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UPMSP Class 12 Vocal Music study materials
UPMSP Class 12 Vocal Music study resources

UPMSP Class 12 Vocal Music practice questions

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Question 1Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

UPMSP Class 12 Vocal Music mein 'vilambit khayal' ka mukhya arth kya hai?

  1. Sitar ke saath gaya jaane wala geet
  2. Dheeme lay mein gaya jaane wala khayal Correct answer.
  3. Tez lay mein gaya jaane wala khayal
  4. Sirf tarana gane ki shaili

Explanation

Vilambit khayal dheeme lay mein gaya jaata hai aur ismein vistaar ke liye poora avkash milta hai. Drut khayal iske vipreet tez lay mein hota hai. Isliye vilambit ka arth dheemi lay ka khayal hai.

Question 2Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal gayan mein 'alaap' ka sahi varnan kaun sa hai?

  1. Rag ko chhode bina seedha drut gana
  2. Bolon ko tez lay mein dohrana
  3. Swaron ko badhte hue vistaar ke saath dheere-dheere dikhana Correct answer.
  4. Tabla ke bolon ka ekal vadan

Explanation

Alaap mein gayak rag ke swaron ko bina bol ke, kram se vistaar karte hue prastut karta hai. Yah aam taur par dheemi lay se shuru hokar aage badhta hai. Isse rag ka swaroop spasht hota hai.

Question 3Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal mein 'taan' se kya abhipray hai?

  1. Swaron ki tez, sushabd aur kramik daud Correct answer.
  2. Rag ka dheema vistaar
  3. Bolon ka sahitya arth
  4. Lay ka sthir thehraav

Explanation

Taan mein gayak tez gati se swaron ki sushabd daud prastut karta hai. Yeh aksar lay badhane ke saath aati hai. Taan khayal ka ek pramukh alankaarik ang hai.

Question 4Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Sthayi aur antara khayal ke kis bhaag ko darshate hain?

  1. Sthayi taan aur antara alaap
  2. Sthayi vilambit aur antara drut
  3. Sthayi tabla aur antara tanpura
  4. Sthayi pehla aur antara doosra sthayi ang Correct answer.

Explanation

Khayal bandish mein do mukhya ang hote hain: sthayi aur antara. Sthayi pehle gaayi jaati hai aur antara baad mein. Dono mil kar bandish ki poori sanrachna banate hain.

Question 5Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Drut khayal ki pehchan kaun si hai?

  1. Dhamar taal mein nishchit bandish
  2. Sirf alaap tak seemit gayan
  3. Tez lay mein chhoti bandish aur chhoti taan Correct answer.
  4. Bahut dheemi lay mein lamba vistaar

Explanation

Drut khayal tez lay mein gaya jaata hai aur ismein bandish aur taan chhoti hoti hain. Vistaar ka avkash vilambit ki tulna mein kam hota hai. Isliye tez lay aur chhoti bandish drut ki pehchan hai.

Question 6Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal gayan mein 'bol-baant' ka kya arth hai?

  1. Taan ko chhota karke gaana
  2. Rag badal kar doosra rag gaana
  3. Bandish ke bolon ko alag-alag swaron par bantkar gaana Correct answer.
  4. Tabla ke saath alag lay chalana

Explanation

Bol-baant mein gayak bandish ke bolon ko todkar alag-alag swaron par prastut karta hai. Isse bolon ka arth aur rag ka swaroop dono spasht hote hain. Yeh khayal vistaar ka ek mahatvapurn ang hai.

Question 7Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal gayan mein 'lay' ka sahi arth kya hai?

  1. Rag ka swaroop
  2. Gayak ka sur
  3. Tal ki gati ya chaal Correct answer.
  4. Bandish ka sahitya

Explanation

Lay tal ki gati ko darshata hai, arthaat kitni tezi se matre chalti hain. Vilambit, madhya aur drut lay isi ke prakar hain. Lay gayan ki gati ko nirdharit karti hai.

Question 8Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal bandish mein sthayi ka sahi sthan kaun sa hai?

  1. Tabla solo ka ang
  2. Bandish ka pratham ang Correct answer.
  3. Bandish ka antim ang
  4. Sirf antara ke baad aane wala ang

Explanation

Bandish mein sthayi sabse pehle aata hai aur isi se gayan shuru hota hai. Antara uske baad aata hai. Isliye sthayi bandish ka pratham ang hai.

