UPMSP Intermediate Drawing & Design study plan
UPMSP Intermediate Drawing & Design · Give each week a clear focus.
8 weeks · About 6 hours per week
Elements and Principles of Design (tatva evam siddhant) & Drawing Techniques: Line, Form, Shading and Perspective
Define each element of design (point, line, shape, form, space, texture, colour, value) in your own words and give two drawn examples of each in your sketchbook
Identify and label all principles of design (balance, rhythm, harmony, contrast, emphasis, proportion, unity, movement) on three printed or self-made compositions
Practise five line-quality drills daily: straight parallel lines, freehand circles, hatching, cross-hatching and contour lines
Construct a value scale of nine steps in graphite and label each step
Your checkpoint
A 10-page sketchbook section titled 'Tatva evam Siddhant' containing all element and principle definitions, eight labelled example sketches, and a completed nine-step graphite value scale
Drawing Techniques: Line, Form, Shading and Perspective & Still Life and Object Study
Draw one-point and two-point perspective boxes from observation, including horizon line, vanishing points and eye level marked clearly
Set up three simple still-life arrangements (sphere, cube, cylinder) under a single light source and render form with graded shading
Shade a sphere, a cylinder and a cube showing highlight, mid-tone, core shadow, reflected light and cast shadow
Measure proportions of objects using the pencil-sighting method and record measurements on the drawing
Your checkpoint
Three finished still-life studies on A3 paper, each with visible perspective construction lines, a labelled light-source diagram and a full five-value shading range
Colour Theory and Colour Application & Still Life and Object Study
Build a 12-hue colour wheel using primary, secondary and tertiary colours mixed by hand, not readymade
Mix and paint a tint, shade and tone scale for three different hues
Produce a warm-versus-cool contrast study and a complementary contrast study of the same still-life object
Complete one still life in colour medium (poster or watercolour) applying local colour, reflected colour and shadow temperature
Your checkpoint
A colour workbook page with the 12-hue wheel, three tint/shade/tone strips and two contrast studies, plus one finished colour still life on A3
Landscape and Nature Study & Drawing Techniques: Line, Form, Shading and Perspective
Sketch five outdoor or window-view landscape studies, separating foreground, middle ground and background
Apply atmospheric perspective by reducing contrast and detail with distance in at least two studies
Draw three tree forms and two foliage masses using varied stroke direction and pressure
Render a sky and cloud study with graded wash or blended graphite
Your checkpoint
One finished A3 landscape composition in colour with a written self-note identifying the horizon line, focal point and three depth cues used
Human Figure and Anatomy Drawing & Elements and Principles of Design (tatva evam siddhant)
Draw the human figure in correct proportion using the eight-head canon and check it against a live or mirror pose
Sketch gesture drawings of 10 poses at 30 to 60 seconds each to capture line of action
Locate and mark major anatomical landmarks (clavicle, sternum, iliac crest, patella, elbow) on three figure drawings
Draw hands, feet and a head in three-quarter view with basic construction shapes
Your checkpoint
A figure-study sheet set of 10 gesture drawings, three proportion-checked full figures with landmark labels, and one detailed head study
Indian Art History and Traditional Art Forms
Create a dated timeline of Indian art from Indus Valley and Ajanta through Mughal, Rajput, Company and Bengal School to contemporary practice
Describe the subject matter, medium and key stylistic features of Ajanta murals, Mughal miniature painting and Rajput painting in your own notes
Draw a motif study inspired by a traditional form such as Madhubani, Warli, Pattachitra or Kalamkari, copying structure rather than tracing
Compare two Indian art traditions in a short written analysis of 200 words covering patronage, technique and purpose
Your checkpoint
A four-page illustrated art-history dossier with the timeline, three tradition summaries, one original motif study and the 200-word comparison
Western Art History and Major Movements & Applied Art, Poster and Advertisement Design
Build a timeline of Western art movements from Renaissance and Baroque through Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Cubism and Expressionism
List three identifying visual traits of each movement and match them to one representative work by title and artist
Design one poster with a clear hierarchy: headline, sub-headline, visual and call-to-action, using no more than three type sizes
Write a 100-word rationale explaining the layout grid, colour choice and typographic hierarchy of your poster
Your checkpoint
A one-page Western movements timeline with trait lists, plus one finished A3 poster with a written design rationale
Practical Portfolio and Project Work & Elements and Principles of Design (tatva evam siddhant) & Drawing Techniques: Line, Form, Shading and Perspective
Assemble and sequence a portfolio of your best 10 works covering still life, landscape, figure, colour and applied art
Complete two timed mock papers under exam conditions, one theory set and one practical composition in three hours
Audit every earlier deliverable against the syllabus checklist and redo the two weakest pieces
Write a one-page project statement describing your theme, process and materials for the final project work
Your checkpoint
A complete 10-work portfolio with contents page and project statement, plus two graded mock-paper attempts with a written error log
Milestones
Week 2: Can you draw a two-point perspective box and shade a sphere with all five value zones without reference? If not, repeat the Week 2 drills before moving on.
Week 4: Score your colour wheel and still life against a checklist: correct hue order, clean secondary mixes, consistent light direction. Target 7 of 10 criteria met.
Week 6: Recite the Indian art timeline from memory with at least eight dated entries and name one defining feature of each of three traditions.
Week 8: Complete both mock papers within the time limit and score at least 60 percent on each using the official marking scheme criteria for composition, technique and presentation.