NCEA Level 2 Latin cheat sheet
NCEA Level 2 Latin · Keep the key ideas within reach.
Latin Language: Grammar, Syntax and Vocabulary
Nouns: five declensions identified by genitive singular ending (-ae, -ī, -is, -ūs, -eī); the genitive stem plus case ending gives every oblique form.
Cases and functions: nominative (subject, complement), genitive (possession, partitive, objective), dative (indirect object, possession with esse, agent with passive gerundive), accusative (direct object, motion towards, duration, extent), ablative (means, manner, agent with ā/ab, separation, comparison, absolute), vocative (address).
Verb principal parts: present, infinitive, perfect, supine (e.g. amō, amāre, amāvī, amātum); the perfect stem gives active perfect tenses, the supine stem gives perfect participles and the passive-perfect system.
Four conjugations: -āre, -ēre, -ere, -īre; the present infinitive ending identifies the conjugation, and -iō verbs of the third conjugation (capere) pattern like the fourth in the present.
Subjunctive uses: purpose (ut/ne + imperfect or present), result (ut/ut nōn after tam, ita, tantus), indirect command (ut/ne), indirect question (interrogative word), cum-clauses (cum + imperfect/pluperfect subjunctive = circumstances), conditionals (sī + present/imperfect subjunctive for future-less-vivid and contrary-to-fact).
Sequence of tenses: primary sequence (present, future, future perfect main verb) takes present or perfect subjunctive; historic sequence (imperfect, perfect, pluperfect main verb) takes imperfect or pluperfect subjunctive.
Participles: present active (-ns, -ntis) = simultaneous action; perfect passive (-tus, -a, -um) = prior action; future active (-tūrus) = intended action; future passive (gerundive) = obligation. Ablative absolute = noun/pronoun + participle in the ablative, grammatically independent of the main clause.
Indirect statement uses accusative + infinitive after verbs of saying, thinking, knowing, perceiving; reflexive sē refers to the subject of the introductory verb.
Common irregular verbs to recognise: esse (sum, esse, fuī), posse, ferre, īre, velle, nōlle, mālle; their forms recur in set texts and unseen translation.
Roman Literature: Genres, Authors and Conventions
Epic: Vergil's Aeneid (12 books, dactylic hexameter) fuses Homeric models with Roman foundation myth; Aeneas' pietas contrasts with Juno's furor; Ennius' Annales is the earlier Latin epic model.
Didactic epic: Lucretius' Dē Rērum Nātūrā expounds Epicurean atomism in hexameters; Vergil's Georgics adapts Hesiodic didactic to Italian agriculture and Octavianic ideology.
Elegy: Catullus, Tibullus, Propertius and Ovid write in elegiac couplets (hexameter + pentameter); the servitium amōris and militia amōris are stock motifs; Ovid's Amores, Ars Amātōria and Metamorphoses (hexameters) differ in tone and genre.
Lyric and iambic: Horace's Odes use Alcaic, Sapphic and Asclepiad metres; his Satires and Epistles are hexameter sermo; Catullus' polymetrics include hendecasyllables and Sapphics.
Oratory and rhetoric: Cicero's speeches (In Catilinam, In Verrem, Prō Milōne) follow rhetorical structure - exordium, narrātiō, argūmentātiō, perorātiō; rhetorical figures include anaphora, tricolon, praeteritio, rhetorical question.
Historiography: Sallust (Bellum Catilinae, Bellum Iugurthinum) writes with moralising prologues; Livy's Ab Urbe Conditā covers Rome from foundation; Tacitus' Annales and Histōriae use pointed brevity and innuendo.
Comedy: Plautus and Terence adapt Greek New Comedy; stock characters include the senex, adulescens amātor, servus callidus, meretrix; Plautus favours song, slapstick and Plautine compounds, Terence smoother diction.
Verse technique: dactylic hexameter = six feet of dactyls/spondees, final foot usually spondee; elegiac couplet = hexameter followed by pentameter; synizesis, elision and caesura affect scansion.
Literary devices to identify: simile, ekphrasis, apostrophe, hyperbaton, golden line, chiasmus, allusion (imitatio), and the recusatio (poet's refusal of epic themes).
Roman Language and Literature and Its Influence on Modern Languages
Romance languages (Italian, French, Spanish, Portuguese, Romanian, Catalan) descend from Vulgar Latin; the Classical written standard differs from the spoken register that produced them.
Sound change patterns: Latin -ti- before a vowel often becomes -ci-/-z- in Romance (nātiō > Italian nazione, French nation); initial consonantal changes and loss of final -m are typical.
English vocabulary: roughly half of English words are Latinate, many via Norman French; Latin roots and prefixes (portāre, dūcere, scrībere, -tio, -mentum) recur in technical and academic registers.
Latin cases survive fossilised in English pronouns (I/me, who/whom) and in expressions such as 'by means of', while Romance languages retain a two-case system only in pronouns (French il/lui, Spanish yo/mí).
Latin-derived phrases in English: et cetera, per capita, ad hoc, quid pro quo, status quo, vice versa, curriculum vitae, prima facie, de facto, post mortem.
Scientific and legal nomenclature: Linnaean binomials are Latinised (Canis lupus); legal Latin includes habeas corpus, mens rea, actus reus, stare decisis, bona fide.
Mottoes and inscriptions: e.g. 'SPQR', 'E pluribus unum', 'Veni, vidi, vici'; school and university mottoes often use Latin, showing the language's continuing prestige function.
Etymological awareness: knowing Latin roots aids decoding of English derivatives (e.g. dīcere > dictate, diction, verdict; ferre > transfer, refer, fertile).