PSEB Matric Music Vocal study materials
PSEB Matric Music Vocal study resources

PSEB Matric Music Vocal: Notation Systems: Bhatkhande and Vishnu Digambar Paluskar

PSEB Matric Music Vocal · Work through your exam, one topic at a time.

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Notation Systems: Bhatkhande and Vishnu Digambar Paluskar

Domain 5 compares the two notation systems used in Punjab board theory.

Bhatkhande

  • Uses Roman sargam: S R G m P D N for shuddha; komal Re, Ga, Dha, Ni are r, g, d, n; tivra Ma is M.
  • Octave: dot below for mandra, dot above for taar.
  • Matras are separated by vertical lines, vibhags by longer lines or double bars; sam is marked x, khali 0, tali by numbers.

Paluskar

  • Uses Devanagari sargam: स रे ग म प ध नि; komal notes carry an underline, tivra Ma a vertical mark.
  • Tala cycles are written with matra numbers and symbols for tali/khali; the layout is closer to a song book.

Worked example

Notate the Khamaj phrase S G m P D n S' in both. Bhatkhande: S G m P D n S'. Paluskar: स ग म प ध नि (underlined) सां. Reasoning: Khamaj has komal Ni, so the Bhatkhande n is lowercase and the Paluskar नि is underlined; Ga and Ma remain shuddha.

Traps

  • Writing tivra Ma as m in Bhatkhande.
  • Forgetting that Paluskar notation is in Devanagari, not Roman.
  • Omitting the octave dot above S'.
  • Marking vibhags but not sam.