Question 9Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Vilambit khayal mein alaap aam taur par kis lay se shuru hota hai?

  1. Dheemi lay se Correct answer.
  2. Sirf teen matra ki lay se
  3. Ati-drut lay se
  4. Drut lay se

Explanation

Vilambit khayal ka alaap dheemi lay se aarambh hota hai aur dhire-dhire vistaar paata hai. Isse swaron ko thehraav se prastut karne ka avkash milta hai. Tez lay alaap ke liye upyukt nahi.

Question 10Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Gayak vilambit khayal mein taan kab prastut karta hai?

  1. Sirf antara ke bolon ke saath
  2. Alaap aur bol-vistaar ke baad Correct answer.
  3. Bandish shuru karne se pehle
  4. Alaap se pehle turant

Explanation

Vilambit khayal mein pehle alaap aur bol-vistaar hota hai, uske baad taan aati hai. Is kram se rag ka swaroop pehle sthir hota hai. Taan vistaar ke shikhar par prastut hoti hai.

Question 11Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Ek gayak drut khayal mein bandish ke turant baad alaap karna chahta hai. Uchit kram kya hoga?

  1. Drut mein alaap ki jagah nahi, seedha taan ya bol-baant Correct answer.
  2. Alaap ke liye vilambit mein lautna
  3. Alaap ke bina gayan adhura hai
  4. Pehle alaap phir bandish

Explanation

Drut khayal mein vistaar ke liye seemit avkash hota hai, isliye lamba alaap vahan nahi hota. Drut mein aam taur par bol-baant aur taan ka prayog hota hai. Lamba alaap vilambit ka ang hai.

Question 12Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal mein 'upaj' ka sahi arth kya hai?

  1. Gayak ki turant swaron ki srijan-shakti Correct answer.
  2. Tabla ka ek bol
  3. Bandish ka antim bol
  4. Tal ki matra

Explanation

Upaj se abhipray hai gayak ki turant swaron ko srijan karne ki kshamta. Yeh khayal gayan mein ek prashansa-yogya gun hai. Achha upaj gayak ko vistaar mein sahayata karta hai.

Question 13Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Vilambit khayal mein bol-vistaar ka mukhya uddeshya kya hai?

  1. Bolon ke arth ko swaron se ujagar karna Correct answer.
  2. Rag badalna
  3. Tabla solo dikhana
  4. Lay ko tez karna

Explanation

Bol-vistaar mein gayak bandish ke bolon ko alag-alag swaron par bantkar unka arth ujagar karta hai. Isse sahitya aur sangit dono ka mel dikhta hai. Yeh vilambit khayal ka mahatvapurn ang hai.

Question 14Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal bandish mein antara ka sahi sthan kaun sa hai?

  1. Sthayi ke baad Correct answer.
  2. Tabla ke baad
  3. Alaap se pehle
  4. Sthayi se pehle

Explanation

Bandish mein pehle sthayi aata hai aur uske baad antara. Antara aam taur par uchch swaron mein hota hai. Isliye antara sthayi ke baad aata hai.

Question 15Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Gayak vilambit khayal mein lay ko dheere se tez ki taraf le jaata hai. Yeh kya darshata hai?

  1. Tal ka chhutna
  2. Lay-badhati ke saath taan ki taiyari Correct answer.
  3. Rag ka badalna
  4. Bandish ka ant

Explanation

Vilambit mein lay ko kram se badhana taan aur vistaar ki taiyari ka sanket hai. Isse gayan mein utthan aata hai. Lay-badhati khayal gayan ka ek mahatvapurn ang hai.

Question 16Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal mein 'sargam geet' aur 'khayal' ka sambandh kya hai?

  1. Khayal mein sargam ke bol nahi aate
  2. Sargam geet sirf tabla ke liye hai
  3. Sargam geet sargam ke bolon ki bandish hai, khayal sahitya ke bolon ki Correct answer.
  4. Dono ek hi shaili ke naam hain

Explanation

Sargam geet mein bandish ke bol sargam ke hote hain, jabki khayal mein sahitya ke bol hote hain. Dono alag shailiyan hain. Isliye dono ko ek nahi maana ja sakta.

Question 17Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Vilambit khayal ke liye kaun sa tal aam taur par upyukt maana jaata hai?

