Pancyprian TS Graphic Arts III Π.Κ. study materials
Pancyprian TS Graphic Arts III Π.Κ. study resources

Pancyprian TS Graphic Arts III Π.Κ. study plan

Pancyprian TS Graphic Arts III Π.Κ. · Give each week a clear focus.

8 weeks · About 6 hours per week

Week 1

Prepress and digital file preparation (image capture, colour management, imposition, PDF output)

  • Map the prepress workflow from image capture to imposed PDF output, describing what each stage produces and what it hands to the next stage

  • Convert between resolution, physical size and pixel dimensions for scanned originals and placed images, and calculate the effective resolution of a scaled image

  • Explain the difference between RGB and CMYK working spaces and justify which space to assign at capture, at retouch and at output

  • Build a preflight checklist covering bleed, trim, safe area, image resolution, fonts, overprint and spot colours, and apply it to a supplied job description

Your checkpoint

A one-page preflight checklist plus a worked calculation sheet showing effective resolution for three scaled images

Week 2

Prepress and digital file preparation (image capture, colour management, imposition, PDF output)

  • Construct an imposition layout for a 16-page signature, stating page positions, creep allowance and gripper margin

  • Describe the purpose and correct settings of PDF/X output intent, trim and bleed boxes, and output condition identifier

  • Diagnose five common prepress failure modes (missing bleed, low-resolution image, unembedded font, wrong colour space, unflattened transparency) and state the corrective action for each

  • Explain how trapping and overprint settings prevent misregistration gaps on a two-colour job

Your checkpoint

A hand-drawn or digital 16-page imposition diagram with page numbering, creep and gripper margin annotated, plus a five-row fault-diagnosis table

Week 3

Printing processes and press operation (offset, digital, screen, flexography; make-ready and quality control)

  • Compare offset lithography, digital toner, screen printing and flexography on plate or screen type, ink transfer mechanism, typical run length and substrate suitability

  • Sequence an offset make-ready from plate mounting through inking, registration, ink-water balance and colour approval, naming the check performed at each step

  • Explain the offset dampening system and how ink-water balance affects scumming, emulsification and dot gain

  • Identify the main press controls that affect print quality (ink keys, dampening, cylinder pressure, registration, drying) and state the symptom of each being out of adjustment

Your checkpoint

A comparison table of the four printing processes with at least six criteria, plus a numbered offset make-ready procedure with a check at every step

Week 4

Printing processes and press operation (offset, digital, screen, flexography; make-ready and quality control) & Colour theory and colour reproduction (colour models, measurement, proofing, colour deviation control)

  • Explain how a densitometer and a spectrophotometer differ in what they measure and when each is used on press

  • Interpret solid ink density, dot gain, trap and print contrast readings to decide whether a press sheet is acceptable

  • Describe how a proof is validated against the printed sheet and what constitutes an acceptable colour deviation

  • Explain colour models (RGB, CMYK, CIELAB), the reason for metamerism, and how illuminant choice affects visual colour matching

Your checkpoint

A press-sheet evaluation report scoring a described set of density and dot-gain readings against tolerances, with an accept or reject decision and reasons

Week 5

Materials and consumables (paper and substrates, inks, toners, plates, blankets, adhesives)

  • Classify paper and board by grade, grammage, bulk and finish, and match the correct grade to four described jobs

  • Explain how grain direction, moisture content and dimensional stability affect registration, folding and curl

  • Distinguish the composition and behaviour of offset, UV, solvent-based screen and flexographic inks, and state the drying mechanism of each

  • Describe plate, blanket and adhesive selection criteria and the failure symptoms of a worn blanket or a wrongly tensioned plate

Your checkpoint

A substrate and consumable selection sheet matching four job briefs to paper grade, ink type, plate or screen and adhesive, with a one-line justification for each choice

Week 6

Finishing and post-press (cutting, folding, binding, laminating, die-cutting, packaging)

  • Calculate cutting layout and sheet yield for a job, including gripper allowance and trim waste

  • Describe the folding sequence and state how fold direction, scoring and grain direction interact to prevent cracking

  • Compare saddle-stitch, perfect binding and case binding on page capacity, spine behaviour and typical application

  • Explain the die-cutting process from die design through make-ready, stripping and waste removal, and the role of laminating before or after printing

Your checkpoint

A finishing specification for a 32-page saddle-stitched booklet covering cutting plan with yield figures, fold sequence, binding method and cover lamination

Week 7

Health, safety and environmental protection in the print workshop (machinery guarding, chemicals, waste management) & Workshop organisation, production planning and cost estimation

  • Identify the guarding requirements for the main workshop hazards: rotating cylinders, cutting blades, folding rollers and die-cutting platens, and state the purpose of an interlock

  • Classify the chemicals used in plate making, blanket washing and screen reclaiming, and describe safe storage, labelling and disposal for each class

  • Outline a waste-segregation scheme for paper, plates, ink residues, solvent and cleaning rags, and state which streams are hazardous

  • Estimate the cost of a short-run job by breaking it into substrate, ink, plates, make-ready time, run time and finishing, then apply a markup

Your checkpoint

A workshop risk and waste assessment covering at least eight hazards with controls, plus a cost estimate for one described job showing each cost line

Week 8

Professional practice, quality assurance and technical documentation & Colour theory and colour reproduction (colour models, measurement, proofing, colour deviation control)

  • Assemble a quality assurance plan naming the inspection point, the measured parameter, the tolerance and the record kept at each stage of production

  • Write the technical documentation set for a job: job ticket, proof approval record, press sheet sign-off and delivery note

  • Review the whole syllabus, listing every domain and rating personal confidence, then target the two weakest areas with focused revision

  • Complete a timed mixed-domain practice set and analyse every error by root cause rather than by topic

Your checkpoint

A complete QA plan and job documentation pack for one job, plus an error log from the timed practice set with a corrective action for each mistake

Milestones

Week 2: Can produce a correct 16-page imposition and pass a self-written preflight checklist against an unfamiliar job description without referring to notes

Week 4: Can explain the offset make-ready sequence from memory and correctly accept or reject a press sheet from density and dot-gain readings against stated tolerances

Week 6: Can calculate sheet yield for a cutting layout and justify a full finishing specification, including binding and lamination, for a described booklet

Week 8: Scores at least 75 percent on the timed mixed-domain practice set and has a written corrective action for every error, with no domain left unrated