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BSEB Matric Persian (Optional) study materials
BSEB Matric Persian (Optional) study resources

BSEB Matric Persian (Optional) practice questions

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Question 1Prescribed prose text - comprehension, theme, and character/idea analysis

BSEB Matric Persian ke nasr (prose) matn mein kisi shakhsiyat ka kirdar-o-mizaj parkhne ke liye sabse mazboot buniyad kya hoti hai?

  1. Kisi ek lafz ka wazan
  2. Shakhsiyat ke amal aur guftar se nikalti hui sabaq Correct answer.
  3. Sabaq ke aakhir mein diya gaya mashq ka number
  4. Matn ke safha number ki tarteeb

Explanation

Kirdar ka mizaj hamesha uske amal, guftar aur un se nikalti hui sabaq se samjha jata hai, kyunki yehi matn ka asal maqsad hota hai. Safha number, lafz ka wazan ya mashq ka number matn ke maani se koi taluq nahi rakhte, is liye wo kirdar ki parkh ke liye buniyad nahi ban sakte.

Question 2Prescribed prose text - comprehension, theme, and character/idea analysis

Nasr ke sabaq ka markazi khayal (central idea) dhoondhne ka sabse qabil-e-etbaar tareeqa kya hai?

  1. Sabaq ke un jumlon par ghaur karna jin mein musannif apna maqsad wazeh karta hai Correct answer.
  2. Sirf unwan ko parh kar natija nikalna
  3. Sab se lamba jumla yaad karna
  4. Sabaq ke sabse mushkil lafz chunna

Explanation

Markazi khayal matn ke andar chhupe un jumlon se ubharta hai jin mein musannif apna maqsad saaf karta hai, kyunki poora sabaq usi khayal ke gird ghoomta hai. Sirf unwan ya mushkil lafz pakad lena satahi (superficial) rehta hai aur poore matn ka paigham nahi deta.

Question 3Prescribed prose text - comprehension, theme, and character/idea analysis

Kisi nasri sabaq mein 'mussanif ka maqsad' (author's purpose) maloom karne ke liye qari ko sabse pehle kis cheez par ghaur karna chahiye?

  1. Kitab ke sarkafi (title page) par likhe nashir ke naam par
  2. Sabaq ke andar aane wale kisi ek naam ki miqdar par
  3. Sabaq ke aakhir mein diye gaye nateeje aur hidayat par Correct answer.
  4. Sabaq ke pehle safhe ki syahi ke rang par

Explanation

Musannif apna maqsad aksar sabaq ke aakhir mein nateeje aur hidayat ki soorat mein wazeh karta hai, is liye wahan ghaur karna sabse seedha tareeqa hai. Syahi ka rang, nashir ka naam ya naam ki miqdar matn ke paigham se be-taluq cheezen hain aur maqsad tak nahi pohanchati.

Question 4Prescribed prose text - comprehension, theme, and character/idea analysis

Nasr ke sabaq mein kisi waqia (incident) ka sabaq se taluq samajhne ke liye qari ko kya karna chahiye?

  1. Waqia ke har jumle ko alag alag ratt lena
  2. Waqia ko sabaq se alag kar ke sirf uski tareekh yaad karna
  3. Waqia ke lafzon ki ginti karna
  4. Waqia ke asbaab aur nateeje ko sabaq ke markazi khayal se jodna Correct answer.

Explanation

Waqia tabhi maani rakhta hai jab uske asbaab aur nateeje ko sabaq ke markazi khayal se joda jaye, kyunki musannif waqia ko misal ke taur par pesh karta hai. Sirf ratt lena ya lafzon ki ginti karna waqia ke maqsad tak nahi pohanchata.

Question 5Prescribed prose text - comprehension, theme, and character/idea analysis

Kisi shakhsiyat ke kirdar ka jayza lene mein 'guftar' (dialogue) ka kya kirdar hai?

  1. Guftar se uski soch, niyat aur kirdar ke parde khulte hain Correct answer.
  2. Guftar sirf unwan mein aati hai
  3. Guftar sirf sabaq ko lamba karne ke liye hoti hai
  4. Guftar ka kirdar ke mizaj se koi taluq nahi hota

Explanation

Guftar ke zariye shakhsiyat ki soch aur niyat samne aati hai, is liye ye kirdar-o-mizaj ki parkh ka ahem zariya hai. Guftar ko sirf lambai ya be-taluq samajhna matn ke maqsad ko nazarandaz karna hai.

Question 6Prescribed prose text - comprehension, theme, and character/idea analysis

Nasri sabaq ke 'unwan' (title) aur 'markazi khayal' ke darmiyan sahi taluq kya hai?

  1. Unwan aur markazi khayal ka koi taluq nahi hota
  2. Markazi khayal unwan se hamesha mukhtalif aur be-taluq hota hai
  3. Unwan markazi khayal ki taraf ishara karta hai, magar uski jagah nahi leta Correct answer.
  4. Unwan hamesha markazi khayal ka poora khulasa hota hai

Explanation

Unwan aksar markazi khayal ki taraf ishara karta hai taake qari ko rasta mile, lekin asal khayal matn ke andar tafseel se samjha jata hai. Is liye unwan ko hidayat ka ishara samajhna chahiye, poora khulasa nahi.