  1. Teentaal ki drut gati
  2. Rupak ki ati-drut gati
  3. Kaharwa ki ati-drut gati
  4. Ektaal ya tilwada ki vilambit gati Correct answer.

Explanation

Vilambit khayal aam taur par ektaal ya tilwada jaise talaon mein dheemi gati se gaya jaata hai. In talaon mein vistaar ke liye avkash milta hai. Ati-drut gati vilambit ke liye upyukt nahi.

Question 18Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal gayan mein 'vistaar' ka sahi arth kya hai?

  1. Bandish ke bol badalna
  2. Tal ki gati badalna
  3. Vaadyantra bajana
  4. Rag ke swaron ko kram se failana Correct answer.

Explanation

Vistaar mein gayak rag ke swaron ko kram se faila kar rag ka swaroop dikhata hai. Alaap aur bol-baant vistaar ke madhyam hain. Vistaar khayal gayan ka kendra-bindu hai.

Question 19Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Ek gayak vilambit khayal mein ek hi swar par lambi der ruk kar alaap karta hai. Iska uchit karan kya hai?

  1. Lay ko tez karna
  2. Tal badalna
  3. Swar ko sthir karke rag ka aadhar dikhana Correct answer.
  4. Bandish bhoolna

Explanation

Alaap mein ek swar par ruk kar us swar ko sthir karke rag ka aadhar dikhaya jaata hai. Isse rag ka swaroop spasht hota hai. Yeh vistaar ki ek mahatvapurn takneek hai.

Question 20Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal mein 'taan' ke saath lay ka kya sambandh hota hai?

  1. Taan mein lay ka koi sambandh nahi
  2. Taan ke saath lay aur dheemi hoti hai
  3. Taan sirf sthayi mein aati hai
  4. Taan ke saath lay aam taur par tez hoti hai Correct answer.

Explanation

Taan mein swaron ki tez daud hoti hai, isliye iske saath lay bhi aam taur par tez hoti hai. Taan vistaar ke ant-bhaag mein aati hai. Lay aur taan ka gahan sambandh hai.

Question 21Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Vilambit khayal mein alaap aur taan ke beech ka uchit kram kaun sa hai?

  1. Dono ek saath
  2. Taan pehle, alaap baad mein
  3. Koi kram nahi
  4. Alaap pehle, taan baad mein Correct answer.

Explanation

Vilambit khayal mein alaap pehle hota hai aur taan baad mein. Alaap rag ka aadhar banata hai, phir taan us par charhti hai. Is kram se gayan mein sthirta aur utthan dono aate hain.

Question 22Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Ek gayak drut khayal mein bol-baant ke baad taan prastut karta hai. Is kram ka sahi aadhar kya hai?

  1. Taan ke baad alaap hota hai
  2. Bol-baant se sahitya spasht hota hai, phir taan se gati Correct answer.
  3. Bol-baant lay kam karta hai
  4. Taan se rag badalta hai

Explanation

Drut mein pehle bol-baant se bandish ka sahitya spasht hota hai, uske baad taan se gati ka utthan hota hai. Yeh kram shrota ko sahitya se alankar tak le jaata hai. Isliye bol-baant pehle aur taan baad mein aati hai.

Question 23Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal gayan mein 'upaj' aur 'vistaar' ka sambandh kaise samajha jaata hai?

  1. Upaj turant srijan se vistaar ko sahaj banata hai Correct answer.
  2. Upaj aur vistaar ek hi hain
  3. Upaj vistaar ko rokta hai
  4. Upaj vistaar ki gati ko tez karta hai

Explanation

Upaj gayak ki turant srijan-shakti hai jo vistaar ko sahaj aur prabhavi banati hai. Achha upaj gayak bina rukavat swaron ka vistaar kar sakta hai. Isliye upaj vistaar ka sahayak gun hai.

Question 24Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Vilambit khayal mein bandish ke bolon ka vilambit lay mein gaaya jaana kis gun ko darshata hai?

  1. Tabla ka solo
  2. Gayak ki tez taan
  3. Rag ka drut roop
  4. Gayak ki sahansheelata aur swaron par niyantran Correct answer.

Explanation

Vilambit lay mein bolon ko thehraav se gaana gayak ki sahansheelata aur swaron par niyantran darshata hai. Isse har swar spasht hota hai. Vilambit gayan mein yahi gun mahatvapurn hai.

