NZ Scholarship Visual Arts study materials
NZ Scholarship Visual Arts study resources

NZ Scholarship Visual Arts study plan

NZ Scholarship Visual Arts · Give each week a clear focus.

8 weeks · About 6 hours per week

Week 1

Design

  • Audit the Design achievement standards and identify the specific evidence required for each, such as the workbook, the portfolio of drawings, and the final outcome.

  • Deconstruct three high-achieving Design exemplars into their component parts: research, ideation, development, and resolution.

  • Establish a working digital or physical workbook system with dated entries that track concept development from initial brief to final outcome.

  • Write a one-page brief for a self-directed Design project that names a real audience, a purpose, and a measurable outcome.

Your checkpoint

A dated Design workbook containing the project brief, three annotated exemplar deconstructions, and at least ten initial concept sketches.

Week 2

Design

  • Produce a suite of at least twenty thumbnail layout studies that explore typographic hierarchy, grid systems, and colour relationships.

  • Select and refine three distinct design directions, documenting the rationale for each in the workbook.

  • Test one design direction across three formats (for example poster, social asset, and packaging) to demonstrate systematic thinking.

  • Solicit and record critical feedback from a peer or mentor, then annotate how that feedback will change the work.

Your checkpoint

A refined Design workbook section containing twenty thumbnails, three developed directions, cross-format tests, and annotated feedback.

Week 3

Painting

  • Analyse the Painting standards to distinguish between the requirements for a portfolio and those for a systematic body of work.

  • Conduct a colour-mixing study that produces at least fifteen documented swatches with written notes on transparency, opacity, and temperature.

  • Complete three rapid observational paintings (under 90 minutes each) that prioritise composition and value structure over detail.

  • Write a 200-word artist model comparison that identifies specific technical decisions in two painters' works.

Your checkpoint

A Painting workbook containing a colour-mixing reference sheet, three timed observational studies, and a written comparison of two artist models.

Week 4

Painting

  • Develop one sustained painting (minimum A2) through at least three documented stages, photographing each stage and annotating the decisions made.

  • Demonstrate control of at least two distinct painting techniques or media within the sustained work.

  • Produce a critical self-evaluation that identifies one strength and one unresolved problem in the sustained painting.

  • Map a plan for a series of three related paintings that extends the sustained work's central idea.

Your checkpoint

One resolved sustained painting with a three-stage photographic record and a written self-evaluation and series plan.

Week 5

Photography

  • Review the Photography standards and list the technical and conceptual evidence required for each grade band.

  • Shoot a minimum of 150 frames across three distinct lighting conditions, then edit down to twelve selects with written justification for each.

  • Demonstrate mastery of manual exposure by producing a test strip that shows the effect of varying aperture, shutter speed, and ISO on the same subject.

  • Analyse the sequencing logic of a published photobook or gallery hang, noting how images create meaning in relation to one another.

Your checkpoint

A Photography workbook containing a technical exposure test strip, a contact sheet of 150 frames, twelve justified selects, and a written sequence analysis.

Week 6

Photography & Printmaking

  • Edit and sequence a portfolio of eight to ten photographs that communicates a clear conceptual through-line, with a written artist statement of 150 words.

  • Research three printmaking processes (for example intaglio, relief, and screenprint) and produce a comparison chart of their technical constraints and expressive possibilities.

  • Produce three small proof prints using one process, documenting ink consistency, registration, and paper choice.

  • Write a 200-word reflection connecting the sequencing decisions in the Photography portfolio to the conceptual possibilities of Printmaking.

Your checkpoint

A sequenced Photography portfolio with artist statement, plus a Printmaking comparison chart and three documented proof prints.

Week 7

Printmaking & Sculpture

  • Develop one resolved Printmaking edition of at least five consistent pulls, recording registration and ink variables for each.

  • Analyse the Sculpture standards and identify the specific evidence required for spatial, material, and conceptual understanding.

  • Produce a maquette or small-scale Sculpture study that tests one structural or material idea, with annotated photographs.

  • Compare the role of materiality in your Printmaking edition and your Sculpture maquette in a 250-word written analysis.

Your checkpoint

A resolved Printmaking edition of five pulls with process notes, plus a documented Sculpture maquette and a written materiality analysis.

Week 8

Sculpture

  • Complete one resolved Sculpture work that demonstrates intentional decision-making about scale, material, and site or viewer relationship.

  • Document the resolved Sculpture from at least four viewpoints and annotate how viewpoint changes the work's meaning.

  • Compile a final portfolio across all five domains, selecting the strongest evidence and writing a 300-word curatorial rationale.

  • Conduct a timed mock submission review against the Scholarship criteria, identifying two remaining weaknesses and a plan to address them.

Your checkpoint

A complete cross-domain portfolio with curatorial rationale and a written mock-review action plan.

Milestones

Week 2: Design workbook demonstrates a complete cycle from brief to tested directions, with at least twenty thumbnails and annotated feedback.

Week 4: One sustained Painting is resolved through three documented stages, and a written self-evaluation identifies a clear next step.

Week 6: Photography portfolio of eight to ten sequenced images is complete with artist statement, and three Printmaking proof prints are documented.

Week 8: All five domains have resolved evidence; the final portfolio includes a curatorial rationale and a mock-review action plan.