OAE Theater (048) study materials
OAE Theater (048) study resources

OAE Theater (048) flashcards

OAE Theater (048) · Build recall with a focused review session.

32 cards. Read the term and the definition here. The deck at the top of this page is optional.

Catharsis
Aristotle's term in the Poetics for the emotional purgation or clarification of pity and fear that tragedy produces in the audience through plot and suffering.
Verfremdungseffekt
Brecht's alienation effect: staging choices that keep the audience critically distant from characters so they analyze social conditions rather than identify emotionally.
Through-line of action
Stanislavski's term for the single continuous spine of objectives connecting a character's actions across the whole play toward a super-objective.
Given circumstances
Stanislavski's term for the facts of the play world, including time, place, relationships, and prior events, that an actor uses to justify behavior.
Magic If
Stanislavski's imaginative question asking what the actor would do if placed in the character's exact circumstances, used to generate truthful action.
Commedia dell'arte
Italian improvised comedy tradition using masked stock characters, lazzi comic routines, and a scenario outline rather than a fully scripted play.
Deus ex machina
A classical device in which a god is lowered by crane to resolve an impossible plot, now used to describe any contrived last-minute rescue.
Orchestra
In the Greek amphitheater, the circular dancing and acting area at the base of the theatron, from which the chorus performed.
Proscenium arch
The picture-frame opening separating stage from auditorium in a proscenium theater, hiding wing space and machinery behind the frame.
Thrust stage
A stage projecting into the audience with seating on three sides, increasing intimacy but requiring blocking that respects wide sightlines.
Arena stage
A theater configuration with the audience surrounding the acting area on all four sides, demanding movement and staging visible from every angle.
Ground plan
A scaled overhead drawing of the set showing walls, platforms, and entrances, used to plan blocking and to build the scenery.
Gobo
A metal or glass template placed in a lighting fixture to project a pattern or texture onto the stage or scenery.
Gel
A colored transparent filter placed in front of a lighting fixture to change the color of the beam on stage.
Cyclorama
A large curved white or light backdrop at the rear of the stage that receives colored light to suggest sky or abstract space.
Counterweight system
A fly system using an arbor of weights to balance a batten load so scenery can be raised and lowered safely by one operator.
Prompt book
The stage manager's authoritative binder containing blocking, cue sheets, running order, and contacts, used to call and reproduce the performance.
Stage right
The side of the stage to the actor's right when facing the audience, which appears as the audience's left.
Blocking
The planned movement and stage positions of actors, recorded in the prompt book and revised to solve sightline and composition problems.
Beat
A unit of dramatic action in which a character pursues one objective until a new tactic or obstacle begins a new beat.
Objective
The specific thing a character wants from another character in a scene, phrased as a playable action rather than an emotion.
Subtext
The unspoken meaning or tactic beneath a line of dialogue, which the actor plays while the words say something else.
Inciting incident
The event that disrupts the status quo and sets the protagonist's central desire and conflict in motion.
Freytag's pyramid
A five-part model of dramatic structure: exposition, rising action, climax, falling action, and denouement or catastrophe.
Eleven o'clock number
A showstopping musical theater song placed late in the second act that marks a character's turning point or revelation.
Jukebox musical
A musical whose score consists of previously released popular songs, with a book written or adapted to connect them.
Dramaturg
A production collaborator who researches script context, translation, and history, and advises the director on cuts and program materials.
Lazzi
Repeated comic bits or physical routines performed by commedia dell'arte actors, often improvised around a scenario's plot points.
Diaphragmatic support
Breath management using the diaphragm and lower torso to control airflow, giving stage voice power and endurance without throat strain.
Belt
A musical theater vocal quality with a speech-like, high-larynx placement and powerful chest-mix resonance, used for climactic songs.
Yes, and
The core improvisation rule of accepting a partner's offer and building on it, rather than blocking or denying the premise.
Fight director
A trained choreographer who designs and safely rehearses staged combat, ensuring distance, angle, and controlled reactions rather than contact.