Question 25Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal mein alaap, bol-baant aur taan ke kram ke baare mein sahi kathan kaun sa hai?

  1. Alaap, phir bol-baant, phir taan Correct answer.
  2. Taan, phir bol-baant, phir alaap
  3. Taan, phir alaap, phir bol-baant
  4. Bol-baant, phir taan, phir alaap

Explanation

Vilambit khayal mein vistaar ka kram aam taur par alaap, uske baad bol-baant aur ant mein taan hota hai. Yeh kram rag ke swaroop se sahitya aur alankar tak le jaata hai. Isse gayan mein kram-baddh utthan dikhta hai.

Question 26Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal gayan mein 'bol-alaap' se kya abhipray hai?

  1. Bandish ke bolon ko vilambit lay mein vistaar ke saath gaana Correct answer.
  2. Bandish ke bolon ko drut lay mein taan ke roop mein gaana
  3. Bandish ke bolon ko bina lay ke gaana
  4. Bandish ke bolon ko sirf antara mein gaana

Explanation

Bol-alaap mein bandish ke bolon ka vilambit lay mein vistaar kiya jaata hai, jismein bolon ki mahatva hoti hai. Yeh alaap ka hi ek prakar hai jismein bolon ka istemal hota hai. Drut lay mein bolon ko taan ke roop mein gaana bol-taan kehlata hai, bol-alaap nahi.

Question 27Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Vilambit khayal mein 'lay' ko dheere se tez ki taraf le jaane ki prakriya ko kya kehte hain?

  1. Bol-baant
  2. Barhat Correct answer.
  3. Upaj
  4. Taan

Explanation

Barhat ka arth hai lay ko dheere se tez ki taraf badhana, jisse khayal mein gati aur vistaar aata hai. Yeh vilambit khayal ki ek mahatvapurn visheshata hai. Taan, bol-baant aur upaj anya avadharanaayein hain.

Question 28Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Drut khayal mein bandish ke bolon ko tukdon mein baantkar, dohraakar gaane ki kala ko kya kaha jaata hai?

  1. Taan
  2. Sargam
  3. Bol-alaap
  4. Bol-baant Correct answer.

Explanation

Bol-baant mein bandish ke bolon ko chhote-chhote tukdon mein baantkar, unhein dohraakar, lay ke saath prastut kiya jaata hai. Yeh drut khayal mein vishesh roop se dekha jaata hai. Bol-alaap vilambit lay mein bolon ka vistaar hai.

Question 29Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal gayan mein 'upaj' ka sahi sthan kya hai?

  1. Bandish ke baad, taan se pehle
  2. Antara ke baad
  3. Taan ke baad
  4. Alaap ke aarambh mein, bandish se pehle Correct answer.

Explanation

Upaj alaap ka prarambhik hissa hota hai jo bandish gaane se pehle prastut kiya jaata hai. Ismein gayak raag ka roop dheere-dheere kholta hai. Bandish ke baad alaap nahi hota, isliye anya vikalp galat hain.

Question 30Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Ek gayak vilambit khayal mein alaap ke dauraan ek swar par ruk kar us par kampan utpann karta hai. Isse kis prakar ka alaap spasht hota hai?

  1. Swar-alaap Correct answer.
  2. Bol-alaap
  3. Sargam-alaap
  4. Taan-alaap

Explanation

Swar-alaap mein gayak swaron par ruk kar unhein vistarit karta hai, jismein kampan ya meend ka prayog hota hai. Yeh alaap ka mukhya prakar hai. Bol-alaap mein bolon ka istemal hota hai, jabki sargam-alaap mein swaron ke naam gaaye jaate hain.

Question 31Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Vilambit khayal mein alaap ke baad, bandish gaane se pehle, gayak aksar kis prakar ka alaap prastut karta hai?

  1. Sargam
  2. Bol-alaap Correct answer.
  3. Palta
  4. Taan

Explanation

Vilambit khayal mein alaap ke baad aksar bol-alaap kiya jaata hai, jismein bandish ke bolon ko vilambit lay mein vistaar ke saath gaaya jaata hai. Iske baad bandish prastut hoti hai. Taan, sargam aur palta anya avadharanaayein hain.

Question 32Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Drut khayal mein taan prastut karne ka uchit samay kya hai?