Question 7Prescribed prose text - comprehension, theme, and character/idea analysis

Nasr ke sabaq mein kisi aayat, misal ya hikayat ke istemal ka maqsad aksar kya hota hai?

  1. Sabaq ke khayal ko wazeh aur qabil-e-yaqeen banana Correct answer.
  2. Safhon ki tadaad barhana
  3. Musannif ka apna naam jagah jagah likhna
  4. Sabaq ko mushkil aur pur-asrar banana

Explanation

Misal, hikayat ya aayat is liye layi jati hai taake khayal zahan mein baith jaye aur qari us par yaqeen kare. In ka maqsad matn ko mushkil banana ya safhe barhana nahi hota.

Question 8Prescribed prose text - comprehension, theme, and character/idea analysis

Kisi nasri sabaq mein 'tashbeeh' (simile) pehchanne ki alamat kya hai?

  1. Sawal pooch kar jawab ka intezar
  2. Wazeh aur barah-e-raast bayan
  3. Kisi cheez ko doosri cheez maan lena bila lafz-e-tashbeeh
  4. Do cheezon ke darmiyan 'jaise' ya 'ki tarah' ke lafz se muqabla Correct answer.

Explanation

Tashbeeh mein do cheezon ka muqabla 'jaise', 'ki tarah' ya isi tarah ke lafz se kiya jata hai, jo dono ke darmiyan farq barqarar rakhta hai. Bila lafz-e-tashbeeh kisi cheez ko doosri maan lena istiara kehlata hai, tashbeeh nahi.

Question 9Prescribed prose text - comprehension, theme, and character/idea analysis

Nasr ke sabaq mein kisi shakhsiyat ke 'amal' (action) se uske kirdar par roshni padti hai - is asool ko kis misal se sabse behtar samjha ja sakta hai?

  1. Ek shakhs ka qad lamba hai, jo uski daulat dikhata hai
  2. Ek shakhs ki awaz oonchi hai, jo uski ilm dikhati hai
  3. Ek shakhs ka libas mehnga hai, jo uski sachai dikhata hai
  4. Ek shakhs museebat mein doosron ki madad karta hai, jo uski himmat aur hamdardi dikhata hai Correct answer.

Explanation

Kirdar ka pata uske iradi amal se chalta hai; museebat mein madad karna himmat aur hamdardi ka saboot hai. Qad, awaz ya libas zahiri cheezen hain aur andaruni kirdar par yaqeeni daleel nahi dete.

Question 10Prescribed prose text - comprehension, theme, and character/idea analysis

Kisi nasri sabaq mein 'sabaq ki hidayat' (moral) aur 'waqia' (incident) ke darmiyan kya taluq hota hai?

  1. Hidayat sirf unwan mein bayan hoti hai
  2. Waqia hidayat ko radd karta hai
  3. Waqia aur hidayat dono ek doosre se be-taluq hote hain
  4. Waqia hidayat ko misal ke taur par samjhata hai Correct answer.

Explanation

Aksar musannif pehle waqia bayan karta hai aur phir us se hidayat nikalta hai, is liye waqia hidayat ki misal banta hai. Waqia ko hidayat ka mukhalif samajhna ya dono ko be-taluq kehna matn ki saakht ko ghalat samajhna hai.

Question 11Prescribed prose text - comprehension, theme, and character/idea analysis

Qari kisi nasri sabaq ke markazi khayal ke baare mein yaqeeni raye kab qaim kar sakta hai?

  1. Jab sabaq mein sab se zyada lafz us khayal ke hon
  2. Jab matn ke mukhtalif hisse usi khayal ki tasdeeq karein Correct answer.
  3. Jab sirf pehla jumla us khayal ki taraf ishara kare
  4. Jab unwan ka pehla lafz us khayal se mile

Explanation

Markazi khayal woh hota hai jise matn ke mukhtalif hisse sahara dein, is liye poori tasdeeq ke baad hi yaqeeni raye qaim hoti hai. Sirf pehla jumla, unwan ka lafz ya lafzon ki kasrat kaafi daleel nahi hoti.

Question 12Prescribed prose text - comprehension, theme, and character/idea analysis

Nasr ke sabaq mein kisi shakhsiyat ki 'khud gharzi' (selfishness) ka pata lagane ke liye qari kis cheez par ghaur kare?

  1. Uske kapron ka rang
  2. Uske naam ki imla (spelling)
  3. Uske faislon mein doosron ke faide ko nazarandaz karna Correct answer.
  4. Uske zikr ki tadaad sabaq mein

Explanation

Khud gharzi ka pata uske faislon se chalta hai, khaas taur par jab wo doosron ke faide ko nazarandaz kare. Kapron ka rang, naam ki imla ya zikr ki tadaad kirdar ke mizaj par daleel nahi dete.

