UPMSP High School Art (Drawing) study materials
UPMSP High School Art (Drawing) study resources

UPMSP High School Art (Drawing): Nature and Landscape Drawing

UPMSP High School Art (Drawing) · Work through your exam, one topic at a time.

All guide sections

Nature and Landscape Drawing

Landscape questions test depth, atmosphere and the simplification of complex natural forms. The examiner looks for clear foreground, middle ground and background, believable trees, and a sky and ground that belong to the same moment of light.

Depth and atmosphere

  • Atmospheric (aerial) perspective: distant forms are lighter in value, cooler and bluer, lower in contrast, and softer at the edges. Near forms are darker, warmer and sharper.
  • Overlapping shapes and diminishing size do most of the work of depth; detail decreases with distance.
  • Place the horizon away from the middle of the sheet, usually on a third, and keep the strongest contrast at the focal area.

Trees and sky

  • A trunk tapers from base to tip, and major branches divide alternately rather than in perfect pairs.
  • Foliage is drawn as clumps of light and shadow, not as individual leaves; a few clumps define the crown, and branches should be seen entering and leaving it.
  • Sky is deeper at the zenith and paler near the horizon. Clouds have flatter bases and rounded tops, with the lit side facing the sun.
  • Water reflects the object darker and with less contrast, broken by horizontal ripple strokes.
  • Include a scale marker: a figure, hut, fence or animal.

Worked example

A roadside tree. Its base sits on the lower third and the trunk on a vertical third, so the composition holds the rule of thirds. The trunk is drawn with taper and a slight lean, two main branches fork upward, and the crown is built from three clumps: a large lit clump, a mid-tone clump and a shadow clump on the side away from the sun. A soft ellipse of cast shadow falls to the right. Distant trees behind are painted two values lighter and with no outline. The reasoning: fewer, larger shapes read as a tree at a distance; many small leaves read as noise.

Traps

Outlining distant trees, painting the sky darker than the ground, a horizon cutting the sheet in half, drawing every leaf, outlining clouds, and leaving no scale reference so the landscape loses its size.