Balearic PAU Music & Dance study materials
Balearic PAU Music & Dance study resources

Balearic PAU Music & Dance study plan

Balearic PAU Music & Dance · Give each week a clear focus.

8 weeks · About 7 hours per week

Week 1

Music and dance in the Western tradition: historical periods, styles, genres and representative works & Musical and choreographic language: rhythm, melody, harmony, texture, form, tempo and dynamics

  • Build a dated timeline of Western art music from medieval to contemporary, placing each period's defining genres and three representative works with composer and approximate date

  • Match each historical period to its characteristic harmonic and textural traits (e.g. modal vs tonal language, monophony, polyphony, homophony, basso continuo) and justify each match in one sentence

  • Define and correctly use core language terms for rhythm, melody, harmony, texture and form in written descriptions of three chosen works

  • Identify, by ear alone, the period of five short excerpts using instrumentation, texture and harmonic language as evidence

Your checkpoint

A one-page annotated timeline plus a 300-word comparative commentary on two works from different periods, using at least ten technical terms correctly

Week 2

Music and dance in the Western tradition: historical periods, styles, genres and representative works & Score reading, analysis and identification of musical elements from notation or recorded excerpts

  • Analyse the formal structure (binary, ternary, rondo, sonata, theme and variations, strophic, through-composed) of four scores and mark section boundaries directly on the notation

  • Locate and label cadences, modulations, sequences and motivic development in two tonal scores without external commentary

  • Read short notated excerpts in treble and bass clef aloud, naming intervals, chords and key signatures accurately

  • Link each analysed score to its historical period and explain which stylistic markers confirm the attribution

Your checkpoint

Two fully annotated short scores (form map, cadence labels, key scheme) plus a 250-word written analysis of one of them

Week 3

Dance history, styles, genres and key works in the Western and Spanish/Balearic traditions & Music and dance in the Western tradition: historical periods, styles, genres and representative works

  • Chart the development of Western theatrical and social dance from Renaissance court dance through Romantic ballet to twentieth-century modern dance, naming key works, choreographers and composers

  • Describe the Spanish and Balearic dance traditions (e.g. bolero school, flamenco forms, regional Balearic dances such as the copeo or fandango-derived types) with their characteristic metre, instrumentation and social context

  • Compare one ballet score with its choreographic realisation, explaining how musical tempo, dynamics and phrasing shape the movement

  • Distinguish the technical vocabulary of dance (en dehors, port de bras, batterie, zapateado, compás) and apply it accurately in description

Your checkpoint

A comparative table of eight dance works (title, choreographer, composer, date, style, musical traits) plus a 300-word case study of one Spanish or Balearic dance

Week 4

Musical and choreographic language: rhythm, melody, harmony, texture, form, tempo and dynamics & Score reading, analysis and identification of musical elements from notation or recorded excerpts

  • Transcribe by ear the metre, tempo marking and rhythmic cell of four recorded excerpts and notate the rhythm accurately

  • Identify chord progressions and cadence types from both notation and listening, distinguishing perfect, imperfect, plagal, interrupted and Phrygian cadences

  • Describe texture changes across a full work, tracking how density and voicing evolve from section to section

  • Explain how tempo and dynamic markings in a score relate to the performed result, using two recorded performances of the same passage

Your checkpoint

A listening-and-notation workbook of four excerpts with correct metre, rhythm transcription, cadence identification and a short texture map for each

Week 5

Traditional, popular and urban music and dance: Balearic, Spanish and global repertoires & Music and dance in contemporary society: media, technology, cultural industries and audience

  • Classify Balearic traditional repertoires by function (work, religious, festive, dance) and by instrumentation, naming representative genres and their usual performance contexts

  • Trace the connections between Spanish popular and traditional music (flamenco, jota, sardana, copla) and their regional and global circulation

  • Analyse how recording, broadcasting, streaming and social media have reshaped the production, distribution and reception of music and dance

  • Evaluate the economics and ethics of the cultural industries: copyright, live versus recorded markets, and the role of festivals and public institutions in the Balearic Islands

Your checkpoint

A 400-word essay on how a specific traditional or popular repertoire has been transformed by media and the cultural industries, with concrete examples

Week 6

Performance practice, interpretation and improvisation (vocal, instrumental or movement) & Musical and choreographic language: rhythm, melody, harmony, texture, form, tempo and dynamics

  • Prepare and perform one short piece or movement phrase, applying period-appropriate or style-appropriate decisions about tempo, articulation, ornamentation and dynamics

  • Improvise over a given harmonic or rhythmic framework, demonstrating awareness of phrase structure and cadence points

  • Compare two interpretations of the same work and justify which choices are historically or stylistically defensible

  • Document your own rehearsal process, identifying three technical problems and the specific practice strategy used to solve each

Your checkpoint

A recorded performance or improvisation of two to three minutes with a written self-assessment of 250 words explaining the interpretive decisions made

Week 7

Aural skills, listening analysis and identification of works, instruments and choreographic features & Score reading, analysis and identification of musical elements from notation or recorded excerpts

  • Identify instruments by timbre, family and historical period from audio alone, including orchestral, traditional Spanish and Balearic instruments

  • Recognise and name the genre, period and likely composer of ten unseen excerpts, justifying each answer with two audible features

  • Detect choreographic features from video or audio description: formation, spatial pattern, group versus solo structure, and characteristic steps

  • Self-test under timed conditions and log every error with the reason for the misidentification

Your checkpoint

A timed mock listening test of ten excerpts with written justifications and a corrected error log

Week 8

Music and dance in the Western tradition: historical periods, styles, genres and representative works & Dance history, styles, genres and key works in the Western and Spanish/Balearic traditions

  • Consolidate the full historical timeline by reproducing it from memory with periods, genres and representative works in correct order

  • Cross-link music and dance history, matching each major period to its dominant dance forms and performance contexts

  • Complete two full timed practice papers under exam conditions and score them against the official weighting of the eight domains

  • Target the three weakest areas identified in the mock results with focused revision and re-testing

Your checkpoint

Two completed timed practice papers with scores, a corrected error list, and a one-page final revision sheet covering the highest-risk facts

Milestones

Week 2: Can produce a correct period-by-period timeline from memory and annotate an unseen short score with form, cadences and key scheme without help

Week 4: Correctly transcribes metre and rhythm and identifies cadence types in at least three of four unseen excerpts

Week 6: Performs or improvises a complete short piece with documented, defensible interpretive choices and a written self-assessment

Week 8: Scores at or above the target pass mark on two timed practice papers, with no domain left unrevised