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MTEL Visual Art (17) study materials
MTEL Visual Art (17) study resources

MTEL Visual Art (17) practice questions

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Question 1Art Making and Creative Processes

A student draws a sphere using only black, white, and a range of grays to show its curved surface. Which element of art is the student primarily manipulating?

  1. Space
  2. Texture
  3. Form
  4. Value Correct answer.

Explanation

Value is the lightness or darkness of a color or tone. By using black, white, and grays, the student creates the illusion of light and shadow on a two-dimensional surface. Texture, form, and space describe different visual qualities and are not the primary element being varied here.

Question 2Art Making and Creative Processes

A student wants to dull a very bright orange paint without changing its hue drastically. Which color should be mixed in small amounts?

  1. Blue Correct answer.
  2. Yellow
  3. Red
  4. White

Explanation

Blue is opposite orange on the color wheel, so the two are complementary colors. Mixing a small amount of a complement neutralizes or reduces the intensity of a color. Yellow and red are already related to orange, and white would lighten rather than neutralize it.

Question 3Art Making and Creative Processes

In a one-point perspective drawing, parallel railroad tracks recede into the distance. Where should the tracks converge?

  1. In the foreground of the drawing
  2. At the far edge of the horizon line
  3. At the picture plane
  4. At the vanishing point on the horizon line Correct answer.

Explanation

In one-point perspective, lines that are parallel to the viewer's line of sight recede to a single vanishing point. That vanishing point is located on the horizon line. The picture plane is the drawing surface, and the foreground is the area nearest the viewer.

Question 4Art Making and Creative Processes

Which printmaking process uses a raised surface that carries ink and transfers it to paper, similar to a rubber stamp?

  1. Lithography
  2. Relief printing Correct answer.
  3. Intaglio
  4. Screen printing

Explanation

Relief printing involves cutting away areas of a block so that the remaining raised surface receives ink and prints. Intaglio prints from ink held in incised grooves, while lithography and screen printing rely on different principles. A rubber stamp is a simple example of relief printing.

Question 5Art Making and Creative Processes

When joining two pieces of leather-hard clay, why does a potter score the surfaces and apply slip?

  1. To make the clay waterproof after firing
  2. To speed up the drying process
  3. To add decorative color to the seam
  4. To bond the pieces securely Correct answer.

Explanation

Scoring creates a rough surface, and slip acts as a clay glue between the pieces. Together they help prevent seams from cracking or separating during drying and firing. Drying speed, decoration, and waterproofing are separate concerns.

Question 6Art Making and Creative Processes

A student makes rapid, loose drawings of a model's pose, focusing on movement and overall proportion rather than outline detail. This practice is best described as which type of drawing?

  1. Contour drawing
  2. Gesture drawing Correct answer.
  3. Blind contour drawing
  4. Hatching

Explanation

Gesture drawing captures the action, rhythm, and overall proportions of a pose through quick, expressive marks. Contour drawing emphasizes edges and outlines, while hatching is a shading technique. The student's focus on movement and speed matches gesture drawing.

Question 7Art Making and Creative Processes

A photographer places the main subject near the intersection of imaginary lines that divide the frame into thirds. Which compositional strategy is being used?

  1. Framing
  2. Leading lines
  3. Rule of thirds Correct answer.
  4. Symmetry

Explanation

The rule of thirds divides an image into a three-by-three grid and suggests placing important elements near the intersections or along the lines. This often creates a more dynamic composition than centering the subject. Symmetry, leading lines, and framing are different compositional devices.

Question 8Art Making and Creative Processes

In buon fresco, why must the artist apply pigment to wet lime plaster rather than to dry plaster?

  1. Dry plaster completely repels all pigment
  2. The pigment binds chemically as the plaster cures Correct answer.
  3. Wet plaster makes the colors appear significantly brighter
  4. Wet plaster allows the artist to erase mistakes

Explanation

In buon fresco, pigment is applied to fresh lime plaster, and as the plaster cures it reacts with carbon dioxide to form calcium carbonate. The pigment becomes embedded in the wall surface rather than sitting on top of it. Painting on dry plaster is a different technique known as fresco secco.

Question 9Art Making and Creative Processes

A designer needs a logo that can be enlarged for a billboard without losing crisp edges. Which file type is most appropriate?

