Balearic PAU Music & Dance study materials
Balearic PAU Music & Dance study resources

Balearic PAU Music & Dance: Traditional, popular and urban music and dance: Balearic, Spanish and global repertoires

Balearic PAU Music & Dance · Work through your exam, one topic at a time.

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Traditional, popular and urban music and dance: Balearic, Spanish and global repertoires

This domain tests repertoire knowledge across three layers - Balearic, Spanish and global popular/urban - and the ability to link a genre to its instruments, rhythm and social function.

Balearic

  • Cant redoblat and glosa: improvised or semi-improvised sung verses, especially in Mallorca, with glosadors exchanging verses at fairs.
  • Instruments: xeremies (bagpipe), flabiol i tamborí, guitarra de canya, castanyoles, plus bandúrria and guitarró in ensembles.
  • Dance: ball de bot tunes (copeo, mateixa, fandango, bolero) with a couple dancing; Eivissa's ball pagès with castanyoles.

Spanish

  • Flamenco palos: soleares and seguiriyas (12-beat compás, accents on 12, 3, 6, 8, 10), bulerías (fast, heavily syncopated), tangos and fandangos (4-beat).
  • Sardana: circle dance for the cobla - tible, tenora, flabiol i tamborí, fiscorn, double bass; no castanets.
  • Others: jota, muiñeira, txalaparta and alboka (Basque), gaita (Galicia), copla and zarzuela in popular/lyric song.

Global popular and urban

  • Blues to rock: 12-bar blues form, blue notes, call-and-response, backbeat, amplification.
  • Caribbean/Latin: clave 3-2 or 2-3 in salsa, cumbia's off-beat guacharaca, tango's marcato in 2/4, samba and bossa nova.
  • Reggae: one-drop and skank; EDM/house/techno: four-on-the-floor, c. 120–130 bpm; hip-hop: MCing, DJing, breaking, graffiti; reguetón: dembow rhythm.

Worked example

A percussion and guitar pattern cycles every 12 beats with accents on 12, 3, 6, 8 and 10; a cantaor sings above palmas. The 12-beat cycle with that accent pattern and hemiola between 3 and 2 is the flamenco compás of the soleá family; adding speed and dense syncopation points to bulerías. It is not salsa: salsa cycles on a two-bar clave, not a 12-beat compás.

Traps that cost marks

  • Attributing castanets to the sardana (they belong to escuela bolera and ball pagès).
  • Treating "popular" as synonymous with commercial; the exam uses it for music of the people.
  • Confusing the flamenco 12-beat compás with the salsa clave.
  • Assuming all Balearic traditional song is improvised - the glosa is; other repertoires are transmitted fixed.