Question 13Prescribed prose text - comprehension, theme, and character/idea analysis

Kisi nasri sabaq mein 'tamsil' (parable) aur 'waqia' mein buniyadi farq kya hai?

  1. Tamsil sirf shairi mein aati hai, waqia sirf nasr mein
  2. Dono bilkul ek hi cheez hain
  3. Tamsil hamesha sach hoti hai, waqia hamesha jhoot
  4. Tamsil mein asal maqsad nasihat hoti hai, waqia asal mein pesh aane wali baat Correct answer.

Explanation

Tamsil dar-asal nasihat ke liye ghari hui kahani hoti hai, jabke waqia asal mein pesh aane wali baat ko bayan karta hai. Tamsil ko sirf shairi tak mehdood karna ya dono ko ek samajhna ghalat hai.

Question 14Prescribed prose text - comprehension, theme, and character/idea analysis

Nasr ke sabaq mein musannif ki 'lehja' (tone) maloom karne ka behtar tareeqa kya hai?

  1. Sabaq ke aakhir mein diye gaye sawalon ka jawab dena
  2. Sabaq ke safhon ki tadaad ginna
  3. Uske chune hue lafzon aur jumlon ki tarteeb par ghaur karna Correct answer.
  4. Kitab ka wazan tolena

Explanation

Lehja lafzon ke intekhab aur jumlon ki tarteeb se ubharta hai, jaise nasihat ka lehja ya tanqeed ka lehja. Safhon ki tadaad, kitab ka wazan ya sawal-jawab lehje ka pata nahi dete.

Question 15Prescribed prose text - comprehension, theme, and character/idea analysis

Kisi nasri sabaq mein do shakhsiyat ke darmiyan muqabla (contrast) ka kya maqsad hota hai?

  1. Sabaq ka unwan badalna
  2. Sabaq ko lamba aur be-tartib banana
  3. Ek ki khaslat ko doosre ke barkhilaf rakh kar wazeh karna Correct answer.
  4. Qari ko do naam yaad karwana

Explanation

Muqabla is liye kiya jata hai taake har shakhsiyat ki khaslat doosri ke barkhilaf saaf nazar aaye, jaise sakhi aur kanjoos ka muqabla. Is ka maqsad matn ko be-tartib banana ya sirf naam yaad karwana nahi hota.

Question 16Prescribed prose text - comprehension, theme, and character/idea analysis

Nasr ke sabaq mein kisi 'hikayat' ke aakhir mein aksar kya aata hai?

  1. Hikayat ka nateeja ya hidayat Correct answer.
  2. Sabaq ka safha number
  3. Musannif ki zati taareekh-e-paidaish
  4. Hikayat ke lafzon ki fehrist

Explanation

Hikayat aksar nateeje ya hidayat par khatam hoti hai, jahan musannif kahani se sabaq nikalta hai. Fehrist, taareekh-e-paidaish ya safha number hikayat ke maqsad se be-taluq hain.

Question 17Prescribed prose text - comprehension, theme, and character/idea analysis

Kisi nasri sabaq mein 'sabaq ki hadaf' (target audience) maloom karne ke liye kis cheez par ghaur karna mufeed hai?

  1. Safhon ki syahi ki miqdar par
  2. Musannif ke hidayat ke lehje aur misalon ki qism par Correct answer.
  3. Nashir ke daftar ke pate par
  4. Kitab ki qeemat par

Explanation

Hidayat ka lehja aur misalon ki qism batati hai ke musannif kis tabqe ya umar ke qarain se baat kar raha hai. Qeemat, syahi ya nashir ka pata matn ke hadaf-e-qarain se be-taluq hai.

Question 18Prescribed prose text - comprehension, theme, and character/idea analysis

Nasr ke sabaq mein kisi shakhs ke 'rawaiye' (attitude) ko samajhne ke liye qari ko kis cheez par ghaur karna chahiye?

  1. Waqia ke dauran uske radd-e-amal aur guftar par Correct answer.
  2. Uske ghar ki tafseel par
  3. Uske naam ke harf ki tadaad par
  4. Sabaq ke safhon ki tarteeb par

Explanation

Rawaiya waqia ke dauran radd-e-amal aur guftar se wazeh hota hai, kyunki inhi mein shakhs ka andaruni rukh samne aata hai. Ghar ki tafseel, naam ke harf ya safhon ki tarteeb rawaiye ka pata nahi deti.

Question 19Prescribed prose text - comprehension, theme, and character/idea analysis

Kisi nasri sabaq mein 'istiara' (metaphor) ki pehchan kis cheez se hoti hai?