  1. PNG
  2. Vector Correct answer.
  3. JPEG
  4. GIF

Explanation

Vector graphics use mathematical paths rather than a fixed pixel grid, so they can be scaled to any size without pixelation. JPEG, PNG, and GIF are raster formats that depend on pixels and may show blur or blockiness when enlarged. A vector file is therefore the best choice for a scalable logo.

Question 10Art Making and Creative Processes

Which practice is safe when working with powdered clay or glaze materials in a school studio?

  1. Eating a snack at the worktable
  2. Wet cleanup and a dust mask Correct answer.
  3. Storing powders in unlabeled containers
  4. Sweeping dry clay dust with a broom

Explanation

Powdered clay and glaze materials can contain fine silica particles that are hazardous when inhaled. Wet cleanup helps keep dust out of the air, and a properly fitted dust mask reduces exposure. Dry sweeping, eating in the work area, and unlabeled containers all increase health or safety risks.

Question 11Art Making and Creative Processes

A painter mixes a small amount of white into a tube of blue to lighten it for a sky. What is the resulting lighter color called?

  1. a complement
  2. a tint Correct answer.
  3. a shade
  4. a tone

Explanation

A tint is produced by adding white to a color, which raises its value while keeping it in the same hue family. A shade uses black, a tone uses gray, and a complement is the color opposite on the color wheel.

Question 12Art Making and Creative Processes

A watercolorist wants two wet washes to spread into each other and form soft, irregular edges. Which technique should the artist use?

  1. dry-brush application
  2. wet-on-wet application Correct answer.
  3. lifting paint with a sponge
  4. masking fluid resist

Explanation

Wet-on-wet means applying wet paint onto damp paper or into another wet wash, so the colors bleed and blend with soft edges. Dry brush creates broken texture, masking fluid blocks areas from paint, and lifting removes paint rather than merging washes.

Question 13Art Making and Creative Processes

After a clay vessel has dried completely, it is fired once to make it strong enough to accept glaze. What is this first firing called?

  1. salt firing
  2. raku firing
  3. glaze firing
  4. bisque firing Correct answer.

Explanation

The first firing of dry, unglazed clay is the bisque firing; it drives off remaining water and hardens the body so glaze can be applied. Glaze firing comes later, while raku and salt firing are specialized firing processes.

Question 14Art Making and Creative Processes

An oil painter applies a thin, transparent layer of color over a fully dried underpainting to deepen the color and create luminosity. Which technique is being used?

  1. impasto
  2. scumbling
  3. alla prima
  4. glazing Correct answer.

Explanation

Glazing is a transparent paint layer applied over a dried, usually lighter layer; light passes through the glaze and reflects back, producing depth. Impasto is thick paint, scumbling is a broken opaque layer, and alla prima is wet-on-wet painting completed in one session.

Question 15Art Making and Creative Processes

Which printmaking method involves cutting lines into a metal plate, filling the grooves with ink, wiping the plate surface, and pressing damp paper into the grooves?

  1. screen printing
  2. lithography
  3. intaglio Correct answer.
  4. relief

Explanation

Intaglio printing uses recessed lines or textures below the plate surface; ink sits in the grooves and is transferred under pressure. Relief prints carry ink on raised areas, screen printing pushes ink through a stencil, and lithography relies on chemical repulsion.

Question 16Art Making and Creative Processes

A student wants to paint with oils on raw canvas. Why should the canvas first receive a coat of gesso?

  1. to seal the fabric and control absorbency Correct answer.
  2. to give the canvas a slick, glossy finish that repels paint
  3. to eliminate the need for any medium or solvent
  4. to make the canvas soak up as much oil as possible

Explanation

Gesso creates a ground that seals the fabric so oil binder does not damage the canvas and provides a surface with predictable absorbency. It does not make the canvas repel paint, and mediums or solvents may still be used in oil painting.

Question 17Art Making and Creative Processes

A photographer wants the background behind a portrait to appear blurred while the subject's face stays sharp. Which camera control most directly adjusts this effect?

  1. white balance
  2. shutter speed
  3. ISO setting
  4. aperture Correct answer.

Explanation

Aperture controls depth of field; a wide opening such as f/2.8 gives a shallow depth of field and blurs the background. Shutter speed controls motion, ISO controls sensitivity to light, and white balance controls color temperature.

