NACCM CMC study materials
NACCM CMC study resources

NACCM CMC study plan

NACCM CMC · Give each week a clear focus.

8 weeks · About 6 hours per week

Week 1

Liturgical Music Ministry & Liturgy and the Church's Musical Tradition

  • Map the three-year liturgical cycle and list the proper chants and psalm assignments for the seasons you will actually serve

  • Define the ministerial boundaries of the music director against the presider, deacon, sacristan, and liturgy committee in writing

  • Identify the documents and norms that govern music selection in your diocese and note where your parish practice diverges

  • Build a one-page checklist you will use before every liturgy to confirm readings, psalm, acclamations, and ritual moments

Your checkpoint

A dated 12-week music-and-psalm planning grid for one liturgical season, annotated with the source of each selection

Week 2

Liturgical Music Ministry & Liturgy and the Church's Musical Tradition

  • Trace how chant, polyphony, and hymnody developed and name one representative example of each you could program

  • Explain the difference between proper and ordinary texts and demonstrate where each appears in a single Mass you plan

  • Draft spoken introductions for three sung items that teach the assembly without lecturing

  • Compare two published settings of the same Mass part and justify which you would choose for your community

Your checkpoint

A 900-word annotated repertoire rationale for one Sunday Mass, citing the ritual function of every sung item

Week 3

Music Theory and Performance & Liturgical Music Ministry

  • Analyze the harmonic and formal structure of two pieces in your active repertoire and mark the cadences

  • Diagnose and correct your own intonation and breath support on three phrases you routinely undersing

  • Transpose two pieces by sight to keys suited to your assembly and cantor range

  • Notate a simple descant or harmonization for one hymn without breaking voice-leading rules

Your checkpoint

A marked-up score set for three pieces showing harmonic analysis, transposition, and your written rehearsal corrections

Week 4

Music Theory and Performance & Pastoral Music Leadership and Ensemble Direction

  • Conduct a full rehearsal cycle from warm-up through run-through with a written rehearsal plan and timed segments

  • Demonstrate clear preparatory, cut-off, and dynamic gestures on camera and critique the recording against a rubric

  • Audition and place voices into sections using a short, repeatable range and blend assessment

  • Write rehearsal notes that tell each section what to fix and how, not merely what went wrong

Your checkpoint

A 45-minute recorded rehearsal with a self-scored conducting and rehearsal-efficiency rubric

Week 5

Pastoral Music Leadership and Ensemble Direction & Liturgical Music Ministry

  • Recruit, onboard, and schedule a volunteer ensemble with written expectations for attendance and preparation

  • Design a cantor formation session covering psalm proclamation, pitch security, and pastoral presence

  • Resolve a simulated interpersonal conflict between a volunteer and a section leader using a documented conversation script

  • Delegate two recurring administrative tasks and define the handoff with a checklist

Your checkpoint

A complete ensemble handbook section: role descriptions, attendance policy, audition process, and cantor formation outline

Week 6

Pastoral Music Leadership and Ensemble Direction & Professional Practice and Continuing Education

  • Draft a one-year budget covering scores, licenses, instrument maintenance, and formation, with justifications

  • Identify the copyright and licensing obligations for reprinting, streaming, and recording your liturgies

  • Assemble a professional portfolio including repertoire list, formation record, and sample planning documents

  • Practice answering three interview-style questions about pastoral judgment in music ministry

Your checkpoint

A defensible annual music ministry budget plus a licensing compliance checklist for print, stream, and recording

Week 7

Professional Practice and Continuing Education & Liturgy and the Church's Musical Tradition

  • Audit your own competencies against the five exam domains and rank your three weakest areas with evidence

  • Complete two timed practice sets under exam conditions and log every missed item by domain

  • Build a spaced-repetition deck from your missed items and schedule reviews through exam day

  • Locate two continuing-education opportunities and one professional association resource relevant to your gaps

Your checkpoint

A scored practice-exam log with a prioritized remediation list naming your three weakest subareas

Week 8

Professional Practice and Continuing Education & Liturgical Music Ministry & Music Theory and Performance & Liturgy and the Church's Musical Tradition & Pastoral Music Leadership and Ensemble Direction

  • Re-teach your three weakest subareas aloud or in writing until you can explain them without notes

  • Re-run one full timed practice exam and compare the score against week 7

  • Simulate a pastoral scenario under time pressure and write your response in exam format

  • Finalize exam-day logistics including identification, timing, and a review sheet limited to one page

Your checkpoint

A final one-page synthesis sheet plus a second timed practice score demonstrating measurable improvement

Milestones

Week 2: You can explain, unprompted, why each sung item in a Sunday Mass is there and what document or norm supports it

Week 4: Your recorded rehearsal shows at least 80 percent of planned segments completed and a self-scored conducting rubric above your week-1 baseline

Week 6: Your budget and licensing checklist survive review by someone outside music ministry without unanswered questions

Week 8: Your second timed practice score is higher than week 7, and every missed item has a written correction you can restate from memory