  1. Ek hi lafz ko baar baar dohrana
  2. Do cheezon ka 'jaise' ke saath muqabla
  3. Kisi cheez ko doosri cheez maan lena bila 'jaise' ya 'ki tarah' Correct answer.
  4. Sawal poochna aur jawab dena

Explanation

Istiara mein tashbeeh ka lafz hata kar kisi cheez ko seedha doosri cheez maan liya jata hai, is liye 'jaise' ka na hona uski alamat hai. 'Jaise' ke saath muqabla tashbeeh hai, istiara nahi.

Question 20Prescribed prose text - comprehension, theme, and character/idea analysis

Nasr ke sabaq mein 'waqia' aur 'sabaq' ke darmiyan rabta qaim karne ke liye qari ko kis sawal se madad milti hai?

  1. Is waqie ka safha number kya hai?
  2. Is waqie mein kitne lafz hain?
  3. Is waqie mein kitne naam aaye hain?
  4. Is waqie se musannif kya sikhana chahta hai? Correct answer.

Explanation

Waqia aur sabaq ka rabta us sawal se wazeh hota hai ke musannif is waqie se kya sikhana chahta hai, kyunki waqia nasihat ka zariya hota hai. Lafzon, safha number ya naamon ki ginti se maqsad tak nahi pohancha jata.

Question 21Prescribed prose text - comprehension, theme, and character/idea analysis

Kisi nasri sabaq mein musannif ke 'mawazna' (comparison) ka andaza lagane ke liye qari kis cheez par ghaur kare?

  1. Sabaq ke aakhir mein diye gaye mashq ke sawal
  2. Sabaq ke safhon ki syahi kitni kaali hai
  3. Do cheezon ko kis maqsad se aamne-samne rakha gaya hai Correct answer.
  4. Kitab ka jild bandhne wala rang

Explanation

Mawazna ka maqsad us se hota hai jab do cheezen kisi khaas nateeje ke liye aamne-samne rakhi jayein, is liye maqsad par ghaur zaroori hai. Syahi, jild ka rang ya mashq ke sawal mawazne ke maqsad se be-taluq hain.

Question 22Prescribed prose text - comprehension, theme, and character/idea analysis

Kisi nasri sabaq mein ek hi shakhsiyat ke 'zahir' aur 'batin' (outward vs inward) mein farq ho to qari kis cheez ko zyada wazan de?

  1. Uske naam ki shohrat ko
  2. Uske amal aur nateeje ko, jo uske asal batin ko wazeh karte hain Correct answer.
  3. Sabaq mein uske zikr ki tadaad ko
  4. Uske libas aur awaaz ko, jo sirf zahir batate hain

Explanation

Zahir aksar dhoka de sakta hai, jabke amal aur unke nateeje shakhs ke asal batin ka pata dete hain, is liye inhi ko zyada wazan dena chahiye. Libas, awaaz, shohrat ya zikr ki tadaad sirf satahi ishare hain.

Question 23Prescribed prose text - comprehension, theme, and character/idea analysis

Nasr ke sabaq mein 'markazi khayal' aur 'satahi mawzu' (topic) ke farq ko kis misal se wazeh kiya ja sakta hai?

  1. Mawzu matn ke andar hota hai, markazi khayal unwan mein
  2. Mawzu sirf shairi mein hota hai, markazi khayal sirf nasr mein
  3. Mawzu aur markazi khayal hamesha ek hi jumla hote hain
  4. Mawzu 'ilm ki ahmiyat' ho sakta hai, jabke markazi khayal 'ilm se insan ki zindagi sanwarti hai' ho sakta hai Correct answer.

Explanation

Mawzu aam aur mukhtasar hota hai, jabke markazi khayal matn ka khaas paigham hota hai jo tafseel se samjha jata hai. Dono ko ek jumla samajhna ya unhein shairi-nasr mein baant dena ghalat hai.

Question 24Prescribed prose text - comprehension, theme, and character/idea analysis

Kisi nasri sabaq mein musannif apne mawqif ko mazboot karne ke liye 'daleel' aur 'misal' dono laata hai - in dono ka kya kirdar hai?

  1. Daleel sirf unwan mein aati hai aur misal sirf aakhir mein
  2. Daleel aur misal dono sabaq ko lamba karte hain
  3. Misal daleel ko radd karti hai
  4. Daleel mawqif ko sabit karti hai aur misal use zahan-nasheen banati hai Correct answer.

Explanation

Daleel se mawqif ka saboot milta hai aur misal se wohi baat qari ke zahan mein baith jati hai, is liye dono ek doosre ke mukammal karte hain. Inhein sirf lambai ka zariya samajhna ya misal ko daleel ka mukhalif kehna ghalat hai.

Question 25Prescribed prose text - comprehension, theme, and character/idea analysis

Nasr ke sabaq mein kisi shakhsiyat ke faisle ka jayza lene ke liye qari ko kis cheez ko paimana banana chahiye?