  1. Bandish se pehle
  2. Sirf sthayi ke baad
  3. Bandish ke bol-baant ke baad Correct answer.
  4. Antara ke beech mein

Explanation

Drut khayal mein pehle bandish gaayi jaati hai, phir bol-baant hoti hai, aur uske baad taan prastut ki jaati hai. Taan bol-baant ke baad lay ko aur tez karti hai. Bandish se pehle taan nahi hoti.

Question 33Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal gayan mein 'taan' ka mukhya uddeshya kya hai?

  1. Alaap ko lamba karna
  2. Bandish ke bolon ko dheere se gaana
  3. Raag ke swaron ko tezi se prastut karna Correct answer.
  4. Tal ki gati ko dheema karna

Explanation

Taan ka uddeshya raag ke swaron ko tezi se, alankarik roop mein prastut karna hota hai. Isse gayak ki swar-sanchalan ki kshamta pradarshit hoti hai. Bolon ko dheere gaana bol-alaap hai, taan nahi.

Question 34Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Vilambit khayal mein bol-vistaar ke dauraan gayak bolon ko kaise prastut karta hai?

  1. Bolon ko jodkar, lay ko tez karte hue
  2. Bolon ko chhodkar, sirf swaron par dhyan dete hue
  3. Bolon ko ek hi sur par gaate hue
  4. Bolon ko todkar, unke arth par dhyan dete hue Correct answer.

Explanation

Bol-vistaar mein gayak bandish ke bolon ko todkar, unke bhav aur arth ko spasht karte hue vilambit lay mein gaata hai. Isse bolon ki samajh aur raag ki gahraai badhti hai. Bolon ko jodkar lay tez karna bol-baant ya taan ka lakshan hai.

Question 35Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Ek gayak vilambit khayal mein alaap ke baad taan prastut karna chahta hai. Uchit kram kya hoga?

  1. Taan, phir alaap, phir bandish
  2. Alaap, phir bandish, phir taan Correct answer.
  3. Alaap, phir taan, phir bandish
  4. Bandish, phir alaap, phir taan

Explanation

Vilambit khayal ka samanya kram hai: alaap, bandish, bol-vistaar/bol-baant, aur ant mein taan. Taan bandish ke baad hi prastut ki jaati hai, kyunki taan bandish ke bolon aur lay par aadharit hoti hai. Isliye alaap ke baad pehle bandish, phir taan.

Question 36Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal gayan mein 'sargam' ka kya arth hai?

  1. Dheeme lay mein alaap
  2. Tezi se swaron ki chal
  3. Bolon ko baantkar gaana
  4. Swaron ke naam lekar gaana Correct answer.

Explanation

Sargam mein gayak swaron ke naam (sa, re, ga, ma, pa, dha, ni) lekar raag prastut karta hai. Yeh alaap ya bandish ke beech mein bhi gaaya ja sakta hai. Bolon ko baantkar gaana bol-baant hai, aur tezi se swaron ki chal taan hai.

Question 37Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Vilambit khayal mein bandish ke bolon ko vilambit lay mein gaana kis gun ko darshata hai?

  1. Chhota raag
  2. Gambhirta Correct answer.
  3. Talheen gayan
  4. Tezi

Explanation

Vilambit lay mein bolon ko gaana gambhirta ka lakshan hai, kyunki ismein gayak dheere-dheere bolon ko vistaar deta hai. Tezi drut lay ka gun hai. Chhota raag aur talheen gayan is sandarbh mein aprasangik hain.

Question 38Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Khayal gayan mein alaap, bol-baant aur taan ke kram ke baare mein sahi kathan kaun sa hai?

  1. Alaap pehle, phir bol-baant, phir taan Correct answer.
  2. Bol-baant pehle, phir alaap, phir taan
  3. Alaap pehle, phir taan, phir bol-baant
  4. Taan pehle, phir alaap, phir bol-baant

Explanation

Khayal mein samanya kram hai: alaap (bandish se pehle), phir bandish, phir bol-baant ya bol-vistaar, aur ant mein taan. Yeh kram gayak ko dheere se tez lay ki taraf le jaata hai. Isliye alaap, bol-baant, taan sahi kram hai.

Question 39Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Vilambit khayal mein gayak alaap ke dauraan ek swar se doosre swar tak jaane ke liye aksar 'meend' ka prayog karta hai. Vilambit lay mein meend ka mukhya prabhav kya hota hai?

