the note to mandra saptak, a dot above to tar saptak. A dash (avagraha) lengthens a swar across matras; a curved line shows meend, and a small letter shows a kan (grace) swar.

Paluskar's system

The Gandharva Mahavidyalaya tradition uses its own signs, chiefly differing in the symbols for register and for vikrit swars. Do not blend the two systems inside one answer.

Layout discipline

Keep one avartan per line, put tala markers above the vibhag boundaries, and align each swar with the matra on which it begins.

Worked example

Notate S R G M P D N S in Teentaal for one avartan. Reason: 16 matras divided among 8 swars gives 2 matras each. Vibhag bars fall after matras 4, 8 and 12 - that is, after the 2nd, 4th and 6th swar. Result: S R | G M | P D | N S, with × above S at matra 1 and 0 above D, because matra 9 (the khali) begins on the fourth pair.

Traps

  • Placing the bar after every four swars instead of every four matras; this breaks once notes are held.
  • Forgetting that a held note spans matras and needs a dash.
  • Putting the khali sign on the wrong matra.