  1. Uske faisle ki tadaad aur unka safha number
  2. Uske faisle ke asbaab aur unke nateeje, sabaq ke akhlaqi paigham ke mutabiq Correct answer.
  3. Sabaq mein us shakhsiyat ke naam ke harf
  4. Uske faisle ke waqt pahne hue libas ka rang

Explanation

Faisle ka jayza uske asbaab aur nateeje ko sabaq ke akhlaqi paigham ke saath mila kar kiya jata hai, kyunki isi se pata chalta hai ke faisla durust tha ya nahi. Tadaad, safha number, libas ya naam ke harf is jayze ki buniyad nahi ban sakte.

Question 26Prescribed prose text - comprehension, theme, and character/idea analysis

BSEB Matric Persian ke nasri nisab mein shamil sabaq 'Gulistan' ke musannif kaun hain?

  1. Allama Iqbal
  2. Mirza Ghalib
  3. Sheikh Saadi Shirazi Correct answer.
  4. Maulana Abul Kalam Azad

Explanation

Sheikh Saadi Shirazi Farsi nasr ke mashhoor musannif hain jin ki kitab 'Gulistan' nasr aur hikayat ka majmua hai. BSEB ke Farsi nisab mein unka nasri sabaq shamil hai jismein nasihat aur hikmat bayan ki gayi hai. Isi liye sabaq ke musannif ke taur par Shekh Saadi ka naam liya jata hai.

Question 27Prescribed prose text - comprehension, theme, and character/idea analysis

Farsi nasri sabaq mein 'hikayat' ki buniyadi khasusiyat kya hoti hai?

  1. Ek waqia jismein kirdar aur nateeja dono maujood hon Correct answer.
  2. Sirf qawaid aur tareefon ka bayan
  3. Mukhtalif musannifon ke hawale
  4. Sirf shayri ki bahron ka zikr

Explanation

Hikayat dar-asal ek chhota waqia hota hai jismein kuch kirdar amal karte hain aur aakhir mein koi nateeja ya sabaq saamne aata hai. Isi waqia aur nateeje ki bina par qari hikayat ka maqsad samajhta hai. Qawaid ya bahron ka zikr hikayat ki khasusiyat nahin.

Question 28Prescribed prose text - comprehension, theme, and character/idea analysis

Farsi nasri sabaq mein 'pand' (nasihat) aur 'waqia' ke darmiyan kya taluq hota hai?

  1. Waqia pand ko saabit karta hai, is liye pand pehle aata hai ya baad mein waqia se mazboot hota hai Correct answer.
  2. Waqia pand ko rad karta hai
  3. Pand sirf shayri mein aata hai, nasr mein nahin
  4. Pand aur waqia ka aapas mein koi taluq nahin hota

Explanation

Saadi ki hikayat mein aksar waqia ko pand ki daleel banaya jata hai, yani waqia se nasihat ki tasdeeq hoti hai. Isi liye pand aur waqia ek doosre ke saath chalte hain aur ek doosre ko mazboot karte hain. Dono ka taluq daleel aur nateeje jaisa hota hai.

Question 29Prescribed prose text - comprehension, theme, and character/idea analysis

Farsi nasri sabaq mein musannif ka 'lehja' (tone) maloom karne ke liye qari kis cheez par ghaur kare?

  1. Sirf sabaq ke unwan par
  2. Sirf safha number par
  3. Sirf musannif ki tareekh-e-pedarish par
  4. Alfaaz ke intikhab aur jumlon ki tarteeb par Correct answer.

Explanation

Lehja musannif ke chune hue alfaaz, jumlon ki tarteeb aur takraar se zahir hota hai. Nasihat ka lehja narm aur samjhane wala hota hai, jabke tanqeed ka lehja tez aur sakht hota hai. Isi liye alfaaz aur jumlon ki tarteeb par ghaur karna zaroori hai.

Question 30Prescribed prose text - comprehension, theme, and character/idea analysis

Farsi nasri sabaq mein 'tashbeeh' (simile) pehchanne ki alamat kya hai?

  1. Sirf sawal ka nishan aana
  2. Sirf fe'l ka istemal
  3. Sirf adad ka zikr
  4. Do cheezon ke darmiyan 'jaise', 'manind' ya 'misal' jaisa lafz aana Correct answer.

Explanation

Tashbeeh mein ek cheez ko doosri cheez ke saath 'jaise', 'manind' ya 'misal' ke zariye milaya jata hai. Isi lafz ki maujoodgi tashbeeh ki sab se aasan alamat hai. Fe'l ya sawal ka nishan tashbeeh ki alamat nahin.

Question 31Prescribed prose text - comprehension, theme, and character/idea analysis

Farsi nasri sabaq mein kisi shakhsiyat ke 'amal' se uske kirdar par roshni padne ki misal kis tarah di ja sakti hai?

  1. Ek shakhs khana khata hai, is se uski himmat zahir hoti hai
  2. Ek shakhs so jata hai, is se uski ilm zahir hoti hai
  3. Ek shakhs ghareeb ki madad karta hai, is se uski sakhavat zahir hoti hai Correct answer.
  4. Ek shakhs chalta hai, is se uski adalat zahir hoti hai

Explanation

Kirdar ka pata us ke amal se chalta hai, aur ghareeb ki madad karna sakhavat aur reham ka amal hai. Isi amal se qari shakhs ke akhlaq ka andaza lagata hai. Khana khana ya sona aise amal hain jin se akhlaqi sift saabit nahin hoti.

