UPMSP Intermediate Drawing & Design study materials
UPMSP Intermediate Drawing & Design study resources

UPMSP Intermediate Drawing & Design study plan

UPMSP Intermediate Drawing & Design · Give each week a clear focus.

8 weeks · About 6 hours per week

Week 1

Elements and Principles of Design (tatva evam siddhant) & Drawing Techniques: Line, Form, Shading and Perspective

  • Define each element of design (point, line, shape, form, space, texture, colour, value) in your own words and give two drawn examples of each in your sketchbook

  • Identify and label all principles of design (balance, rhythm, harmony, contrast, emphasis, proportion, unity, movement) on three printed or self-made compositions

  • Practise five line-quality drills daily: straight parallel lines, freehand circles, hatching, cross-hatching and contour lines

  • Construct a value scale of nine steps in graphite and label each step

Your checkpoint

A 10-page sketchbook section titled 'Tatva evam Siddhant' containing all element and principle definitions, eight labelled example sketches, and a completed nine-step graphite value scale

Week 2

Drawing Techniques: Line, Form, Shading and Perspective & Still Life and Object Study

  • Draw one-point and two-point perspective boxes from observation, including horizon line, vanishing points and eye level marked clearly

  • Set up three simple still-life arrangements (sphere, cube, cylinder) under a single light source and render form with graded shading

  • Shade a sphere, a cylinder and a cube showing highlight, mid-tone, core shadow, reflected light and cast shadow

  • Measure proportions of objects using the pencil-sighting method and record measurements on the drawing

Your checkpoint

Three finished still-life studies on A3 paper, each with visible perspective construction lines, a labelled light-source diagram and a full five-value shading range

Week 3

Colour Theory and Colour Application & Still Life and Object Study

  • Build a 12-hue colour wheel using primary, secondary and tertiary colours mixed by hand, not readymade

  • Mix and paint a tint, shade and tone scale for three different hues

  • Produce a warm-versus-cool contrast study and a complementary contrast study of the same still-life object

  • Complete one still life in colour medium (poster or watercolour) applying local colour, reflected colour and shadow temperature

Your checkpoint

A colour workbook page with the 12-hue wheel, three tint/shade/tone strips and two contrast studies, plus one finished colour still life on A3

Week 4

Landscape and Nature Study & Drawing Techniques: Line, Form, Shading and Perspective

  • Sketch five outdoor or window-view landscape studies, separating foreground, middle ground and background

  • Apply atmospheric perspective by reducing contrast and detail with distance in at least two studies

  • Draw three tree forms and two foliage masses using varied stroke direction and pressure

  • Render a sky and cloud study with graded wash or blended graphite

Your checkpoint

One finished A3 landscape composition in colour with a written self-note identifying the horizon line, focal point and three depth cues used

Week 5

Human Figure and Anatomy Drawing & Elements and Principles of Design (tatva evam siddhant)

  • Draw the human figure in correct proportion using the eight-head canon and check it against a live or mirror pose

  • Sketch gesture drawings of 10 poses at 30 to 60 seconds each to capture line of action

  • Locate and mark major anatomical landmarks (clavicle, sternum, iliac crest, patella, elbow) on three figure drawings

  • Draw hands, feet and a head in three-quarter view with basic construction shapes

Your checkpoint

A figure-study sheet set of 10 gesture drawings, three proportion-checked full figures with landmark labels, and one detailed head study

Week 6

Indian Art History and Traditional Art Forms

  • Create a dated timeline of Indian art from Indus Valley and Ajanta through Mughal, Rajput, Company and Bengal School to contemporary practice

  • Describe the subject matter, medium and key stylistic features of Ajanta murals, Mughal miniature painting and Rajput painting in your own notes

  • Draw a motif study inspired by a traditional form such as Madhubani, Warli, Pattachitra or Kalamkari, copying structure rather than tracing

  • Compare two Indian art traditions in a short written analysis of 200 words covering patronage, technique and purpose

Your checkpoint

A four-page illustrated art-history dossier with the timeline, three tradition summaries, one original motif study and the 200-word comparison

Week 7

Western Art History and Major Movements & Applied Art, Poster and Advertisement Design

  • Build a timeline of Western art movements from Renaissance and Baroque through Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Cubism and Expressionism

  • List three identifying visual traits of each movement and match them to one representative work by title and artist

  • Design one poster with a clear hierarchy: headline, sub-headline, visual and call-to-action, using no more than three type sizes

  • Write a 100-word rationale explaining the layout grid, colour choice and typographic hierarchy of your poster

Your checkpoint

A one-page Western movements timeline with trait lists, plus one finished A3 poster with a written design rationale

Week 8

Practical Portfolio and Project Work & Elements and Principles of Design (tatva evam siddhant) & Drawing Techniques: Line, Form, Shading and Perspective

  • Assemble and sequence a portfolio of your best 10 works covering still life, landscape, figure, colour and applied art

  • Complete two timed mock papers under exam conditions, one theory set and one practical composition in three hours

  • Audit every earlier deliverable against the syllabus checklist and redo the two weakest pieces

  • Write a one-page project statement describing your theme, process and materials for the final project work

Your checkpoint

A complete 10-work portfolio with contents page and project statement, plus two graded mock-paper attempts with a written error log

Milestones

Week 2: Can you draw a two-point perspective box and shade a sphere with all five value zones without reference? If not, repeat the Week 2 drills before moving on.

Week 4: Score your colour wheel and still life against a checklist: correct hue order, clean secondary mixes, consistent light direction. Target 7 of 10 criteria met.

Week 6: Recite the Indian art timeline from memory with at least eight dated entries and name one defining feature of each of three traditions.

Week 8: Complete both mock papers within the time limit and score at least 60 percent on each using the official marking scheme criteria for composition, technique and presentation.