NCEA Level 3 Cook Islands Māori study materials
NCEA Level 3 Cook Islands Māori study resources

NCEA Level 3 Cook Islands Māori cheat sheet

NCEA Level 3 Cook Islands Māori · Keep the key ideas within reach.

Quick reference

Cook Islands Māori Language and Communication

  • The Cook Islands Māori alphabet has 9 letters: a, e, i, o, u, k, m, n, ng, p, r, t, v; the digraph 'ng' is a single letter and is written with a macron over the 'g' (ŋ) in some orthographies.

  • Vowel length is phonemic: a macron (ā, ē, ī, ō, ū) marks a long vowel and changes meaning, e.g., 'pā' (wall) vs 'pa' (to slap).

  • The definite article 'te' is singular; 'ngā' is plural. 'Te' becomes 't-' before proper nouns and some pronouns (e.g., 'Tāne', 'Tēia').

  • Pronoun system distinguishes inclusive/exclusive: 'tātou' (we, including you) vs 'mātou' (we, excluding you); 'tāua' (we two, inclusive) vs 'māua' (we two, exclusive).

  • Verb phrases typically begin with a tense/aspect marker: 'ka' (future), 'kua' (perfect), 'e' (present/habitual), 'i' (past), 'te' (progressive).

  • Negation uses 'kāre' (not) for existence and 'kāre i' for past negation; 'e kore' expresses future negation.

  • Possessive classifiers 'a' and 'o' distinguish dominant (a) from subordinate (o) possession: 'taku' (my, dominant) vs 'tōku' (my, subordinate).

  • Word order is predicate-initial (VSO): the verb phrase comes before the subject, e.g., 'Kua kai te tamaiti i te ika' (The child ate the fish).

Quick reference

Cook Islands Māori Cultural Understanding and Contexts

  • The Cook Islands comprises 15 islands divided into two groups: the Southern Group (including Rarotonga, Aitutaki, Atiu, Mangaia, Mauke, Mitiaro, Manuae, Takutea) and the Northern Group (including Manihiki, Rakahanga, Penrhyn, Pukapuka, Nassau, Suwarrow, Palmerston).

  • Traditional social structure includes 'ariki' (high chief), 'mataiapo' (sub-chief), 'rangatira' (chief), and 'kiato' (commoner); the 'koutu' is the chiefly seat.

  • The 'koutu' is a sacred meeting ground; the 'marae' is a communal gathering place, and the 'pā' is a walled enclosure.

  • The 'tīvaevae' is a quilted bedcover made by women, often for weddings and funerals; it is a valued cultural treasure (tāonga).

  • The 'ei' is a garland worn around the head or neck, made of flowers, shells, or feathers; the 'ei katu' is a head garland.

  • The 'umu' is an earth oven; traditional food includes 'rukau' (taro leaves), 'kūmara' (sweet potato), 'taro', 'breadfruit', and 'ika' (fish).

  • The 'pā'ē' is a traditional drum; the 'tini' is a slit drum; the 'putātara' is a conch shell trumpet used to call people.

  • The 'kapa' is a traditional dance; the 'ūtē' is a chant; the 'peu' are customs and traditions; the 'tāmata' is a person, and 'tangata' is people.

Quick reference

Listening and Viewing Comprehension

  • Identify the tense marker in the opening of an utterance to establish time: 'kua' (past/perfect), 'i' (past), 'e' (present), 'ka' (future).

  • Listen for the inclusive/exclusive distinction in pronouns ('tātou' vs 'mātou') to determine who is included in the audience.

  • Recognise the negative markers 'kāre' (not) and 'e kore' (will not) to interpret denial or refusal.

  • Distinguish the possessive classifiers 'a' and 'o' in phrases like 'taku' vs 'tōku' to identify the relationship between possessor and possessed.

  • Note the use of 'ngā' (plural article) and 'te' (singular article) to track number in discourse.

  • Identify discourse markers such as 'ā' (and then), 'nō' (because), 'ki' (to), 'i' (in/at) to follow the logical flow of a spoken text.

  • Recognise the use of 'ē' as a vocative particle when addressing someone, and 'ē' as a negative response.

  • Listen for the distinction between short and long vowels (e.g., 'pā' vs 'pa') to avoid misinterpreting words.

Quick reference

Speaking, Writing and Presenting

  • In a formal speech (tuatua), begin with a greeting that acknowledges the audience: 'Kia orāna' and use 'Te Atua' (God) in traditional openings.

  • Structure a formal presentation with: greeting, acknowledgement of hosts and ancestors, purpose, body, and closing thanks.

  • Use the 'ei' (garland) as a visual aid when presenting on cultural topics; it symbolises welcome and respect.

  • When writing a narrative, use past tense markers 'i' and 'kua' consistently; for future plans, use 'ka'.

  • Incorporate 'peu' (customs) and 'tāmata' (people) references to show cultural understanding in presentations.

  • Use the 'kapa' (dance) or 'ūtē' (chant) as a performance element when presenting on cultural themes.

  • For persuasive writing, use 'nō' (because) to give reasons and 'ā' (and then) to sequence arguments.

  • In written correspondence, use 'Kia orāna' as a salutation and 'Meitaki' as a closing thanks.