Question 32Prescribed prose text - comprehension, theme, and character/idea analysis

Farsi nasri sabaq mein 'tamsil' (parable) aur 'waqia' mein buniyadi farq kya hai?

  1. Dono bilkul ek hi cheez hain
  2. Waqia sirf qawaid bayan karta hai
  3. Tamsil sirf shayri mein aati hai
  4. Tamsil mein kirdar aur waqia asal mein namoona hote hain, jabke waqia khaas taur par ek haqeeqi ya bayan karda halaat hota hai Correct answer.

Explanation

Tamsil mein kirdar aur waqia ko namoona bana kar aam sabaq samjhaya jata hai, jabke waqia khaas halaat ya ek haqeeqi bayan hota hai. Isi liye tamsil ka maqsad sabaq dena hota hai, jabke waqia ka maqsad halaat bayan karna. Dono ek nahin hain.

Question 33Prescribed prose text - comprehension, theme, and character/idea analysis

Farsi nasri sabaq mein aayat, misal ya hikayat ke istemal ka maqsad aksar kya hota hai?

  1. Sabaq ko lamba karna
  2. Safha bharna
  3. Qari ko uljhana
  4. Baat ko wazeh aur asar-angez banana Correct answer.

Explanation

Aayat, misal ya hikayat se baat samajhna asaan hota hai aur qari par asar parta hai. Isi liye musannif daleel ko mazboot karne ke liye in ka sahara leta hai. Safha bharna ya qari ko uljhana maqsad nahin hota.

Question 34Prescribed prose text - comprehension, theme, and character/idea analysis

Farsi nasri sabaq mein do shakhsiyat ke darmiyan muqabla (contrast) ka kya maqsad hota hai?

  1. Qari ko mashghool rakhna
  2. Sirf kahani ko lamba karna
  3. Aik ki khoobi aur doosre ki kami ko wazeh karke sabaq ko roshan karna Correct answer.
  4. Dono ko barabar saabit karna

Explanation

Muqabla se do kirdaron ke farq wazeh hote hain, aur isi farq se sabaq ki nasihat roshan hoti hai. Maslan ek sakhi aur ek kanjoos ka muqabla sakhavat ki ahmiyat batata hai. Barabari saabit karna muqabla ka maqsad nahin.

Question 35Prescribed prose text - comprehension, theme, and character/idea analysis

Farsi nasri sabaq mein kisi shakhs ke 'rawaiye' (attitude) ko samajhne ke liye qari kis cheez par ghaur kare?

  1. Uske alfaaz aur doosron ke saath sulook par Correct answer.
  2. Sirf uski umar par
  3. Sirf uske ghar ke pate par
  4. Sirf uske libas par

Explanation

Rawaiye ka pata us ke alfaaz, lehja aur doosron ke saath sulook se chalta hai. Maslan narmi se baat karna khush-akhlaqi ki nishani hai. Libas, umar ya pata rawaiye ka paimana nahin.

Question 36Prescribed prose text - comprehension, theme, and character/idea analysis

Farsi nasri sabaq mein 'istiara' (metaphor) ki pehchan kis cheez se hoti hai?

  1. Jumle mein sawal ka nishan aata hai
  2. Ek cheez ko doosri cheez ka naam de diya jata hai baghair 'jaise' ya 'manind' ke Correct answer.
  3. Adad ka zikr hota hai
  4. Fe'l ka istemal hota hai

Explanation

Istiara mein tashbeeh ka lafz hazf kar ke ek cheez ko doosri ka naam de diya jata hai, jaise 'ilm ka samundar'. Yahan 'samundar' istiara hai kyunke 'jaise' nahin aaya. Isi liye tashbeeh ka lafz na hona istiara ki alamat hai.

Question 37Prescribed prose text - comprehension, theme, and character/idea analysis

Farsi nasri sabaq mein 'markazi khayal' aur 'satahi mawzu' (topic) ke farq ko kis misal se wazeh kiya ja sakta hai?

  1. Mawzu aur markazi khayal dono ek hi lafz hain
  2. Mawzu 'sakhavat' ho sakta hai, jabke markazi khayal 'sakhavat se dil ki safai aur Allah ki raza hasil hoti hai' ho sakta hai Correct answer.
  3. Mawzu sirf unwan hota hai
  4. Markazi khayal sirf pehle jumle mein hota hai

Explanation

Mawzu sirf ek aam lafz ya mazmoon ka naam hota hai, jabke markazi khayal us mawzu ke andar chhupi hui asal baat aur sabaq hota hai. Isi liye mawzu se markazi khayal zyada gehra aur wazeh hota hai. Dono ko ek samajhna ghalat hai.

