CLEP Spanish with Writing flashcards
CLEP Spanish with Writing · Build recall with a focused review session.
32 cards. Read the term and the definition here. The deck at the top of this page is optional.
- Yo también
- Rejoinder used to agree with an affirmative statement: if someone says Me gusta el cine, reply Yo también (me too). Never use it after a negative statement.
- Yo tampoco
- Rejoinder meaning me neither. It agrees with a negative statement: No tengo tiempo → Yo tampoco. Do not use it after an affirmative statement.
- Lo siento mucho
- Sympathy formula for bad news such as illness or loss. Equivalent to I am very sorry. It is not used to congratulate someone on an achievement.
- De nada / No hay de qué
- Standard replies to Gracias, meaning you're welcome. Both are neutral register; No hay de qué is slightly more formal and common in Spain.
- Me encantaría
- Polite acceptance of an invitation, meaning I would love to. It is followed by an infinitive: Me encantaría ir contigo. Contrast with Lo siento, no puedo for declining.
- Qué lástima
- Rejoinder expressing sympathy or regret about unfortunate news, meaning what a shame. It fits bad news, not good news or congratulations.
- Felicidades / Enhorabuena
- Congratulation formulas used for achievements such as graduations, promotions, or weddings. Enhorabuena is especially common in Spain; Felicidades also serves for birthdays.
- Disculpe vs. perdón
- Disculpe (usted) or disculpa (tú) politely gets attention or apologizes for a minor interruption; perdón is a lighter sorry, often after bumping someone or asking to repeat.
- Tú vs. usted register
- Informal tú is used with friends, peers, and family; formal usted with strangers, elders, and authority figures. The response must match the prompt's register and verb form.
- Narrative sequencing markers
- Primero, entonces, después, luego, al final, and de repente order events in a story. Questions often ask what happened first or last, so anchor the sequence.
- Cause and effect markers
- Porque, ya que, así que, por eso, and por lo tanto signal reasons and results. Listening questions frequently ask why a speaker acted, answered by the porque clause.
- Time expressions in dialogues
- Hace dos años, el próximo mes, a la una y media, and dentro de poco locate events. Answers often require converting a relative expression into a clock time or date.
- Tone cues in speech
- Qué fastidio signals annoyance, qué alivio relief, no me digas surprise or disbelief, and vaya enthusiasm or irony. Tone questions are answered from these expressions, not content alone.
- Negation traps in listening
- Nadie, nunca, tampoco, and ni...ni reverse the meaning of a statement. An option that sounds positive is wrong when the audio is negative.
- Correction pattern in audio
- Speakers often revise themselves: No, mejor a las tres or Perdón, son doscientos. The final corrected value, not the first one mentioned, is the answer.
- Speech act identification
- Before answering, decide whether the second speaker accepts, refuses, suggests, complains, or asks for clarification. The question usually targets that act directly.
- Main idea question strategy
- The correct tema principal option covers the entire passage. Options naming only one detail, one paragraph, or one example are distractors even if factually accurate.
- False cognates to watch
- Actual means current, largo means long, realizar means to carry out, and embarazada means pregnant. Substituting the English look-alike meaning produces wrong vocabulary answers.
- Contrast markers in reading
- Sin embargo, no obstante, en cambio, and pero introduce the author's real point or a reversal. The main idea often follows the contrast, not the opening statement.
- Inference question rule
- A valid inference must be supported by the text. An option that is true in the real world but neither stated nor implied by the passage is incorrect.
- Pronoun antecedent tracking
- Lo, la, le, su, and éste refer back to earlier nouns, sometimes across sentences. Identify the antecedent before choosing an answer about who did what.
- Preterite vs. imperfect cues
- Ayer, en 1990, and de repente signal preterite completed events; siempre, cuando era niño, and mientras signal imperfect background, habits, or ongoing states.
- Text type and purpose
- Advertisements persuade, recipes instruct with imperatives or impersonal se, news reports narrate in third person, and letters address a reader directly. Purpose questions follow text type.
- Vocabulary in context method
- Substitute each option into the original sentence and check whether the sentence still makes sense. Only one option preserves both grammar and meaning.
- Informal message conventions
- Open with Hola or ¿Qué tal? and close with Un abrazo, Besos, or Hasta pronto. Use tú forms throughout; formal formulas like Atentamente belong in formal writing.
- Formal letter conventions
- Open with Estimado(a) señor(a): and close with Atentamente or Un saludo cordial. Use usted forms and avoid contractions and slang throughout the message.
- Ser vs. estar
- Ser marks identity, origin, profession, and inherent traits: Soy profesor, Es de México. Estar marks location, temporary states, and progressives: Está cansado, Está lloviendo.
- Subjunctive triggers
- Quiero que, es necesario que, para que, ojalá, and future cuando with a different subject require the subjunctive: Quiero que vengas. Same-subject sentences take the infinitive.
- Essay connectors
- Además, sin embargo, por lo tanto, aunque, ya que, en primer lugar, and por último build complex sentences and raise the grammar and vocabulary score on the writing task.
- Answer every prompt bullet
- Each writing prompt lists required content points. Omitting one costs task-completion points regardless of grammar quality, so address every bullet explicitly.
- Accent-distinguishing pairs
- él/el, tú/tu, sí/si, más/mas, qué/que, está/esta, and año/ano differ only by an accent. Missing accents lowers the mechanics score on written responses.
- Narrative tense pairing
- In written narration, use the imperfect for setting, weather, and habits, and the preterite for the completed events that move the story forward.