SHB Specialist Makeup Services study materials
SHB Specialist Makeup Services study resources

SHB Specialist Makeup Services: Special Effects and Character Makeup

SHB Specialist Makeup Services · Work through your exam, one topic at a time.

All guide sections

Special Effects and Character Makeup

Character design fundamentals

Character makeup starts with the story: age, species, era, health, occupation, and emotional state. Research references and sketch the design before touching the face. Decide what the character needs the audience to see at a distance and in close-up. Aging makeup uses highlight and shadow to suggest volume loss, with stippled texture for pores and fine lines drawn along natural expression lines rather than random strokes.

Materials and techniques

Know the families of products: cream and alcohol-activated color, greasepaint, airbrush, silicone and gelatin appliances, and adhesives. Understand that prosthetic application requires skin preparation, correct adhesive, and safe removal with the appropriate solvent. Bruising, burns, and wounds are built in layers: base color, then depth, then surface texture, then blood products. Know that fake blood stains and should be tested on fabric. Bald caps require careful blending at the hairline and safe removal.

Safety and ethics

Special effects carry higher risk: adhesives can cause reactions, solvents can irritate eyes, and appliances can trap moisture. Patch test where possible, keep the face away from the eyes when using solvents, ventilate the workspace, and never use household or hardware materials on skin. Have a removal plan and a comfort check during long applications.

Traps

Questions often reward layered, thin application and penalize heavy single-pass color. Another trap is using a solvent near the eyes or leaving adhesive to cure on the skin without a removal plan. Watch for answers that use non-cosmetic materials for speed.

Rule of thumb

Build effects in thin layers from base to surface, and always know how you will remove it before you apply it. If you cannot remove it safely, do not put it on the skin.

Worked example

A stage bruise for a character seen from the audience. Plan: yellow-green base at the edges, purple-red in the center, a thin darker core for depth, stippled texture, and a setting step; test on the actor's skin first and confirm removal products are on set.