Question 38Prescribed prose text - comprehension, theme, and character/idea analysis

Farsi nasri sabaq mein musannif apne mawqif ko mazboot karne ke liye 'daleel' aur 'misal' dono laata hai - in dono ka kya taluq hota hai?

  1. Daleel sirf shayri mein aati hai
  2. Daleel aam usool batati hai aur misal us usool ko khaas halaat mein wazeh karti hai Correct answer.
  3. Daleel aur misal ek hi cheez hain
  4. Misal daleel ko rad karti hai

Explanation

Daleel aam usool ya hukm bayan karti hai, aur misal us usool ko khaas waqia ke zariye wazeh karti hai. Isi tarah dono milkar musannif ke mawqif ko mazboot karte hain. Misal daleel ko rad nahin karti balke uski taeed karti hai.

Question 39Prescribed prose text - comprehension, theme, and character/idea analysis

Farsi nasri sabaq mein kisi shakhsiyat ke faisle ka jayza lene ke liye qari ko kis cheez ko paimana banana chahiye?

  1. Faisle ke nataij aur uske akhlaqi asar ko Correct answer.
  2. Sirf faisle ki raftaar ko
  3. Sirf faisle ke waqt ko
  4. Sirf faisle ki jagah ko

Explanation

Faisle ka jayza us ke nataij aur akhlaqi asar se hota hai, yani us se doosron ko faida hua ya nuqsan. Isi paimane se qari kirdar ka sahih andaza lagata hai. Raftaar, waqt ya jagah akhlaqi jayze ke liye kaafi nahin.

Question 40Prescribed prose text - comprehension, theme, and character/idea analysis

Farsi nasri sabaq mein 'sabaq ki hidayat' (moral) aur 'waqia' ke darmiyan kya taluq hota hai?

  1. Hidayat waqia ko khatam kar deti hai
  2. Dono ka koi taluq nahin
  3. Hidayat waqia se pehle lazmi aati hai
  4. Waqia hidayat tak pahunchne ka zariya hota hai, hidayat us ka nateeja Correct answer.

Explanation

Hikayat mein waqia ko is tarah bayan kiya jata hai ke qari khud nateeje tak pahunche, aur wohi nateeja hidayat hota hai. Isi liye waqia zariya hai aur hidayat uska nateeja. Hidayat waqia ko khatam nahin karti balke us se paidا hoti hai.

Question 41Prescribed poetry text - appreciation, theme, and poetic devices

BSEB Matric Persian (Optional) के कविता खंड में 'हम्द' विधा का मूल विषय क्या होता है?

  1. राजा की वीरता का बखान
  2. प्रकृति के ऋतु-चक्र का चित्रण
  3. प्रेमिका के सौंदर्य का वर्णन
  4. अल्लाह की प्रशंसा और स्तुति Correct answer.

Explanation

हम्द का शाब्दिक अर्थ प्रशंसा है और फ़ारसी-उर्दू साहित्य में यह विधा विशेष रूप से अल्लाह की स्तुति के लिए निर्धारित है। इसमें उसकी कुदरत, रहमत और एकता का बयान होता है, प्रेमिका या राजा का नहीं। इसलिए हम्द को स्तुति-काव्य कहा जाता है।

Question 42Prescribed poetry text - appreciation, theme, and poetic devices

फ़ारसी कविता में 'नात' का विषय किससे संबंधित माना जाता है?

  1. पैग़म्बर हज़रत मुहम्मद की प्रशंसा Correct answer.
  2. अल्लाह की कुदरत का बयान
  3. माशूक़ के ज़ुल्फ़ और लब का वर्णन
  4. सूफ़ी सिलसिले की शिक्षाएँ

Explanation

नात उस काव्य-विधा को कहते हैं जिसमें पैग़म्बर हज़रत मुहम्मद की प्रशंसा की जाती है। यह हम्द से इस अर्थ में भिन्न है कि हम्द अल्लाह की स्तुति है जबकि नात पैग़म्बर की शान में कही जाती है।

Question 43Prescribed poetry text - appreciation, theme, and poetic devices

फ़ारसी-उर्दू शायरी में 'मदह' शब्द का अर्थ क्या है?

  1. किसी की प्रशंसा में कविता कहना Correct answer.
  2. प्रेम में विरह का वर्णन करना
  3. नीति-विषयक उपदेश देना
  4. किसी की निंदा में कविता कहना

Explanation

मदह का अर्थ प्रशंसा है और मदह-काव्य में किसी व्यक्ति या राजा की प्रशंसा की जाती है। इसका विपरीत भाव हज्व या निंदा-काव्य में मिलता है। इसलिए मदह स्तुति-काव्य का पर्याय है।

Question 44Prescribed poetry text - appreciation, theme, and poetic devices

फ़ारसी कविता में 'ग़ज़ल' की पहचान किस बात से होती है?