  1. Bandish ke bolon ko lay se mukt karke unhe bol-baant mein badalna
  2. Tal ke vibhagon ko chhodkar sirf sahitya par dhyan dena
  3. Swaron ke beech komal aur madhur sanyog banakar raag ka gambhir swaroop ujagar karna Correct answer.
  4. Lay ko turant dugni karke drut ka aabhās dena

Explanation

Vilambit lay mein gatividhi dheemi hoti hai, isliye gayak swaron ke beech ki antarik yatra ko meend ke madhyam se spasht karta hai. Isse raag ke swaron ka komal, madhur sanyog ubharta hai aur raag ka gambhir swaroop ujagar hota hai. Meend lay ya tal ko badalta nahi, balki swar-yatra ko alankrit karta hai.

Question 40Raag Gayan (prescribed ragas: vilambit and drut khayal with alaap-taans)

Ek gayak ko drut khayal mein bandish ke baad 'phirat ki taan' prastut karni hai. Is taan ki pehchan kis lakshan se hoti hai?

  1. Swaron ko aage-peeche ghumakar, ek hi bol par baar-baar lautta hua tez pattern banana Correct answer.
  2. Tal ke sam par lambi der ek swar ko sthir rakhna
  3. Bandish ke bolon ko vilambit lay mein dohraakar vistaar karna
  4. Swaron ko seedhe aaroh mein ek hi disha mein tezi se gaana

Explanation

Phirat ki taan mein swar aage-peeche ghumte hue chakkar jaisa pattern banate hain aur gayak ek hi bol par baar-baar lautta hai. Yeh drut lay mein taan ka ek vishesh prakar hai jo gati aur chakrayi gatividhi se pahchana jaata hai. Seedhi aaroh wali taan sapaat taan kehlati hai, phirat nahi.

Question 41Swar and Laya fundamentals (swar, shruti, saptak, laya, matra, sam, tali, khali)

संगीत में 'स्वर' शब्द का मूल अर्थ क्या है?

  1. वह लय जो ताल के बोल से उत्पन्न हो
  2. वह स्थान जो तीन सप्तकों में बाँटा जाए
  3. वह ध्वनि जो स्वयं प्रकट हो और मन को आनंद दे Correct answer.
  4. वह गति जो मात्राओं में विभाजित हो

Explanation

स्वर वह संगीतमय ध्वनि है जो स्वयं उत्पन्न होकर कानों को सुख देती है और जिसका निश्चित उच्चारण-स्थान होता है। लय, मात्रा और सप्तक भिन्न संकल्पनाएँ हैं, इसलिए स्वर की परिभाषा केवल पहले विकल्प में पूरी होती है।

Question 42Swar and Laya fundamentals (swar, shruti, saptak, laya, matra, sam, tali, khali)

सप्तक में कुल कितने शुद्ध स्वर माने जाते हैं?

  1. छह
  2. पाँच
  3. बारह
  4. सात Correct answer.

Explanation

सप्तक में सा, रे, ग, म, प, ध, नि - इस प्रकार सात शुद्ध स्वर होते हैं। विकृत स्वर मिलाने पर बारह स्वर बनते हैं, पर शुद्ध स्वरों की संख्या सात ही रहती है।

Question 43Swar and Laya fundamentals (swar, shruti, saptak, laya, matra, sam, tali, khali)

ताल में 'सम' का क्या अर्थ है?

  1. वह मात्रा जहाँ आवर्तन का प्रारंभ होता है Correct answer.
  2. वह स्थान जहाँ ताल खाली रहती है
  3. वह गति जिसमें ताल बजाई जाती है
  4. वह बोल जो केवल तबले पर बजता है

Explanation

सम ताल की पहली मात्रा है जहाँ से आवर्तन आरंभ होता है और जहाँ गायन-वादन तथा नृत्य की समाप्ति साथ होती है। खाली से भिन्न, सम पर ताल पूर्ण भार के साथ ठहरती है।

Question 44Swar and Laya fundamentals (swar, shruti, saptak, laya, matra, sam, tali, khali)

ताल की 'खाली' मात्रा को पहचानने का मुख्य लक्षण क्या है?

  1. वहाँ हाथ से ताली बजाई जाती है
  2. वहाँ तबला बंद कर दिया जाता है
  3. वहाँ गायक स्वर बदल देता है
  4. वहाँ हाथ हवा में घुमाया जाता है Correct answer.

