PAU Technical Drawing Applied to Plastic Arts (Cantabria) study materials
PAU Technical Drawing Applied to Plastic Arts (Cantabria) study resources

PAU Technical Drawing Applied to Plastic Arts (Cantabria) study plan

PAU Technical Drawing Applied to Plastic Arts (Cantabria) · Give each week a clear focus.

8 weeks · About 6 hours per week

Week 1

Geometric construction and plane geometry applied to artistic and design projects & Normalization, dimensioning, scales and technical drawing conventions for artistic and design production

  • Construct perpendiculars, parallels, bisectors and angle transfers using only compass and straightedge, and verify each construction on a second sheet without erasing auxiliary lines

  • Divide a segment into n equal parts and draw proportional segments by Thales' theorem, applying both to a 3:5 ratio layout

  • Build a scale ladder for 1:2, 1:5, 1:20 and 1:50 and use it to measure a real object (a book, a chair) drawn at three different scales

  • Draft a clean A3 plate with title block, margin, lettering and line hierarchy (thick outline, thin auxiliary, dashed hidden) following standard conventions

Your checkpoint

A3 plate 'Fundamentals': six labelled constructions, one Thales division, and three scaled drawings of the same object with a legible title block

Week 2

Geometric construction and plane geometry applied to artistic and design projects & Graphic analysis of form, proportion, composition and visual perception in plastic arts and design

  • Construct regular polygons (triangle, square, pentagon, hexagon, octagon) inscribed in a given circle and one given the side length, and compare both methods on the same plate

  • Draw tangent lines and arcs between circles and lines, and apply them to a simple ornamental rosette or logo mark

  • Analyse three reference works or designs and annotate the underlying proportional scheme (golden ratio, root rectangles, thirds) directly over photocopies or traced outlines

  • Compose a balanced layout on a 20x30 cm field using only geometric elements, and justify the placement of each element in a short written note

Your checkpoint

One A3 plate with five inscribed polygons plus a geometric composition accompanied by a 150-word written justification of its proportional logic

Week 3

Descriptive geometry: orthographic projection, multiview representation and spatial vision & Geometric construction and plane geometry applied to artistic and design projects

  • Set up a standard first-angle and third-angle layout and project a simple solid (prism, pyramid, cylinder) into front, top and side views with correct alignment and hidden lines

  • Solve ten point-line-plane problems: true length of a segment, true shape of a plane, intersection of a line with a plane, using change-of-plane or rotation methods

  • Determine the intersection curve between a cone and an inclined plane and identify the resulting conic section

  • Sketch freehand, without instruments, the three views of five everyday objects from direct observation

Your checkpoint

Portfolio of 10 solved descriptive-geometry exercises plus 5 freehand multiview sketches, each checked against a self-made correctness checklist

Week 4

Descriptive geometry: orthographic projection, multiview representation and spatial vision & Axonometric and perspective representation (isometric, dimetric, cavalier, conical perspective) applied to volume and space

  • Construct isometric, dimetric and cavalier axonometric projections of the same object and compare how each distorts the perceived proportions

  • Derive the axonometric axes and reduction coefficients for isometric projection from first principles and verify them numerically

  • Draw the axonometric view of an object with inclined faces and circular features using the ellipse construction for isometric circles

  • Convert a given three-view drawing into an axonometric view, and reverse the process for a second object

Your checkpoint

Comparison sheet: one object drawn in isometric, dimetric and cavalier, plus a front-top-side set derived from a supplied axonometric, all on a single A3 plate

Week 5

Axonometric and perspective representation (isometric, dimetric, cavalier, conical perspective) applied to volume and space & Graphic analysis of form, proportion, composition and visual perception in plastic arts and design

  • Build a one-point interior perspective of a room from plan and elevation, correctly locating the station point, horizon line and measuring points

  • Construct a two-point perspective of a building corner or furniture piece using measuring points, and place at least three objects at different depths

  • Apply atmospheric and overlap cues to a perspective sketch to strengthen depth reading, and annotate the cues used

  • Critique three published illustrations or paintings for their use of perspective and composition, identifying vanishing points and compositional axes

Your checkpoint

A3 perspective plate containing one one-point interior and one two-point exterior, both with construction lines retained, plus a 200-word comparative critique

Week 6

Normalization, dimensioning, scales and technical drawing conventions for artistic and design production & Application of technical drawing to the design and communication of artistic objects, spaces and products

  • Dimension a mechanical and an artistic object applying ISO conventions: extension lines, arrowheads, tolerances, radii, diameters and avoidance of redundant dimensions

  • Produce a complete technical sheet for a designed object: views, sections where needed, dimensioning, scale note, materials note and title block

  • Select and justify an appropriate scale for three different presentation contexts (product catalogue, gallery plan, construction detail)

  • Redraw a poor technical sheet, correcting at least eight convention or dimensioning errors and listing each correction

Your checkpoint

A complete A2 technical sheet of an original small object (lamp, stool or vessel) with full dimensioning, plus an error-correction list of the redrawn sheet

Week 7

Application of technical drawing to the design and communication of artistic objects, spaces and products & Graphic analysis of form, proportion, composition and visual perception in plastic arts and design

  • Develop a design concept from thumbnail sketches to a final presentable drawing, documenting the decision points at each stage

  • Produce a presentation board combining orthographic views, a perspective and an axonometric of the same design, with consistent line weights and typography

  • Analyse the visual weight, rhythm and hierarchy of your own board and revise it at least once based on that analysis

  • Write a concise design statement explaining form, proportion and functional decisions in technical vocabulary

Your checkpoint

Presentation board (A2 or digital equivalent) for an original design, including three representation types, a process sketch strip and a 250-word design statement

Week 8

Geometric construction and plane geometry applied to artistic and design projects & Descriptive geometry: orthographic projection, multiview representation and spatial vision & Axonometric and perspective representation (isometric, dimetric, cavalier, conical perspective) applied to volume and space & Normalization, dimensioning, scales and technical drawing conventions for artistic and design production & Graphic analysis of form, proportion, composition and visual perception in plastic arts and design & Application of technical drawing to the design and communication of artistic objects, spaces and products

  • Complete two full timed mock exams under exam conditions (construction, multiview, axonometric, perspective, dimensioning) and score them against a rubric you build from the syllabus

  • Compile a one-page error log of recurring mistakes and redo every exercise type in which you lost marks

  • Rehearse a 10-minute oral or written defence of one project, explaining the geometric and compositional reasoning behind each decision

  • Assemble a final portfolio ordered by domain with a cover index and consistent labelling

Your checkpoint

Final portfolio of all eight weeks' plates with scored mock exams, error log and index page

Milestones

Week 2: Can complete any inscribed-polygon construction and a Thales division without reference, and can name the proportional scheme behind a given artwork in under five minutes

Week 4: Can move fluently between a physical object, its three orthographic views and an axonometric view, scoring at least 80% on a self-marked 10-item conversion test

Week 6: Can produce a fully dimensioned, conventionally correct technical sheet in 90 minutes with no more than two convention errors

Week 8: Scores at least 70% on both timed mock exams and has a complete, indexed portfolio covering all six domains