Question 18Art Making and Creative Processes

A digital artist prepares artwork for professional offset printing, where inks are layered on paper. Which color mode should the artist use?

  1. Indexed color
  2. HSB
  3. CMYK Correct answer.
  4. RGB

Explanation

Offset presses use cyan, magenta, yellow, and black inks, so CMYK is the appropriate color mode for print separation. RGB is intended for screens, HSB is a screen-oriented color model, and indexed color reduces the available palette.

Question 19Art Making and Creative Processes

In lost-wax bronze casting, a wax model is encased in a heat-resistant mold and then heated. What is the main purpose of heating the mold at this stage?

  1. to remove the wax and leave a cavity Correct answer.
  2. to expand the mold so less bronze is needed
  3. to harden the wax for later carving
  4. to fuse the bronze directly to the wax model

Explanation

Heating the investment mold melts and burns away the wax, creating an empty impression that molten bronze can fill. The wax is not the final material and does not remain inside the finished cast.

Question 20Art Making and Creative Processes

Why does traditional egg tempera usually require thin, hatched brushstrokes rather than thick, impasto layers?

  1. the egg binder dries slowly, so thick paint will sag
  2. tempera pigment cannot be mixed with water
  3. tempera is suitable only for paper
  4. the egg binder dries fast and thick layers crack Correct answer.

Explanation

Egg tempera sets rapidly as the water evaporates, which makes thick layers difficult to model and prone to cracking; artists build form with small hatched strokes. The medium is water-dilutable and is traditionally used on rigid panels.

Question 21Art Making and Creative Processes

A student builds tonal value in a pencil drawing by laying down one set of parallel lines and then crossing it with another set at an angle. Which drawing technique is the student using?

  1. Blending with a paper stump
  2. Scumbling with a dry brush
  3. Cross-hatching Correct answer.
  4. Stippling with dots

Explanation

Cross-hatching creates value by layering intersecting sets of parallel lines; denser or repeated strokes produce darker areas. The technique is widely used in drawing to model form without smudging or continuous tone.

Question 22Art Making and Creative Processes

Before forming a vessel on the potter's wheel, a potter repeatedly kneads and compresses a block of clay. What is the main purpose of wedging the clay?

  1. To seal the vessel surface against water absorption
  2. To expel air pockets and even out moisture Correct answer.
  3. To lower the temperature at which the clay matures in the kiln
  4. To give the fired clay a glossy, glass-like finish

Explanation

Wedging works the clay to remove trapped air and distribute moisture more evenly. This reduces uneven drying, improves workability on the wheel, and helps prevent pieces from cracking or exploding during firing.

Question 23Art Making and Creative Processes

A sculptor wants to build a tall plaster figure that will hold its pose while the plaster sets. The sculptor first constructs a wire and wood framework. What is this framework called?

  1. A patina
  2. An armature Correct answer.
  3. A maquette
  4. A mold

Explanation

An armature is an internal supporting structure that gives a sculpture stability and helps it hold its shape during construction. It is especially important for tall, thin, or projecting forms made from plaster, clay, or mixed media.

Question 24Art Making and Creative Processes

When painting a landscape, an artist makes distant hills paler, cooler, and less detailed than nearby trees. Which depth cue is the artist using?

  1. Atmospheric perspective Correct answer.
  2. Isometric projection
  3. Foreshortening
  4. Linear perspective

Explanation

Atmospheric perspective uses changes in color, value, contrast, and detail to suggest distance. Distant forms often appear lighter, bluer or cooler, and less sharply defined because of particles and moisture in the air.

Question 25Art Making and Creative Processes

In screen printing, a stencil is adhered to a fine mesh screen and ink is pulled across it with a squeegee. What controls where the ink is deposited on the paper?

  1. The incised grooves cut into a metal plate
  2. The raised uncarved areas of a woodblock
  3. The water-receptive areas of a limestone slab
  4. The open mesh areas not blocked by the stencil Correct answer.

Explanation

Screen printing is a stencil process: the stencil blocks selected areas of the mesh, while ink passes through the open mesh onto the paper. The squeegee forces ink through those open areas, creating the printed image.

Question 26Art Making and Creative Processes

A photographer wants moving water in a stream to record as a smooth, continuous blur instead of frozen droplets. Which change should the photographer make?

