AEPA Music (NT504) study materials
AEPA Music (NT504) study resources

AEPA Music (NT504) study plan

AEPA Music (NT504) · Give each week a clear focus.

8 weeks · About 7 hours per week

Week 1

Music Theory and Composition

  • Construct and notate all 15 major and 15 minor key signatures, then spell natural, harmonic, and melodic minor scales from memory without reference aids.

  • Identify, notate, and invert simple and compound intervals by sight and by ear, including enharmonic equivalents and tritone resolution tendencies.

  • Spell and label diatonic triads and seventh chords in major and harmonic minor using Roman numerals and figured bass symbols.

  • Diagnose personal gaps by completing a 40-item timed theory screener and logging every missed item by topic.

Your checkpoint

A completed 40-item theory diagnostic with every missed item hand-corrected and tagged to a specific topic in a personal error log.

Week 2

Music Theory and Composition

  • Part-write four-voice SATB progressions that obey voice-leading rules, eliminating parallel fifths, parallel octaves, and unresolved tendency tones.

  • Analyze four complete short works representing binary, ternary, rondo, and sonata forms, marking phrase boundaries, cadence types, and harmonic function.

  • Compose a 16-bar period in functional harmony, then reharmonize it using secondary dominants, modal mixture, and a chromatic mediant.

  • Transpose and adapt a given passage for B-flat, F, and E-flat instruments, verifying ranges and clef readability.

Your checkpoint

A handwritten 16-bar period plus its reharmonization, each with a full Roman numeral analysis and a written voice-leading self-check.

Week 3

Music History and Literature

  • Sequence the Medieval through Baroque eras on a timeline, pairing each with representative composers, genres, and formal structures.

  • Contrast Renaissance polyphonic texture with Baroque contrapuntal and concertato practice using specific named works and their defining devices.

  • Trace the birth and development of opera, oratorio, and cantata, naming the function and audience of each genre.

  • Identify 30 recorded excerpts by ear, classifying each by era, genre, and at least two concrete stylistic features.

Your checkpoint

A 30-entry listening log listing title, composer, approximate date, genre, and two identifying features per entry, self-quizzed to 90% accuracy.

Week 4

Music History and Literature

  • Map the evolution of symphony, concerto, and chamber music from Classical through Romantic practice, linking each to specific composers and works.

  • Distinguish major twentieth-century movements, including impressionism, neoclassicism, serialism, nationalism, and minimalism, with one representative work each.

  • Compare the stylistic traits of American vernacular traditions, including jazz, blues, gospel, and folk, and their influence on art music.

  • Explain three historical performance-practice issues, such as ornamentation, continuo realization, and tempo convention, and their effect on interpretation.

Your checkpoint

A one-page timeline plus composer-genre matrix spanning 1600 to the present, self-tested at 90% or better on composer-to-era and genre-to-era matching.

Week 5

Performance (Instrumental and Vocal)

  • Sight-read one short excerpt daily in both treble and bass clefs, recording accuracy and tempo benchmarks to track improvement.

  • Detect and correct planted pitch, rhythm, and articulation errors in ten short score excerpts within a set time limit.

  • Demonstrate and describe proper breathing, support, and registration for both wind and vocal production, citing anatomical landmarks.

  • Conduct two-, three-, and four-beat patterns with clear preparatory beats, cues, and cutoffs, captured on video for self-review.

Your checkpoint

A five-minute recorded self-assessment containing one sight-reading excerpt, one error-detection walkthrough, and three conducting patterns, scored against a self-written rubric.

Week 6

Music Education: Pedagogy and Professional Knowledge

  • Compare behaviorist, constructivist, and social-learning approaches and apply each to a concrete rehearsal or general-music scenario.

  • Design a six-week instructional unit that states standards, measurable objectives, sequenced activities, and aligned assessments.

  • Write assessment items at recall, application, and analysis levels for a single topic, each paired with a scoring rubric.

  • Outline responses to three classroom-management, inclusion, or ethics scenarios using established professional standards.

Your checkpoint

A complete six-week unit plan with objectives, two assessments, one analytic rubric, and three documented differentiation strategies.

Week 7

Music Theory and Composition & Music History and Literature

  • Retake a timed diagnostic in each of the four domains and rank the top three remaining gaps by error frequency.

  • Rebuild the error log into a 100-item spaced-review deck, prioritizing missed analysis, history, and pedagogy items.

  • Practice constructed-response and scenario items under timed conditions, then revise each answer against a scoring guide.

  • Teach two difficult concepts aloud from memory, such as secondary dominant chains and sonata-form tonal motion, to confirm retrieval.

Your checkpoint

A consolidated 100-item error bank with a verified 90% mastery score on a self-administered quiz.

Week 8

Music Theory and Composition & Music History and Literature & Performance (Instrumental and Vocal) & Music Education: Pedagogy and Professional Knowledge

  • Complete two full-length timed practice tests under realistic testing conditions, including breaks and no reference materials.

  • Analyze every missed item by root cause, distinguishing content gaps from misreading and pacing errors.

  • Re-drill only the highest-frequency weak objectives identified in week seven and confirmed by the practice tests.

  • Finalize a test-day plan covering timing checkpoints, materials, and a strategy for flagging and returning to hard items.

Your checkpoint

Two completed full-length practice tests with a written score report and a one-page test-day checklist.

Milestones

Week 2: Complete the 16-bar composition and reharmonization with zero unresolved parallel fifths or octaves in a self-review, and label every chord correctly.

Week 4: Score 80% or higher overall on a 60-question mixed Domains 1 and 2 practice set, with no lower than 70% in either domain separately.

Week 6: Submit the six-week unit plan and pass a self-check that every objective is measurable and every assessment item maps to a stated objective.

Week 8: Score 80% or higher on both full-length practice tests and show a declining error count on the same error-bank items across weeks seven and eight.