AVE Preliminary study materials
AVE Preliminary study resources

AVE Preliminary study plan

AVE Preliminary · Give each week a clear focus.

8 weeks · About 7 hours per week

Week 1

Fundamentals of Audio and Video Engineering

  • Define and calculate the core acoustic quantities - sound pressure level, sound intensity level, sound power level, and dB conversions between them - and work 15 numeric problems with correct units.

  • Explain the decibel as a logarithmic ratio, derive the rules for combining and subtracting incoherent sources, and solve 10 addition/subtraction problems without a calculator error.

  • Describe human hearing limits, equal-loudness contours, and frequency weighting (A, C, Z), then state which weighting applies to which measurement context.

  • Trace an analog audio signal chain from transducer to loudspeaker and label the voltage, impedance, and level (mic, line, speaker) at each interface.

  • Sketch and explain the sampling and quantization process, stating the Nyquist criterion and the effect of bit depth on dynamic range.

Your checkpoint

A one-page formula sheet plus a 20-question self-quiz on decibels, levels, and sampling that you score and correct, achieving at least 80%.

Week 2

Fundamentals of Audio and Video Engineering & Audio Systems and Signal Processing

  • Compare balanced versus unbalanced interconnection, calculate common-mode rejection implications, and specify the correct cable and connector for three given scenarios.

  • Explain microphone types (dynamic, condenser, ribbon), their polar patterns, and proximity effect, and match each to a stated application.

  • Calculate loudspeaker impedance loads for series, parallel, and combined networks and determine whether a given amplifier's minimum load is respected.

  • Describe amplifier classes (A, AB, D) and damping factor, and justify a class choice for a fixed-install versus a portable scenario.

  • Explain gain structure and the purpose of a unity-gain reference point across a console-to-processor-to-amplifier chain.

Your checkpoint

A load-and-gain worksheet: three amplifier/speaker combinations with impedance math, required amplifier power, and a labeled gain-staging diagram for each.

Week 3

Audio Systems and Signal Processing

  • Explain the purpose and typical settings of EQ, compression, limiting, and delay in a fixed-install signal chain, distinguishing corrective from creative use.

  • Describe digital audio formats and transport standards (AES3, S/PDIF, Dante-relevant sample rate/clock concepts) and state the failure symptom of a clock mismatch.

  • Calculate delay time for a given distance and temperature, and explain how delay alignment is used between main and fill loudspeakers.

  • Distinguish FIR from IIR filtering in terms of latency and phase behavior, and select an appropriate type for a stated requirement.

  • Interpret a simple block diagram of a DSP signal flow and predict the output given input level and gain-block values.

Your checkpoint

A DSP signal-flow case study: one documented chain with EQ, delay, and limiter settings, plus a written justification of each setting and a predicted output level calculation.

Week 4

Video Systems and Display Technologies

  • Explain progressive versus interlaced scanning, frame rate, and resolution, and calculate the data rate of an uncompressed video stream for a stated format.

  • Compare the color models and chroma subsampling schemes (4:4:4, 4:2:2, 4:2:0) and state the bandwidth trade-off of each.

  • Describe the main display technologies (LCD, LED-backlit, OLED, projection) and their contrast, brightness, and lifetime characteristics.

  • Explain the video signal interfaces (HDMI, DisplayPort, SDI, HDBaseT) including distance limits and typical installation use.

  • Define luminance, chromaticity, and gamma, and explain why display calibration matters in an integrated room.

Your checkpoint

A video format comparison table covering at least six formats with resolution, frame rate, chroma subsampling, interface, and calculated uncompressed bitrate.

Week 5

Audiovisual Integration and Control

  • Describe the control-system layers (device, transport, controller, user interface) and map each layer to a concrete component in a room design.

  • Compare control transports and protocols (RS-232, IR, IP, relay/GPIO, CEC) and select the appropriate one for four stated device-control scenarios.

  • Explain EDID and HDCP handshaking and diagnose the symptoms of an EDID mismatch and an HDCP authentication failure.

  • Describe how audio and video are synchronized in a presentation system, including lip-sync and switching latency considerations.

  • Sequence the power-up and power-down order of an integrated AV system and justify the order to prevent thumps and equipment damage.

Your checkpoint

A control narrative document for a single room: device list, chosen control method per device, power sequencing steps, and expected behavior on source switch.

Week 6

Networking and Signal Distribution & System Design, Installation, and Commissioning

  • Explain IPv4 addressing, subnet masks, DHCP versus static addressing, and why AV devices on a control network often need static IPs.

  • Describe multicast versus unicast streaming, IGMP snooping, and the network conditions that cause audio dropouts in a Dante-style deployment.

  • Calculate cable-run limits and signal attenuation for HDMI-over-twisted-pair and SDI, and specify the extender type for a stated distance.

  • Produce a rack elevation and a cable schedule for a small system, including labeling conventions and service-loop allowances.

  • Describe commissioning steps: terminations, continuity, polarity, firmware, and documentation handover.

Your checkpoint

An installation package for a two-room system: network addressing plan, rack elevation, cable schedule, and a commissioning checklist with sign-off fields.

Week 7

Testing, Troubleshooting, and Maintenance & Safety, Standards, and Professional Practice

  • Build a fault-isolation procedure that halves the signal path at each step, and apply it to three written fault scenarios.

  • Interpret measurement results from an SPL meter, RTA, and impedance check, and state whether each result indicates a fault.

  • List the routine maintenance tasks for projectors, amplifiers, connectors, and filters, with suggested intervals.

  • Identify the electrical safety principles relevant to AV installs: grounding, bonding, RCD/GFCI protection, and load calculation.

  • Summarize the standards and code areas that govern AV work - cabling, accessibility, fire-rated penetrations, and EMC - and note where local code overrides.

  • Describe professional practice obligations: scope documentation, as-built records, warranty terms, and safe working at height.

Your checkpoint

A troubleshooting and maintenance handbook section: three worked fault scenarios with the isolation path, plus a maintenance schedule and a safety/standards reference list.

Week 8

Fundamentals of Audio and Video Engineering & Audio Systems and Signal Processing & Video Systems and Display Technologies & Audiovisual Integration and Control & Networking and Signal Distribution & System Design, Installation, and Commissioning & Testing, Troubleshooting, and Maintenance & Safety, Standards, and Professional Practice

  • Re-solve every missed question from weeks 1–7 and record the underlying concept, not just the correct answer.

  • Complete two full timed practice sets under exam conditions and score each by domain to find remaining weak areas.

  • Re-derive the ten most-used formulas from memory and check them against your week 1 sheet.

  • Write a one-paragraph explanation, in plain language, of each domain's core idea to confirm conceptual grasp.

  • Review the safety and standards list once more, since recall-heavy items are easy marks.

Your checkpoint

A scored full-length practice attempt with a per-domain error log and a one-page final review sheet limited to your five weakest concepts.

Milestones

Week 2: Score at least 80% on a 20-question decibel, level, and sampling quiz, and correctly solve three impedance-load calculations unaided.

Week 4: Produce the video format table with all bitrates calculated correctly, and explain EDID and chroma subsampling aloud without notes.

Week 6: Complete the two-room installation package with a valid addressing plan and a rack elevation that respects cooling and service access.

Week 8: Score at least 75% on a full timed practice set, with no single domain below 60%.