BSEH SS Music Vocal study materials
BSEH SS Music Vocal study resources

BSEH SS Music Vocal case studies

BSEH SS Music Vocal · Put your knowledge to work in context.

The BSEH Senior Secondary Music (Vocal) examination is the Haryana Board's Class XII qualification in Hindustani vocal music, taken by students who have studied the subject as an elective in the senior secondary stream. It suits candidates who already sing at a basic level and want a recognised school-leaving certificate that combines practical performance with written theory, useful for further study in music, teacher training, or simply documenting a serious hobby. The BSEH SS Music Vocal case studies are 5 cases and about 5,270 words.

1

The 6:45 pm Brief: Bhairav, Malhar and a Late Sitar

An organiser books you for a 40-minute solo khayal set in a Delhi hall on a Saturday in late July, 6:45–7:25 pm, with tanpura and tabla. Her email, copied from an old list, asks for 'Bhairav and Miyan ki Malhar, one bada khayal each, plus a tarana'.

1,023 words, about 5 min
2

The 16-Bol Sthayi That Will Not Land on Sam

A student is preparing a khayal for a school competition. Her sthayi in raga Yaman has 16 bols, one per matra, in teental; the tabla player sets the tempo at 60 matras per minute, and the marking scheme awards five marks for 'sam-par layakari'.

1,022 words, about 5 min
3

The Rupak Notation with the Khali in the Wrong Place

A first-year student submits a handwritten bandish for a khayal in raga Bihag, set to Rupak tala, as part of a notation assignment. She has used the Bhatkhande system: swaras as S R G M P D N, komal swaras underlined, tivra Ma marked, vibhags divided by vertical bars, matra numbers written below, a cross at matra 1 and a zero at matra 4.

1,079 words, about 5 min
4

The Raga That Cannot Be Malkauns

In a practical viva a candidate is played nothing; instead she is handed a written sargam line with no raga name and asked to identify the raga and defend her answer. The line reads: 'S G M P D n S - S n D P M G S', with komal Ga and komal Ni, shuddha Ma, and Pa appearing twice; a second line given separately reads 'P M G M D n S'.

1,075 words, about 5 min
5

Casting and Ordering a Sixty-Minute Heritage Segment

A college festival committee asks you to design a 60-minute 'Hindustani heritage' segment for an 8 pm slot: a dhrupad in Darbari Kanada with pakhavaj, a khayal in Darbari Kanada with tabla, and a thumri in Bhairavi with harmonium. The committee's draft order is 'light to heavy' - thumri, then khayal, then dhrupad - on the grounds that a restless audience needs warming up.

1,071 words, about 5 min