  1. किसी युद्ध का वर्णन
  2. किसी दार्शनिक सिद्धांत का खंडन
  3. प्रेम और विरह की भावनाओं का मुख्य रूप से चित्रण Correct answer.
  4. राज-दरबार की प्रशंसा

Explanation

ग़ज़ल मूलतः प्रेम, विरह, सौंदर्य और रहस्य-भाव की विधा है, जिसमें हर शेर स्वतंत्र भाव लिए होता है। युद्ध या दरबार-प्रशंसा ग़ज़ल का केंद्रीय विषय नहीं है। इसलिए ग़ज़ल को प्रेम-काव्य की प्रमुख विधा माना जाता है।

Question 45Prescribed poetry text - appreciation, theme, and poetic devices

'तश्बीह' अलंकार का क्या अर्थ है?

  1. रूपक, जिसमें एक वस्तु को दूसरी कह दिया जाता है
  2. अतिशयोक्ति, जिसमें बात बढ़ा-चढ़ाकर कही जाती है
  3. उपमा, जिसमें दो वस्तुओं की तुलना की जाती है Correct answer.
  4. विरोधाभास, जिसमें दो विपरीत बातें रखी जाती हैं

Explanation

तश्बीह का अर्थ उपमा है, जिसमें किसी वस्तु या व्यक्ति की तुलना दूसरी वस्तु से की जाती है। इसमें आम तौर पर 'मानिंद', 'चूँ' या 'मिस्ल' जैसे तुलना-सूचक शब्द आते हैं। रूपक में तुलना-सूचक शब्द नहीं होता, इसलिए दोनों भिन्न हैं।

Question 46Prescribed poetry text - appreciation, theme, and poetic devices

फ़ारसी शायरी में 'मतला' किस शेर को कहा जाता है?

  1. ग़ज़ल का पहला शेर, जिसके दोनों मिसरे क़ाफ़िया-रदीफ़ में होते हैं Correct answer.
  2. ग़ज़ल का अंतिम शेर, जिसमें तख़ल्लुस आता है
  3. वह शेर जिसमें केवल दूसरा मिसरा क़ाफ़िया में हो
  4. वह शेर जो ग़ज़ल के बीच में आता है

Explanation

मतला ग़ज़ल का प्रारंभिक शेर होता है जिसमें दोनों मिसरे क़ाफ़िया और रदीफ़ में आते हैं। यही कारण है कि मतला ग़ज़ल का सबसे स्पष्ट शेर माना जाता है। अंतिम शेर को मक़ता कहते हैं जिसमें शायर अपना तख़ल्लुस रखता है।

Question 47Prescribed poetry text - appreciation, theme, and poetic devices

किसी ग़ज़ल के अंतिम शेर, जिसमें शायर अपना उपनाम रखता है, को क्या कहते हैं?

  1. बहर
  2. रदीफ़
  3. मक़ता Correct answer.
  4. मतला

Explanation

मक़ता ग़ज़ल का अंतिम शेर होता है जिसमें शायर अपना तख़ल्लुस या उपनाम रखता है। यह ग़ज़ल के समापन का संकेत देता है और शायर की पहचान स्थापित करता है। मतला प्रारंभिक शेर है, इसलिए दोनों पद भिन्न हैं।

Question 48Prescribed poetry text - appreciation, theme, and poetic devices

किसी मिसरे में दोहराए जाने वाले उस शब्द को क्या कहते हैं जो क़ाफ़िया के बाद आता है?

  1. मिसरा
  2. रदीफ़ Correct answer.
  3. तख़ल्लुस
  4. क़ाफ़िया

Explanation

रदीफ़ वह शब्द या शब्द-समूह है जो क़ाफ़िया के तुरंत बाद दोहराया जाता है। क़ाफ़िया मूल तुकांत शब्द होता है और रदीफ़ उसके बाद स्थिर रहता है। इसलिए रदीफ़ की पहचान दोहराव से होती है।

Question 49Prescribed poetry text - appreciation, theme, and poetic devices

किसी कविता के वज़्न या छंद को फ़ारसी शायरी में क्या कहा जाता है?

  1. रुक्न
  2. बहर Correct answer.
  3. बैत
  4. ग़ज़ल

Explanation

बहर कविता के छंद या वज़्न का नाम है जो अरूज़ के नियमों से निर्धारित होता है। बैत का अर्थ शेर या दोहरा मिसरा है जो बहर के भीतर रचा जाता है। इसलिए बहर और बैत दो भिन्न अवधारणाएँ हैं।

Question 50Prescribed poetry text - appreciation, theme, and poetic devices

शेर की दो पंक्तियों में से एक पंक्ति को फ़ारसी में क्या कहा जाता है?

  1. रदीफ़
  2. मतला
  3. मिसरा Correct answer.
  4. बैत

Explanation

मिसरा शेर की एक पंक्ति को कहते हैं और दो मिसरों से एक बैत या शेर बनता है। इसलिए मिसरा शेर की मूल इकाई है। मतला और रदीफ़ शेर के भीतर विशेष स्थान या तुकांत से जुड़े पद हैं।