  1. Use a faster shutter speed
  2. Increase the ISO only
  3. Use a slower shutter speed Correct answer.
  4. Use a wider aperture only

Explanation

A slower shutter speed leaves the sensor or film exposed for a longer time, so moving water records as a continuous blur. A faster shutter speed would freeze the droplets, while aperture and ISO mainly affect exposure, depth of field, and noise.

Question 27Art Making and Creative Processes

In a crowded market scene, an artist paints nearly all the figures in muted grays but renders one small figure in intense red. Which principle is the artist using to draw the viewer's eye?

  1. Rhythm through repetition
  2. Symmetrical balance
  3. Emphasis through contrast Correct answer.
  4. Unity through a limited palette

Explanation

Emphasis creates a focal point by making one area visually dominant. In this case, the saturated red figure contrasts sharply with the surrounding muted grays, so the viewer's attention is directed to that figure.

Question 28Art Making and Creative Processes

A digital artist creates a 72-ppi raster image and then enlarges it to print as a 24-inch-wide poster. The printed image looks blocky and soft. What is the most likely cause?

  1. The image was saved as a JPEG rather than a TIFF
  2. The image was drawn with vector paths
  3. The image uses RGB instead of CMYK
  4. The image has too few pixels for the print size Correct answer.

Explanation

A raster image contains a fixed grid of pixels, so enlarging it for a large print spreads those pixels over more area and reduces effective resolution. When the pixel dimensions are too low for the final print size, edges and details appear blocky or soft.

Question 29Art Making and Creative Processes

A printmaker paints an image directly onto a smooth metal plate, places damp paper over it, and runs it through a press. A second pull from the same plate is noticeably different. Which printmaking process is this?

  1. Etching
  2. Lithography
  3. Linocut
  4. Monotype Correct answer.

Explanation

A monotype is made by painting or drawing directly on an unincised plate and transferring the image to paper, usually producing only one strong impression. Because the image is not cut or fixed into the plate, most of the ink transfers on the first pull and later pulls differ markedly.

Question 30Art Making and Creative Processes

A muralist wants to enlarge a small preparatory sketch onto a large wall while preserving its proportions. The artist draws a grid over the sketch and a matching, larger grid on the wall. What is the main purpose of this method?

  1. To create a consistent texture across the wall
  2. To transfer the composition accurately at a larger scale Correct answer.
  3. To make the mural's colors appear more saturated
  4. To ensure that all lines converge at one vanishing point

Explanation

A grid divides the sketch and the wall into corresponding units, allowing each part of the composition to be mapped to the correct larger position. This preserves relative proportions and placement when the image is scaled up.

Question 31Art Making and Creative Processes

A painter finds that a mixed orange is too saturated and wants to reduce its intensity without adding black or white. Which adjustment is most direct?

  1. Add a small amount of yellow.
  2. Add a small amount of red.
  3. Add a thin white glaze.
  4. Add a small amount of blue. Correct answer.

Explanation

Blue is the complement of orange, so mixing a little blue neutralizes orange's chroma. Adding black or white would alter value more directly; the goal here is to gray down the orange while preserving its general value.

Question 32Art Making and Creative Processes

A sculptor starts with a solid block of limestone and removes material with a chisel until the figure emerges. Which term describes this method?

  1. Additive construction
  2. Subtractive carving Correct answer.
  3. Object assemblage
  4. Mold casting

Explanation

Subtractive carving begins with a solid mass and removes material to reveal form; limestone is commonly worked this way. Additive and casting processes build or pour form rather than cut it away from a block.

Question 33Art Making and Creative Processes

In a linocut relief print, which part of the block carries the ink that transfers to the paper?

  1. The sealed back of the block
  2. The deepest gouged-out areas
  3. The raised, uncarved surface Correct answer.
  4. Only the cut edges of the lines

Explanation

Relief printing inks the top surface of the block; cut-away areas sit below the ink and print as the paper color. The uncarved raised areas therefore form the positive printed image.

Question 34Art Making and Creative Processes

A student draws a straight road receding to one vanishing point on the horizon. To show convincing depth, how should the spacing of evenly spaced crosswise pavement lines change as they approach that point?

