PSEB Matric Urdu Elective study materials
PSEB Matric Urdu Elective study resources

PSEB Matric Urdu Elective flashcards

PSEB Matric Urdu Elective · Build recall with a focused review session.

32 cards. Read the term and the definition here. The deck at the top of this page is optional.

Kahani ke ajza
Kahani ke bunyadi ajza mein tema, kirdaar, waqt-o-makan, kasheedgi aur anjaam shamil hain; in se kahani ka dhancha aur maqsad wazeh hota hai.
Markazi khayal
Markazi khayal woh bunyadi nukta hai jis ke gird sabaq ka mazmoon ghoomta hai; ise aghaz, takrar aur natije se pehchan kar ek jumle mein likha jata hai.
Kirdaar ka tajziya
Kirdaar ka tajziya us ke amaal, guftagu, niyyat aur doosre kirdaar ke saath taluq se kiya jata hai; sirf achha ya bura kehna mukammal tajziya nahin hai.
Khaka aur safarnama
Khaka kisi shakhs ki zati khubiyon aur numayan kirdaar par roshni dalta hai; safarnama mein manazir, tajurba aur musafir ka tabsura pesh hota hai.
Mazmoon aur kahani
Mazmoon mein dawe ki taeed dalleel aur misal se hoti hai; kahani mein waqia, kirdaar aur kasheedgi ke zariye maqsad wazeh hota hai.
Tanqeedi mazmoon
Tanqeedi mazmoon mein dawe ke saath saboot, matni misal ya hawala dena hota hai; sirf zati ray ya pasand na-pasand tanqeed ka badal nahin hai.
Matla
Matla ghazal ka pehla sher hota hai; is ke dono misron mein qafiya aur radif ka nizam ek jaisa hota hai aur yahin se ghazal ka wazan shuru hota hai.
Radif
Radif ghazal ke har sher ke aakhir mein dohraya jane wala lafz ya ibarat hai; yeh qafiya ke baad aata hai aur ghazal ki aawaz ko bandhta hai.
Qafiya
Qafiya radif se pehle aane wala hum-aawaz lafz hai; ghazal ke ashar mein qafiya badalta hai lekin radif aksar ek hi rehta hai.
Behr
Behr arooz mein sher ke arkan ki wazan ya miqdar hai; taqti se arkan alag karke behr pehchani jati hai aur ghalat behr se wazan toot jata hai.
Tashbeeh
Tashbeeh mein 'jaise', 'jaisa' ya 'ki tarah' ke alfaaz ke saath do cheezon ke beech mushabehat bayan ki jati hai; shabeeh aur mushabbah dono wazeh hote hain.
Maqta
Maqta ghazal ka aakhri sher hota hai; is mein shayar aksar apna takhallus istemal karta hai aur ghazal ka tema mukhtasar taur par band karta hai.
Ism, fail aur harf
Ism kisi shakhs, cheez ya jagah ka naam hai; fail kaam ya halat batata hai; harf do ismon ya jumle ke hisson ke beech taluq zaahir karta hai.
Jumla-e-ismiya
Jumla-e-ismiya mein mubtada aur khabar hoti hai; mubtada jis ke bare mein baat ho aur khabar us ke bare mein di jane wali ittila hoti hai.
Fail-e-mutaaddi
Fail-e-mutaaddi woh fail hai jis ka asar mafool tak pahunche aur jis ko mafool ki zaroorat hoti hai; fail-e-lazim ko mafool ki zaroorat nahin hoti.
Wahid aur jama
Wahid ek cheez ya shakhs ko aur jama ek se zyada ko zahir karta hai; aam tor par aakhir mein 'ein' ya 'aat' lag kar jama banta hai, magar be-qawaid jama yaad rakhne padte hain.
Muzakkar aur muannas
Muzakkar mardana aur muannas zanana jins ko zahir karta hai; yeh tafreeq sifaat, fail aur zameer mein nazar aati hai aur muannas ki aksar 'i' ya 'aat' nishani hoti hai.
Mutazad alfaz
Mutazad alfaz woh hain jin ke maani ek doosre ke ulat hote hain, jaise din aur raat; in ka istemal tazad paida karne aur maani wazeh karne ke liye hota hai.
Muhawara
Muhawara lafzon ka woh grupo hai jiska lafzi maani nahin balki istilahi maani liya jata hai; jumle mein is ka istemal us ke maani se mail khane chahiye.
Mazmoon ke ajza
Mazmoon ke bunyadi ajza unwan, tamheed, tafseel aur natija hain; tamheed mukhtasar hoti hai aur natija tafseel se nikalta hua band hota hai.
Topic sentence
Topic sentence paragraph ka woh jumla hai jo us ke markazi nukte ko wazeh karta hai; baqi jumle is nukte ki taeed, misal ya tafseel dete hain.
Paragraph unity
Paragraph unity ka matlab hai ke har jumla us paragraph ke ek markazi nukte se taluq rakhe; be-taluq jumla unity todta hai aur parhne wale ko bhatkata hai.
Kahani ka dhancha
Kahani ka dhancha aghaz, kasheedgi, hal aur anjaam se banta hai; kirdaar ka maqsad aur kahani ka sabak in hisson ke zariye wazeh hota hai.
Natija
Natija mazmoon ka aakhri hissa hai jo tamheed ke dawe ko tafseel ke baad mukhtasar taur par band karta hai; wahan naya markazi dawe nahin jorne chahiye.
Siyaq se maani
Siyaq se maani ka matlab hai ke lafz ka maani us ke aas-paas ke jumlon, tema aur lehje se tay kiya jata hai; akela dictionary maani hamesha kaafi nahin hota.
Urdu se English tarjuma
Urdu se English tarjume mein fail ka waqt, shakhsiyat aur jumle ki tarteeb badalti hai; lafzi tarjuma ke bajaye maani aur English muhawaron ke mutabiq tarjuma kiya jata hai.
Muhaware ka tarjuma
Muhaware aur zarb-ul-masal ka lafzi tarjuma nahin hota; un ke barabar ka English ya Punjabi istilah istemal kiya jata hai taake maani aur asar barqarar rahe.
Punjabi rendering
Urdu se Punjabi rendering mein ism, fail aur harf ke barabar Punjabi roop chune jate hain; khaas naam, tehzeebi istilahat aur adad ko baghair zaroorat badla nahin jata.
Darkhwast ke ajza
Darkhwast mein bhejne wale ka pata, tareekh, mukhatib, salam, mazmoon aur dastakhat hote hain; mazmoon mukhtasar, wazeh aur rasmi lehje mein hota hai.
Notice ke 5W
Notice mein kya, kab, kahan, kaun aur kyun wazeh hona chahiye; unwan, tareekh aur zariya-e-rabta bhi likhna hota hai taake parhne wala foran samajh jaye.
Advertisement ke ajza
Advertisement mein headline, faida, qeemat ya offer aur rabta number hota hai; chhote wazeh jumle aur aasan alfaz istemal kiye jate hain taake asar barhe.
Rasmi khat ke ajza
Rasmi khat mein munasib salutation, khat ka maqsad, mukhtasar tafseel aur 'Aap ka' ke saath dastakhat hote hain; zabaan rasmi aur mulayam rehni chahiye.