Kerala SSLC Urdu study materials
Kerala SSLC Urdu study resources

Kerala SSLC Urdu cheat sheet

Kerala SSLC Urdu · Keep the key ideas within reach.

Quick reference

Urdu Prose (Nasr)

  • Kerala SSLC Urdu prose includes lesson-based questions, author identification, and short-answer items drawn from prescribed textbook lessons.

  • Nasr (نثر) means prose; the prose lessons include essays, short stories, and biographical sketches from the SCERT Urdu textbook.

  • Author-question format: match lesson to author, e.g. lesson titles in the textbook are paired with named Urdu writers; learn lesson-author pairs as a list.

  • Short-answer items usually ask for a theme, a character trait, or a moral; answers of 2–3 sentences in Urdu earn full marks.

  • Lesson-based vocabulary: unfamiliar words are glossed at page footnotes; exam items may ask for meanings (ma'ani) of words in context.

  • Summary (khulasa) questions require restating the lesson's central idea in your own Urdu sentences, not copied lines.

  • Character sketch questions ask for qualities with textual evidence; name the character and give two supporting incidents.

  • Essay-type prose answers must be in Urdu script with correct sentence order (subject-object-verb) and appropriate connectors.

Quick reference

Urdu Poetry (Nazm and Ghazal)

  • Poetry lessons include nazm (نظم) and ghazal (غزل); exam items ask for poet name, theme, and explanation (tashreeh) of lines.

  • Nazm: a poem with a single sustained theme; identify the central idea and the poet's message before writing tashreeh.

  • Ghazal: couplets (sher) with a radif (repeated refrain) and qafiya (rhyme); the matla is the opening couplet and the maqta contains the poet's takhallus.

  • Tashreeh answers: explain each line's meaning in simple Urdu prose, then state the poetic idea; do not merely repeat the verse.

  • Poetic devices to name: tashbeeh (simile), isti'ara (metaphor), tajnees (wordplay), and radif/qafiya structure.

  • Poet-identification items: learn each prescribed poem's poet and the poet's era or style as listed in the textbook.

  • Marks for poetry explanation reward accurate meaning plus a stated theme; a bare translation without comment loses marks.

Quick reference

Urdu Grammar (Qawa'id)

  • Ism (noun) types: ism-e-khas (proper), ism-e-aam (common), ism-e-jins (collective), and ism-e-masdar (verbal noun).

  • Zameer (pronoun) must agree with the noun in person and number: main, hum, tu, tum, woh, yeh; gender agreement applies to verbs.

  • Fail (verb) tenses: mazi (past), haal (present), mustaqbil (future); the auxiliary hona changes with person and gender.

  • Sifat (adjective) follows the noun it qualifies in Urdu and agrees in gender and number where the pattern requires it.

  • Jumla (sentence) correction items test word order: standard order is subject + object + verb, with the verb final.

  • Muhawara (idiom) and zarb-ul-masal (proverb) items require the idiom used in a correct sentence, not just its meaning.

  • Wahid-jam'a (singular-plural) pairs and muzakkar-mu'annas (masculine-feminine) pairs are directly tested; memorise irregular pairs.

  • Tazkeer-o-tanees (gender) errors are common distractors: e.g. kitab is feminine, qalam is masculine.

Quick reference

Composition (Insha and Khat)

  • Insha (essay) topics come from familiar areas: mera mulk, mera school, mera pasandeeda mausam, aur science ke faide.

  • Essay structure: introductory sentence, 2–3 body paragraphs with one idea each, and a concluding sentence; keep to the word limit given.

  • Khat (letter) formats: personal letter to a friend or relative, and application (darkhwast) to a headmaster or officer; both need salutation, body, and closing.

  • Application format: address line, subject, salutation (Janab-e-Aali), body stating the request, and signature with class and roll number.

  • Mazmoon (report/paragraph) writing rewards linking words: aur, lekin, is liye, is ke baad, akhir mein.

  • Translation (tarjuma) items: translate English sentences into Urdu keeping tense and number accurate; avoid word-for-word ordering.

  • Mukhtasar kahanI (short story) writing needs a clear beginning, a single incident, and a moral or ending line.

  • Composition marks are lost for spelling (hijje) errors and missing punctuation marks such as the full stop (khatma nishan).