  1. They grow wider.
  2. They curve upward.
  3. They narrow. Correct answer.
  4. They stay equal.

Explanation

In one-point perspective, equal real intervals appear to compress as they recede, so the drawn gaps become smaller toward the vanishing point. Keeping them equal would flatten the road and weaken the illusion of depth.

Question 35Art Making and Creative Processes

An acrylic painter wants more time to blend wet edges before the paint skins over. Which additive is formulated for that purpose?

  1. Gesso
  2. Retarder Correct answer.
  3. Gel medium
  4. Turpentine

Explanation

Acrylic retarder slows the evaporation of water from the paint film, extending open time for blending. Gel medium changes body or transparency, gesso prepares a ground, and turpentine is not a compatible thinner for acrylic dispersion paint.

Question 36Art Making and Creative Processes

In a photograph, a large dark boulder sits at the left edge while a small bright figure stands far to the right at the same height. The image feels balanced. Which design principle best explains this effect?

  1. Symmetrical balance
  2. Exaggerated proportion
  3. Repetitive rhythm
  4. Asymmetrical balance Correct answer.

Explanation

Asymmetrical balance occurs when unequal visual weights, such as a large dark mass and a small bright accent, are arranged to offset each other. The varied size, value, and placement create equilibrium without mirroring.

Question 37Art Making and Creative Processes

A photographer wants to freeze a dancer's leap in midair but cannot change the lens aperture or ISO. Which camera setting should be adjusted?

  1. Wider aperture
  2. Longer lens
  3. Slower shutter
  4. Faster shutter Correct answer.

Explanation

A faster shutter speed shortens the exposure time, reducing motion blur and freezing the leap. Aperture and ISO are held constant here; changing focal length alters framing and magnification, not the duration of exposure.

Question 38Art Making and Creative Processes

A hand-building potter wants to join two leather-hard clay slabs securely without trapping air. Which procedure is most appropriate?

  1. Press bone-dry slabs together.
  2. Wet the edges and stack them.
  3. Glaze both edges before joining.
  4. Score, slip, and press. Correct answer.

Explanation

Scoring creates a mechanical key and slip acts as a clay glue, helping leather-hard pieces bond without trapped air pockets. Dry clay is brittle, and glaze is a glass-former applied for firing, not a joining agent.

Question 39Art Making and Creative Processes

A medium-gray square looks darker against a white background and lighter against a black background. Which perceptual phenomenon best explains this shift?

  1. Subtractive color mixing
  2. Chromatic adaptation
  3. Additive color mixing
  4. Simultaneous contrast Correct answer.

Explanation

Simultaneous contrast is the tendency for a color's apparent value or hue to shift when it is seen next to another color. The gray itself is unchanged, but the surrounding field alters the visual system's judgment of it.

Question 40Art Making and Creative Processes

An artist paints with pigment dispersed in water onto fresh lime plaster. Why must each section be completed before the plaster sets?

  1. Pigment locks into curing plaster. Correct answer.
  2. Lime bleaches every pigment to white.
  3. Set plaster repels all water-based paint.
  4. The paint will wash off unless waxed immediately.

Explanation

In true fresco, paint is applied to wet lime plaster; as calcium hydroxide reacts with carbon dioxide and carbonates, the pigments are bound into the wall. Work must therefore be planned in sections because set plaster no longer accepts pigment with the same integration.

Question 41Art Making and Creative Processes

A watercolorist wets a section of paper with clean water and then touches a loaded brush of pigment to the damp surface. Which result should the artist expect?

  1. The pigment will lift completely and leave no visible color.
  2. The pigment will sit on the surface and flake off when dry.
  3. The pigment will spread outward and blend softly with adjacent wet washes. Correct answer.
  4. The pigment will remain in a sharp-edged puddle that dries with a hard rim.

Explanation

Wet-in-wet watercolor application causes pigment to disperse into the water already on the paper, producing soft, bleeding edges and gradual blending. The wet surface keeps the pigment mobile until drying begins, so controlled soft transitions are the expected result.

Question 42Art Making and Creative Processes

A painter mixes a small amount of titanium white into a tube of phthalo blue. Which term describes the resulting color?

  1. a shade
  2. a complement
  3. a tone
  4. a tint Correct answer.

Explanation

A tint is produced by adding white to a hue, which raises its value and usually lowers its saturation. Adding black produces a shade, while adding gray or a complementary color produces a tone.