Explanation

खाली अर्थात फाँक की मात्रा पर ताली नहीं बजती; हाथ को हवा में घुमाकर या किनारे करके रिक्तता दिखाई जाती है। इसी संकेत से श्रोता खाली और सम में अंतर समझ पाता है।

Question 45Swar and Laya fundamentals (swar, shruti, saptak, laya, matra, sam, tali, khali)

श्रुति की पारंपरिक संख्या कितनी मानी जाती है?

  1. बारह
  2. बाईस Correct answer.
  3. सत्ताईस
  4. चौबीस

Explanation

भरत और शारंगदेव की परंपरा में एक सप्तक में बाईस श्रुतियाँ मानी गई हैं, जिनसे स्वरों के सूक्ष्म अंतर समझे जाते हैं। बारह स्वरों की संख्या है और सत्ताईस मात्राएँ ताल-प्रसंग की बात है।

Question 46Swar and Laya fundamentals (swar, shruti, saptak, laya, matra, sam, tali, khali)

लय के तीन मुख्य प्रकार कौन-से माने जाते हैं?

  1. तीव्र, मध्य, मंद
  2. सम, ताली, खाली
  3. विलंबित, मध्य, द्रुत Correct answer.
  4. आरोह, अवरोह, पकड़

Explanation

लय के तीन प्रकार विलंबित (धीमी), मध्य (मध्यम) और द्रुत (तेज़) हैं, जो गति के आधार पर तय होते हैं। सम, ताली और खाली ताल के स्थान हैं तथा आरोह-अवरोह राग के क्रम हैं।

Question 47Swar and Laya fundamentals (swar, shruti, saptak, laya, matra, sam, tali, khali)

किसी ताल में 'मात्रा' किसे कहते हैं?

  1. ताल के बोलों का समूह
  2. ताल की कुल आवृत्तियों की संख्या
  3. दो तालों के बीच का अंतराल
  4. एक निश्चित काल-अंतराल जिसमें ताल गिनी जाती है Correct answer.

Explanation

मात्रा ताल की गिनती की एक इकाई है, अर्थात एक समान काल-अंतराल जिस पर ताली या खाली का संकेत पड़ता है। कुल मात्राओं से ताल का आकार तय होता है, जैसे तीनताल की सोलह मात्राएँ।

Question 48Swar and Laya fundamentals (swar, shruti, saptak, laya, matra, sam, tali, khali)

तीनताल में कुल मात्राएँ और विभाग क्रमशः कितने हैं?

  1. सोलह मात्राएँ, तीन विभाग
  2. चौदह मात्राएँ, तीन विभाग
  3. सोलह मात्राएँ, चार विभाग Correct answer.
  4. बारह मात्राएँ, छह विभाग

Explanation

तीनताल में सोलह मात्राएँ चार विभागों में बँटी होती हैं, प्रत्येक विभाग में चार मात्राएँ। इसका ठेका धा धिन धिन धा के क्रम से चलता है और सम पहली मात्रा पर पड़ता है।

Question 49Swar and Laya fundamentals (swar, shruti, saptak, laya, matra, sam, tali, khali)

झपताल की खाली किस मात्रा पर पड़ती है?

  1. छठी मात्रा
  2. चौथी मात्रा
  3. नौवीं मात्रा
  4. तीसरी मात्रा Correct answer.

Explanation

झपताल में दस मात्राएँ और चार विभाग होते हैं; इसकी खाली तीसरी मात्रा पर आती है। सम पहली मात्रा पर रहता है और शेष तालियाँ ताल-रचना के अनुसार बँटती हैं।

Question 50Swar and Laya fundamentals (swar, shruti, saptak, laya, matra, sam, tali, khali)

किसी स्वर से उसके ऊपर के आठवें स्वर तक के क्रम को क्या कहते हैं?

  1. वर्ण
  2. मूर्च्छना
  3. अलंकार
  4. सप्तक Correct answer.

Explanation

एक स्वर से आरोह में आठवें स्वर तक का पूरा क्रम सप्तक कहलाता है, क्योंकि आठवाँ स्वर पहले का द्विगुणित रूप होता है। मूर्च्छना स्वर-समूह का आरोही क्रम है और अलंकार स्वरों की विशेष चाल।