Question 43Art Making and Creative Processes

A photographer wants a shallow depth of field so a portrait subject stands out against a blurred background. Which aperture setting should the photographer choose?

  1. f/2.8 Correct answer.
  2. f/16
  3. f/8
  4. f/11

Explanation

A smaller f-number such as f/2.8 opens the aperture wider and reduces depth of field, so the background blurs while the subject remains sharp. Larger f-numbers increase depth of field and keep more of the scene in focus.

Question 44Art Making and Creative Processes

A student has completed a vine charcoal drawing and needs to store it without the image smudging. Which action is most appropriate?

  1. Seal it under acrylic gloss medium.
  2. Rub the surface with a kneaded eraser.
  3. Dampen the paper and blot it.
  4. Apply light coats of workable fixative. Correct answer.

Explanation

Workable fixative binds loose charcoal particles to the paper so the drawing resists smudging during handling and storage. Light coats are applied gradually because a heavy application can darken values or cause drips.

Question 45Art Making and Creative Processes

A printmaker is producing a two-color linocut and wants the second color to align precisely with the first. Which procedure best supports registration?

  1. Use registration marks and a fixed jig. Correct answer.
  2. Ink the block more heavily for the second impression.
  3. Print the second color on a different type of paper.
  4. Carve the second block without transferring the first image.

Explanation

Registration marks and a fixed jig allow each sheet to be positioned repeatedly in the same relationship to the block, so successive color layers align. Consistent registration depends on repeatable placement rather than on ink quantity or paper changes.

Question 46Art Making and Creative Processes

An oil painter brushes a thin, transparent layer of alizarin crimson over a fully dried opaque green passage to deepen its color while allowing some underpainting to show. Which technique is being used?

  1. scumbling
  2. glazing Correct answer.
  3. alla prima
  4. impasto

Explanation

Glazing is a transparent layer applied over a dried underpainting so light passes through the film and modifies the color beneath. Impasto uses thick paint, scumbling uses a dry opaque brush layer, and alla prima describes wet-on-wet painting in one session.

Question 47Art Making and Creative Processes

A ceramic artist builds a tall vessel by stacking and joining successive ropes of clay, blending each seam before adding the next. Which hand-building method is being used?

  1. coil construction Correct answer.
  2. pinch construction
  3. slab construction
  4. wheel throwing

Explanation

Coil construction builds form by stacking rolled ropes of clay and joining them, which allows tall vessels to be raised gradually with controlled wall thickness. Slab construction uses flat sheets, pinch construction uses hollowed balls of clay, and wheel throwing uses rotational force.

Question 48Art Making and Creative Processes

A designer needs a logo that stays crisp when reproduced on a business card and on a large banner. Which digital file approach is most suitable?

  1. a low-resolution JPEG compressed for web
  2. vector paths saved in a scalable format Correct answer.
  3. a 300-ppi raster image sized for the banner
  4. a raster image with a high-pass filter applied

Explanation

Vector graphics are defined by mathematical paths, so they can be scaled to any size without pixelation or loss of edge quality. Raster images are resolution-dependent and become visibly soft or blocky when enlarged far beyond their original pixel dimensions.

Question 49Art Making and Creative Processes

In lost-wax bronze casting, after the wax model has been invested in a ceramic shell and the assembly has been fired to melt out the wax, what is the immediate next step?

  1. Press damp plaster into the shell to form a negative.
  2. Attach a new wax sprue to the shell.
  3. Carve the final surface directly into the bronze.
  4. Pour molten bronze into the hollow mold. Correct answer.

Explanation

Burnout removes the wax and leaves a hollow ceramic shell in the shape of the original model. Molten bronze is then poured into that cavity, and the shell is broken away after the metal cools.

Question 50Art Making and Creative Processes

An illustrator draws a tall building so that its vertical edges converge toward a point high above the horizon while its horizontal edges converge at two points on the horizon. Which perspective system is shown?

  1. one-point perspective
  2. isometric projection
  3. two-point perspective
  4. three-point perspective Correct answer.

Explanation

Three-point perspective uses three vanishing points: two on the horizon for horizontal edges and a third above or below for vertical edges. The convergence of the verticals is the feature that distinguishes it from two-point perspective.